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Tweaks and overrides 313 } >> \once \override NoteColumn #'force-hshift = #1.7
Tweaks and overrides 314 %% C major for guitar, barred on third fret % verbose style % roman fret label, finger labels below string, straight barre c'2^\markup { % 110% of default size \override #'(size . 1.1) { \override #'(fret-diagram-details . ( (number-type . roman-lower) (finger-code . below-string) (barre-type . straight))) { \fret-diagram-verbose #'((mute 6) (place-fret 5 3 1) (place-fret 4 5 2) (place-fret 3 5 3) (place-fret 2 5 4) (place-fret 1 3 1) (barre 5 1 3)) } } } %% C major for guitar, barred on third fret %% Double barre used to test barre function % verbose style c'2^\markup { % 110% of default size \override #'(size . 1.1) { \override #'(fret-diagram-details . ( (number-type . arabic) (dot-label-font-mag . 0.9) (finger-code . in-dot) (fret-label-font-mag . 0.6) (fret-label-vertical-offset . 0) (label-dir . -1) (mute-string . "M") (xo-font-magnification . 0.4) (xo-padding . 0.3))) { \fret-diagram-verbose #'((mute 6) (place-fret 5 3 1) (place-fret 4 5 2) (place-fret 3 5 3) (place-fret 2 5 4) (place-fret 1 3 1) (barre 4 2 5) (barre 5 1 3)) } } } %% C major for guitar, with capo on third fret % verbose style
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LilyPond Snippets LilyPond Snippet
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Modifying tuplet bracket length. .
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Making some staff lines thicker tha
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Vocal ensemble template with lyrics
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Contexts and engravers . . . . . .
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Templates . . . . . . . . . . . . .
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Modifying tuplet bracket length. .
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Making some staff lines thicker tha
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Vocal ensemble template with lyrics
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xviii Contexts and engravers . . .
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Templates . . . . . . . . . . . . .
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Pitches 2 Ambitus Ambi
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Pitches 4 (cons (ly:make-pitch 0 5
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Pitches 6 } } } \Staff \remove "Ke
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Pitches 8 8 Text Preventing ex
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Pitches 10 } c'1 Transpo
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Pitches 12 } 6 \set Staff.clefGlyph
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Rhythms 14 } \new DrumVoice { \stem
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Rhythms 16 } \override StrokeFinger
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Rhythms 18 Changing beam knee gap K
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Rhythms 20
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Rhythms 22 } } 9 8 8 5
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Rhythms 24 In the example, two trip
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Rhythms 26 A O P B C 18 9
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Rhythms 28 melody = \relative c'' {
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Rhythms 30 } { c''1 R1 c''1 \normal
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Rhythms 32 3 3 P
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Rhythms 34 } \override Score.BarNum
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Rhythms 36 } >> \bar "|" \time 3/8
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Rhythms 38 Printing the bar number
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Rhythms 40 } \override Staff.Rest #
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Rhythms 42 a gap Skips in lyr
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Rhythms 44 Three-sided box This exa
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Rhythms 46 Using beatLength and bea
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Expressive marks 48 Expressive mark
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Expressive marks 50 scale in the po
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Expressive marks 52 smallFlageolet
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Expressive marks 54 } \cadenzaOn c4
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Expressive marks 56
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Expressive marks 58 The solution is
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Expressive marks 60 Hiding the exte
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Expressive marks 62 \relative c'' {
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Expressive marks 64 \relative c' {
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Expressive marks 66 } } \context {
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Expressive marks 68 Setting hairpin
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Expressive marks 70 \relative c' {
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Repeats 72 } \repeat tremolo 8 { a3
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Repeats 74 } | c4 c c c % Set segno
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Repeats 76 7
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Repeats 78 \new StaffGroup > >>
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Simultaneous notes 80 A tiny e
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Simultaneous notes 82 Standard poly
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Simultaneous notes 84 } } >> b8 g g
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Staff notation 86 } } >> \new Staff
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Staff notation 88 } \dynamicDown c8
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Staff notation 90 Creating metronom
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Staff notation 92 \once \override S
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Staff notation 94 } } g1 | \once \o
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Staff notation 96 } \new Lyrics = "
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Staff notation 98 } subsubtitle = \
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Staff notation 100 Mensurstriche la
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Staff notation 102 Alternatively, f
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Staff notation 104 \set Staff.instr
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Staff notation 106
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Staff notation 108 } >> } Vol
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Editorial annotations 110 Editorial
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Editorial annotations 112 Avoiding
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Editorial annotations 114 (cons (ly
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Editorial annotations 116 } } \pape
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Editorial annotations 118 foo
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Editorial annotations 120 Grid line
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Editorial annotations 122 } } } a4
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Editorial annotations 124 Using Pos
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Text 126 } \new Voice = melody \rel
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Text 128 \relative c' { e1 } % the
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Text 130 hairpinWithCenteredText =
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Text 132 This snippet presents the
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Text 134 } \time 1/16 s16 \bar "" \
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Text 136 } } poet piece copyright
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Text 138 } \once \override LyricTex
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Text 140 Multi-measure rest markup
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Text 142 } } \midi { } Aaa B
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Text 144 } } \line { mens impletur
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Text 146 } . japanese = \lyricmode
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Text 148 } >> \layout { \context {
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Vocal music 150 \new Lyrics \with {
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Vocal music 152 4 3 1. Hi, my
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Vocal music 154 } (is-rest? (ly:gro
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Vocal music 156 } text = \lyricmode
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Vocal music 158 } > \layout { } \mi
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Vocal music 160 Vertically centered
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Vocal music 162 } \new Voice = alto
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Vocal music 164 } ho ho ho ho \scor
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Vocal music 166 } \new Lyrics = "al
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Chords 168 F F 7 B 7 Avoiding colli
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Chords 170 } \set figuredBassAltera
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Chords 172 5 1 3 3 1 5 1 3
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Chords 174 Single staff template wi
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Chords 176 } harmonies = \chordmode
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Keyboards 178 Keyboards These snipp
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Keyboards 180 } \discant \combine \
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Keyboards 182 Controlling the place
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Keyboards 184 } >> { 2.\arpeggio }
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Keyboards 186 % ------ Baritone Sax
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Keyboards 188 piano = { > } % -----
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Keyboards 190 Trumpet Alto Sax Bari
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Keyboards 192 lower = \relative c {
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Keyboards 194 } \context { \Lyrics
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Keyboards 196 g4 a f g } tenorWords
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Percussion 198 Percussion These sni
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Percussion 200 4 6
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Percussion 202 } > % ------ Trombon
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Percussion 204 } \clef bass > % ---
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Percussion 206 Trumpet Alto Sax Bar
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Percussion 208 grestore grestore 0
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Percussion 210 } \Staff \consists "
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Percussion 212 } \Perkussion >> 8
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Fretted strings 214 Allowing finger
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Fretted strings 216 C X O O 1 2 3
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Fretted strings 218 These fretboard
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Fretted strings 220 } } } c4( d) d
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Fretted strings 222 aUp = \markup {
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Fretted strings 224 } \override Bea
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Fretted strings 226 } %% A chord fo
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Fretted strings 228 } } (dot-positi
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Fretted strings 230 } % These chord
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Fretted strings 232 5 1 1 M C 3
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Fretted strings 234 } 2 } >> X
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Fretted strings 236 % ------ Barito
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Fretted strings 238 piano = { > } %
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Fretted strings 240 Trumpet Alto Sa
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Fretted strings 242 } } A B \new Ta
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Unfretted strings 244 Unfretted str
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Unfretted strings 246 } c4^\snapPiz
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Unfretted strings 248 } Violinone =
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Unfretted strings 250 Violin 1 Viol
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Ancient notation 252 Ancient notati
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Ancient notation 254 } >> >> % \bre
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Ancient notation 256 } >> >> g' as'
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Ancient notation 258 \score { \new
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Ancient notation 260 } discantusLyr
Page 283 and 284: Ancient notation 262 } bassusLyrics
Page 285 and 286: Ancient notation 264 } \override St
Page 287 and 288: Ancient notation 266 #}) 'element (
Page 289 and 290: Ancient notation 268 } % two measur
Page 291 and 292: Ancient notation 270 } \new Voice =
Page 293 and 294: Ancient notation 272 } Rest
Page 295 and 296: Ancient notation 274 altusNotes = {
Page 297 and 298: Ancient notation 276 } } incipitTen
Page 299 and 300: Ancient notation 278 } } } Discantu
Page 301 and 302: World music 280 World music These s
Page 303 and 304: Contexts and engravers 282 Contexts
Page 305 and 306: Contexts and engravers 284 } } >>
Page 307 and 308: Contexts and engravers 286 } b8 b b
Page 309 and 310: Contexts and engravers 288 Engraver
Page 311 and 312: Contexts and engravers 290 } \consi
Page 313 and 314: Contexts and engravers 292 } \score
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Page 317 and 318: Contexts and engravers 296 } c4 c c
Page 319 and 320: Contexts and engravers 298 hi
Page 321 and 322: Tweaks and overrides 300 5 5 i
Page 323 and 324: Tweaks and overrides 302 "Luxi Mono
Page 325 and 326: Tweaks and overrides 304 } 3 } \o
Page 327 and 328: Tweaks and overrides 306 } b4 c a4
Page 329 and 330: Tweaks and overrides 308 } #'(fret-
Page 331 and 332: Tweaks and overrides 310 } >> } C X
Page 333: Tweaks and overrides 312 \relative
Page 337 and 338: Tweaks and overrides 316 c'2^\marku
Page 339 and 340: Tweaks and overrides 318 } } } (fin
Page 341 and 342: Tweaks and overrides 320 Horizontal
Page 343 and 344: Tweaks and overrides 322 \context S
Page 345 and 346: Tweaks and overrides 324 \context C
Page 347 and 348: Tweaks and overrides 326 } >> 4
Page 349 and 350: Tweaks and overrides 328 } 11 \set
Page 351 and 352: Tweaks and overrides 330 } % Increa
Page 353 and 354: Tweaks and overrides 332 } \new Sta
Page 355 and 356: Tweaks and overrides 334 ) \overrid
Page 357 and 358: Tweaks and overrides 336 \relative
Page 359 and 360: Tweaks and overrides 338 } "..." |
Page 361 and 362: Tweaks and overrides 340 } } } } li
Page 363 and 364: Tweaks and overrides 342 } } \conte
Page 365 and 366: Tweaks and overrides 344 } 6 \set S
Page 367 and 368: Tweaks and overrides 346 } 3 5 4 3
Page 369 and 370: Tweaks and overrides 348 Vertically
Page 371 and 372: Paper and layout 350 } } Left align
Page 373 and 374: Paper and layout 352 The first book
Page 375 and 376: Paper and layout 354 Second part
Page 377 and 378: Paper and layout 356 } } } (cons (m
Page 379 and 380: Paper and layout 358 Creating blank
Page 381 and 382: Paper and layout 360 } \layout { ra
Page 383 and 384: Paper and layout 362 4 Second score
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Titles 364 } "Left aligned" "instru
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Titles 366 poet piece title subtit
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Spacing 368 5 5 3 3 2 1 Page
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Spacing 370 3 4 B Music engrav
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Spacing 372 } >> \set alignBelowCon
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MIDI 374 Clarinet Flute
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MIDI 376 \set Staff.midiInstrument
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Templates 378 Templates Ancient not
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Templates 380 discantusNotes = { \t
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Templates 382 bassusNotes = { \tran
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Templates 384 3 8 o, De om
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Templates 386 d4^"Solo" d d d \nsl
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Templates 388 } % ------ Bass Guita
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Templates 390 Trumpet Alto Sax Bari
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Templates 392 \new Staff = "Staff_t
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Templates 394 Flute Oboe Clarinet i
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Templates 396 lower = \relative c {
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Templates 398 } \context { \Lyrics
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Templates 400 This snippet comes wi
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Templates 402 staffVoice = \new Sta
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Templates 404 text = \lyricmode { A
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Templates 406 } \set chordChanges =
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Templates 408 } \clef alto e2 d c1
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Templates 410 %\include "piece.ly"
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Templates 412 } \new Voice = sopran
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Templates 414 } ho ho ho ho \score
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Templates 416 } \new Lyrics = "alto
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