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Proportional strict notespacing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 330 Removing the first empty line . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 331 Rest styles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 332 Rhythmic slashes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 333 Separating key cancellations from key signature changes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 334 Setting hairpin behavior at bar lines . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335 Specifying context with beatGrouping . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335 Suppressing warnings for clashing note columns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335 Time signature in parentheses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 336 Time signature printing only the numerator as a number (instead of the fraction). . . . . . 336 Transcription of Ancient music with incipit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 337 Tweaking clef properties. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 343 Tweaking grace layout within music . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 344 Using beatLength and beatGrouping. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 345 Using PostScript to generate special note head shapes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 346 Using the \tweak command to tweak individual grobs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 347 Vertically aligned dynamics and textscripts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 347 Vertically aligning ossias and lyrics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 348 Paper and layout. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 349 Aligning and centering instrument names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 349 Book parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 350 Changing the staff size . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 354 Clip systems . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 355 Creating blank staves. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 358 Demonstrating all headers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 359 Table of contents . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 361 Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 363 Adding the current date to a score. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 363 Aligning and centering instrument names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 363 Demonstrating all headers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 365 Outputting the version number . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 366 Spacing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 367 Adjusting lyrics vertical spacing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 367 Allowing fingerings to be printed inside the staff . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 367 Page label. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 368 Proportional strict notespacing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 370 Vertically aligned dynamics and textscripts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 371 Vertically aligning ossias and lyrics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 371 MIDI. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 373 Changing MIDI output to one channel per voice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 373 Changing the tempo without a metronome mark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 374 Demo MidiInstruments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 374 ix
Templates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 378 Ancient notation template – modern transcription of gregorian music. . . . . . . . . . . . . . . . . . 378 Ancient notation template – modern transcription of mensural music . . . . . . . . . . . . . . . . . . 379 Jazz combo template . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 384 Orchestra, choir and piano template . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 390 Piano template (simple) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 395 Piano template with centered dynamics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 395 Piano template with centered lyrics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 397 Piano template with melody and lyrics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 398 Score for diatonic accordion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 399 Single staff template with notes, lyrics, and chords . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 403 Single staff template with notes, lyrics, chords and frets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 404 Single staff template with notes and chords . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 405 Single staff template with notes and lyrics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 406 Single staff template with only notes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 407 String quartet template (simple) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 407 String quartet template with separate parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 408 Vocal ensemble template with automatic piano reduction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 411 Vocal ensemble template with lyrics aligned below and above the staves . . . . . . . . . . . . . . . 413 Vocal ensemble template . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 415 x
Page 1 and 2: LilyPond Snippets LilyPond Snippet
Page 3 and 4: Modifying tuplet bracket length. .
Page 5 and 6: Making some staff lines thicker tha
Page 7 and 8: Vocal ensemble template with lyrics
Page 9: Contexts and engravers . . . . . .
Page 13 and 14: Modifying tuplet bracket length. .
Page 15 and 16: Making some staff lines thicker tha
Page 17 and 18: Vocal ensemble template with lyrics
Page 19 and 20: xviii Contexts and engravers . . .
Page 21 and 22: Templates . . . . . . . . . . . . .
Page 23 and 24: Pitches 2 Ambitus Ambi
Page 25 and 26: Pitches 4 (cons (ly:make-pitch 0 5
Page 27 and 28: Pitches 6 } } } \Staff \remove "Ke
Page 29 and 30: Pitches 8 8 Text Preventing ex
Page 31 and 32: Pitches 10 } c'1 Transpo
Page 33 and 34: Pitches 12 } 6 \set Staff.clefGlyph
Page 35 and 36: Rhythms 14 } \new DrumVoice { \stem
Page 37 and 38: Rhythms 16 } \override StrokeFinger
Page 39 and 40: Rhythms 18 Changing beam knee gap K
Page 41 and 42: Rhythms 20
Page 43 and 44: Rhythms 22 } } 9 8 8 5
Page 45 and 46: Rhythms 24 In the example, two trip
Page 47 and 48: Rhythms 26 A O P B C 18 9
Page 49 and 50: Rhythms 28 melody = \relative c'' {
Page 51 and 52: Rhythms 30 } { c''1 R1 c''1 \normal
Page 53 and 54: Rhythms 32 3 3 P
Page 55 and 56: Rhythms 34 } \override Score.BarNum
Page 57 and 58: Rhythms 36 } >> \bar "|" \time 3/8
Page 59 and 60: Rhythms 38 Printing the bar number
Page 61 and 62:
Rhythms 40 } \override Staff.Rest #
Page 63 and 64:
Rhythms 42 a gap Skips in lyr
Page 65 and 66:
Rhythms 44 Three-sided box This exa
Page 67 and 68:
Rhythms 46 Using beatLength and bea
Page 69 and 70:
Expressive marks 48 Expressive mark
Page 71 and 72:
Expressive marks 50 scale in the po
Page 73 and 74:
Expressive marks 52 smallFlageolet
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Expressive marks 54 } \cadenzaOn c4
Page 77 and 78:
Expressive marks 56
Page 79 and 80:
Expressive marks 58 The solution is
Page 81 and 82:
Expressive marks 60 Hiding the exte
Page 83 and 84:
Expressive marks 62 \relative c'' {
Page 85 and 86:
Expressive marks 64 \relative c' {
Page 87 and 88:
Expressive marks 66 } } \context {
Page 89 and 90:
Expressive marks 68 Setting hairpin
Page 91 and 92:
Expressive marks 70 \relative c' {
Page 93 and 94:
Repeats 72 } \repeat tremolo 8 { a3
Page 95 and 96:
Repeats 74 } | c4 c c c % Set segno
Page 97 and 98:
Repeats 76 7
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Repeats 78 \new StaffGroup > >>
Page 101 and 102:
Simultaneous notes 80 A tiny e
Page 103 and 104:
Simultaneous notes 82 Standard poly
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Simultaneous notes 84 } } >> b8 g g
Page 107 and 108:
Staff notation 86 } } >> \new Staff
Page 109 and 110:
Staff notation 88 } \dynamicDown c8
Page 111 and 112:
Staff notation 90 Creating metronom
Page 113 and 114:
Staff notation 92 \once \override S
Page 115 and 116:
Staff notation 94 } } g1 | \once \o
Page 117 and 118:
Staff notation 96 } \new Lyrics = "
Page 119 and 120:
Staff notation 98 } subsubtitle = \
Page 121 and 122:
Staff notation 100 Mensurstriche la
Page 123 and 124:
Staff notation 102 Alternatively, f
Page 125 and 126:
Staff notation 104 \set Staff.instr
Page 127 and 128:
Staff notation 106
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Staff notation 108 } >> } Vol
Page 131 and 132:
Editorial annotations 110 Editorial
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Editorial annotations 112 Avoiding
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Editorial annotations 114 (cons (ly
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Editorial annotations 116 } } \pape
Page 139 and 140:
Editorial annotations 118 foo
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Editorial annotations 120 Grid line
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Editorial annotations 122 } } } a4
Page 145 and 146:
Editorial annotations 124 Using Pos
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Text 126 } \new Voice = melody \rel
Page 149 and 150:
Text 128 \relative c' { e1 } % the
Page 151 and 152:
Text 130 hairpinWithCenteredText =
Page 153 and 154:
Text 132 This snippet presents the
Page 155 and 156:
Text 134 } \time 1/16 s16 \bar "" \
Page 157 and 158:
Text 136 } } poet piece copyright
Page 159 and 160:
Text 138 } \once \override LyricTex
Page 161 and 162:
Text 140 Multi-measure rest markup
Page 163 and 164:
Text 142 } } \midi { } Aaa B
Page 165 and 166:
Text 144 } } \line { mens impletur
Page 167 and 168:
Text 146 } . japanese = \lyricmode
Page 169 and 170:
Text 148 } >> \layout { \context {
Page 171 and 172:
Vocal music 150 \new Lyrics \with {
Page 173 and 174:
Vocal music 152 4 3 1. Hi, my
Page 175 and 176:
Vocal music 154 } (is-rest? (ly:gro
Page 177 and 178:
Vocal music 156 } text = \lyricmode
Page 179 and 180:
Vocal music 158 } > \layout { } \mi
Page 181 and 182:
Vocal music 160 Vertically centered
Page 183 and 184:
Vocal music 162 } \new Voice = alto
Page 185 and 186:
Vocal music 164 } ho ho ho ho \scor
Page 187 and 188:
Vocal music 166 } \new Lyrics = "al
Page 189 and 190:
Chords 168 F F 7 B 7 Avoiding colli
Page 191 and 192:
Chords 170 } \set figuredBassAltera
Page 193 and 194:
Chords 172 5 1 3 3 1 5 1 3
Page 195 and 196:
Chords 174 Single staff template wi
Page 197 and 198:
Chords 176 } harmonies = \chordmode
Page 199 and 200:
Keyboards 178 Keyboards These snipp
Page 201 and 202:
Keyboards 180 } \discant \combine \
Page 203 and 204:
Keyboards 182 Controlling the place
Page 205 and 206:
Keyboards 184 } >> { 2.\arpeggio }
Page 207 and 208:
Keyboards 186 % ------ Baritone Sax
Page 209 and 210:
Keyboards 188 piano = { > } % -----
Page 211 and 212:
Keyboards 190 Trumpet Alto Sax Bari
Page 213 and 214:
Keyboards 192 lower = \relative c {
Page 215 and 216:
Keyboards 194 } \context { \Lyrics
Page 217 and 218:
Keyboards 196 g4 a f g } tenorWords
Page 219 and 220:
Percussion 198 Percussion These sni
Page 221 and 222:
Percussion 200 4 6
Page 223 and 224:
Percussion 202 } > % ------ Trombon
Page 225 and 226:
Percussion 204 } \clef bass > % ---
Page 227 and 228:
Percussion 206 Trumpet Alto Sax Bar
Page 229 and 230:
Percussion 208 grestore grestore 0
Page 231 and 232:
Percussion 210 } \Staff \consists "
Page 233 and 234:
Percussion 212 } \Perkussion >> 8
Page 235 and 236:
Fretted strings 214 Allowing finger
Page 237 and 238:
Fretted strings 216 C X O O 1 2 3
Page 239 and 240:
Fretted strings 218 These fretboard
Page 241 and 242:
Fretted strings 220 } } } c4( d) d
Page 243 and 244:
Fretted strings 222 aUp = \markup {
Page 245 and 246:
Fretted strings 224 } \override Bea
Page 247 and 248:
Fretted strings 226 } %% A chord fo
Page 249 and 250:
Fretted strings 228 } } (dot-positi
Page 251 and 252:
Fretted strings 230 } % These chord
Page 253 and 254:
Fretted strings 232 5 1 1 M C 3
Page 255 and 256:
Fretted strings 234 } 2 } >> X
Page 257 and 258:
Fretted strings 236 % ------ Barito
Page 259 and 260:
Fretted strings 238 piano = { > } %
Page 261 and 262:
Fretted strings 240 Trumpet Alto Sa
Page 263 and 264:
Fretted strings 242 } } A B \new Ta
Page 265 and 266:
Unfretted strings 244 Unfretted str
Page 267 and 268:
Unfretted strings 246 } c4^\snapPiz
Page 269 and 270:
Unfretted strings 248 } Violinone =
Page 271 and 272:
Unfretted strings 250 Violin 1 Viol
Page 273 and 274:
Ancient notation 252 Ancient notati
Page 275 and 276:
Ancient notation 254 } >> >> % \bre
Page 277 and 278:
Ancient notation 256 } >> >> g' as'
Page 279 and 280:
Ancient notation 258 \score { \new
Page 281 and 282:
Ancient notation 260 } discantusLyr
Page 283 and 284:
Ancient notation 262 } bassusLyrics
Page 285 and 286:
Ancient notation 264 } \override St
Page 287 and 288:
Ancient notation 266 #}) 'element (
Page 289 and 290:
Ancient notation 268 } % two measur
Page 291 and 292:
Ancient notation 270 } \new Voice =
Page 293 and 294:
Ancient notation 272 } Rest
Page 295 and 296:
Ancient notation 274 altusNotes = {
Page 297 and 298:
Ancient notation 276 } } incipitTen
Page 299 and 300:
Ancient notation 278 } } } Discantu
Page 301 and 302:
World music 280 World music These s
Page 303 and 304:
Contexts and engravers 282 Contexts
Page 305 and 306:
Contexts and engravers 284 } } >>
Page 307 and 308:
Contexts and engravers 286 } b8 b b
Page 309 and 310:
Contexts and engravers 288 Engraver
Page 311 and 312:
Contexts and engravers 290 } \consi
Page 313 and 314:
Contexts and engravers 292 } \score
Page 315 and 316:
Contexts and engravers 294
Page 317 and 318:
Contexts and engravers 296 } c4 c c
Page 319 and 320:
Contexts and engravers 298 hi
Page 321 and 322:
Tweaks and overrides 300 5 5 i
Page 323 and 324:
Tweaks and overrides 302 "Luxi Mono
Page 325 and 326:
Tweaks and overrides 304 } 3 } \o
Page 327 and 328:
Tweaks and overrides 306 } b4 c a4
Page 329 and 330:
Tweaks and overrides 308 } #'(fret-
Page 331 and 332:
Tweaks and overrides 310 } >> } C X
Page 333 and 334:
Tweaks and overrides 312 \relative
Page 335 and 336:
Tweaks and overrides 314 %% C major
Page 337 and 338:
Tweaks and overrides 316 c'2^\marku
Page 339 and 340:
Tweaks and overrides 318 } } } (fin
Page 341 and 342:
Tweaks and overrides 320 Horizontal
Page 343 and 344:
Tweaks and overrides 322 \context S
Page 345 and 346:
Tweaks and overrides 324 \context C
Page 347 and 348:
Tweaks and overrides 326 } >> 4
Page 349 and 350:
Tweaks and overrides 328 } 11 \set
Page 351 and 352:
Tweaks and overrides 330 } % Increa
Page 353 and 354:
Tweaks and overrides 332 } \new Sta
Page 355 and 356:
Tweaks and overrides 334 ) \overrid
Page 357 and 358:
Tweaks and overrides 336 \relative
Page 359 and 360:
Tweaks and overrides 338 } "..." |
Page 361 and 362:
Tweaks and overrides 340 } } } } li
Page 363 and 364:
Tweaks and overrides 342 } } \conte
Page 365 and 366:
Tweaks and overrides 344 } 6 \set S
Page 367 and 368:
Tweaks and overrides 346 } 3 5 4 3
Page 369 and 370:
Tweaks and overrides 348 Vertically
Page 371 and 372:
Paper and layout 350 } } Left align
Page 373 and 374:
Paper and layout 352 The first book
Page 375 and 376:
Paper and layout 354 Second part
Page 377 and 378:
Paper and layout 356 } } } (cons (m
Page 379 and 380:
Paper and layout 358 Creating blank
Page 381 and 382:
Paper and layout 360 } \layout { ra
Page 383 and 384:
Paper and layout 362 4 Second score
Page 385 and 386:
Titles 364 } "Left aligned" "instru
Page 387 and 388:
Titles 366 poet piece title subtit
Page 389 and 390:
Spacing 368 5 5 3 3 2 1 Page
Page 391 and 392:
Spacing 370 3 4 B Music engrav
Page 393 and 394:
Spacing 372 } >> \set alignBelowCon
Page 395 and 396:
MIDI 374 Clarinet Flute
Page 397 and 398:
MIDI 376 \set Staff.midiInstrument
Page 399 and 400:
Templates 378 Templates Ancient not
Page 401 and 402:
Templates 380 discantusNotes = { \t
Page 403 and 404:
Templates 382 bassusNotes = { \tran
Page 405 and 406:
Templates 384 3 8 o, De om
Page 407 and 408:
Templates 386 d4^"Solo" d d d \nsl
Page 409 and 410:
Templates 388 } % ------ Bass Guita
Page 411 and 412:
Templates 390 Trumpet Alto Sax Bari
Page 413 and 414:
Templates 392 \new Staff = "Staff_t
Page 415 and 416:
Templates 394 Flute Oboe Clarinet i
Page 417 and 418:
Templates 396 lower = \relative c {
Page 419 and 420:
Templates 398 } \context { \Lyrics
Page 421 and 422:
Templates 400 This snippet comes wi
Page 423 and 424:
Templates 402 staffVoice = \new Sta
Page 425 and 426:
Templates 404 text = \lyricmode { A
Page 427 and 428:
Templates 406 } \set chordChanges =
Page 429 and 430:
Templates 408 } \clef alto e2 d c1
Page 431 and 432:
Templates 410 %\include "piece.ly"
Page 433 and 434:
Templates 412 } \new Voice = sopran
Page 435 and 436:
Templates 414 } ho ho ho ho \score
Page 437:
Templates 416 } \new Lyrics = "alto
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