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Keyboards 191 Piano template (simple) Here is a simple piano staff with some notes. upper = \relative c'' { \clef treble \key c \major \time 4/4 } a4 b c d lower = \relative c { \clef bass \key c \major \time 4/4 } a2 c \score { \new PianoStaff > \layout { } \midi { } } Piano Piano template with centered dynamics Many piano scores have the dynamics centered between the two staves. This requires a bit of tweaking to implement, but since the template is right here, you don’t have to do the tweaking yourself. global = { \key c \major \time 4/4 } upper = \relative c'' { \clef treble a4 b c d }
Keyboards 192 lower = \relative c { \clef bass a2 c } dynamics = { s2\fff\> s4 s\!\pp } pedal = { s2\sustainOn s\sustainOff } \score { \new PianoStaff = "PianoStaff_pf" \new Dynamics = "Dynamics_pf" \dynamics \new Staff = "Staff_pfLower" > \new Dynamics = "pedal" \pedal >> } \layout { % define Dynamics context \context { \type "Engraver_group" \name Dynamics \alias Voice \consists "Output_property_engraver" \consists "Piano_pedal_engraver" \consists "Script_engraver" \consists "New_dynamic_engraver" \consists "Dynamic_align_engraver" \consists "Text_engraver" \consists "Skip_event_swallow_translator" \consists "Axis_group_engraver" } pedalSustainStrings = #'("Ped." "*Ped." "*") pedalUnaCordaStrings = #'("una corda" "" "tre corde") \override DynamicLineSpanner #'Y-offset = #0 \override TextScript #'font-size = #2 \override TextScript #'font-shape = #'italic \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1) } % modify PianoStaff context to accept Dynamics context \context { \PianoStaff \accepts Dynamics } \score {
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LilyPond Snippets LilyPond Snippet
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Modifying tuplet bracket length. .
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Making some staff lines thicker tha
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Vocal ensemble template with lyrics
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Contexts and engravers . . . . . .
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Templates . . . . . . . . . . . . .
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Modifying tuplet bracket length. .
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Making some staff lines thicker tha
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Vocal ensemble template with lyrics
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xviii Contexts and engravers . . .
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Templates . . . . . . . . . . . . .
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Pitches 2 Ambitus Ambi
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Pitches 4 (cons (ly:make-pitch 0 5
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Pitches 6 } } } \Staff \remove "Ke
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Pitches 8 8 Text Preventing ex
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Pitches 10 } c'1 Transpo
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Pitches 12 } 6 \set Staff.clefGlyph
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Rhythms 14 } \new DrumVoice { \stem
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Rhythms 16 } \override StrokeFinger
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Rhythms 18 Changing beam knee gap K
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Rhythms 20
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Rhythms 22 } } 9 8 8 5
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Rhythms 24 In the example, two trip
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Rhythms 26 A O P B C 18 9
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Rhythms 28 melody = \relative c'' {
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Rhythms 30 } { c''1 R1 c''1 \normal
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Rhythms 32 3 3 P
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Rhythms 34 } \override Score.BarNum
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Rhythms 36 } >> \bar "|" \time 3/8
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Rhythms 38 Printing the bar number
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Rhythms 40 } \override Staff.Rest #
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Rhythms 42 a gap Skips in lyr
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Rhythms 44 Three-sided box This exa
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Rhythms 46 Using beatLength and bea
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Expressive marks 48 Expressive mark
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Expressive marks 50 scale in the po
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Expressive marks 52 smallFlageolet
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Expressive marks 54 } \cadenzaOn c4
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Expressive marks 56
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Expressive marks 58 The solution is
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Expressive marks 60 Hiding the exte
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Expressive marks 62 \relative c'' {
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Expressive marks 64 \relative c' {
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Expressive marks 66 } } \context {
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Expressive marks 68 Setting hairpin
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Expressive marks 70 \relative c' {
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Repeats 72 } \repeat tremolo 8 { a3
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Repeats 74 } | c4 c c c % Set segno
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Repeats 76 7
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Repeats 78 \new StaffGroup > >>
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Simultaneous notes 80 A tiny e
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Simultaneous notes 82 Standard poly
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Simultaneous notes 84 } } >> b8 g g
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Staff notation 86 } } >> \new Staff
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Staff notation 88 } \dynamicDown c8
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Staff notation 90 Creating metronom
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Staff notation 92 \once \override S
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Staff notation 94 } } g1 | \once \o
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Staff notation 96 } \new Lyrics = "
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Staff notation 98 } subsubtitle = \
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Staff notation 100 Mensurstriche la
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Staff notation 102 Alternatively, f
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Staff notation 104 \set Staff.instr
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Staff notation 106
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Staff notation 108 } >> } Vol
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Editorial annotations 110 Editorial
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Editorial annotations 112 Avoiding
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Editorial annotations 114 (cons (ly
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Editorial annotations 116 } } \pape
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Editorial annotations 118 foo
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Editorial annotations 120 Grid line
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Editorial annotations 122 } } } a4
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Editorial annotations 124 Using Pos
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Text 126 } \new Voice = melody \rel
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Text 128 \relative c' { e1 } % the
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Text 130 hairpinWithCenteredText =
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Text 132 This snippet presents the
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Text 134 } \time 1/16 s16 \bar "" \
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Text 136 } } poet piece copyright
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Text 138 } \once \override LyricTex
Page 161 and 162: Text 140 Multi-measure rest markup
Page 163 and 164: Text 142 } } \midi { } Aaa B
Page 165 and 166: Text 144 } } \line { mens impletur
Page 167 and 168: Text 146 } . japanese = \lyricmode
Page 169 and 170: Text 148 } >> \layout { \context {
Page 171 and 172: Vocal music 150 \new Lyrics \with {
Page 173 and 174: Vocal music 152 4 3 1. Hi, my
Page 175 and 176: Vocal music 154 } (is-rest? (ly:gro
Page 177 and 178: Vocal music 156 } text = \lyricmode
Page 179 and 180: Vocal music 158 } > \layout { } \mi
Page 181 and 182: Vocal music 160 Vertically centered
Page 183 and 184: Vocal music 162 } \new Voice = alto
Page 185 and 186: Vocal music 164 } ho ho ho ho \scor
Page 187 and 188: Vocal music 166 } \new Lyrics = "al
Page 189 and 190: Chords 168 F F 7 B 7 Avoiding colli
Page 191 and 192: Chords 170 } \set figuredBassAltera
Page 193 and 194: Chords 172 5 1 3 3 1 5 1 3
Page 195 and 196: Chords 174 Single staff template wi
Page 197 and 198: Chords 176 } harmonies = \chordmode
Page 199 and 200: Keyboards 178 Keyboards These snipp
Page 201 and 202: Keyboards 180 } \discant \combine \
Page 203 and 204: Keyboards 182 Controlling the place
Page 205 and 206: Keyboards 184 } >> { 2.\arpeggio }
Page 207 and 208: Keyboards 186 % ------ Baritone Sax
Page 209 and 210: Keyboards 188 piano = { > } % -----
Page 211: Keyboards 190 Trumpet Alto Sax Bari
Page 215 and 216: Keyboards 194 } \context { \Lyrics
Page 217 and 218: Keyboards 196 g4 a f g } tenorWords
Page 219 and 220: Percussion 198 Percussion These sni
Page 221 and 222: Percussion 200 4 6
Page 223 and 224: Percussion 202 } > % ------ Trombon
Page 225 and 226: Percussion 204 } \clef bass > % ---
Page 227 and 228: Percussion 206 Trumpet Alto Sax Bar
Page 229 and 230: Percussion 208 grestore grestore 0
Page 231 and 232: Percussion 210 } \Staff \consists "
Page 233 and 234: Percussion 212 } \Perkussion >> 8
Page 235 and 236: Fretted strings 214 Allowing finger
Page 237 and 238: Fretted strings 216 C X O O 1 2 3
Page 239 and 240: Fretted strings 218 These fretboard
Page 241 and 242: Fretted strings 220 } } } c4( d) d
Page 243 and 244: Fretted strings 222 aUp = \markup {
Page 245 and 246: Fretted strings 224 } \override Bea
Page 247 and 248: Fretted strings 226 } %% A chord fo
Page 249 and 250: Fretted strings 228 } } (dot-positi
Page 251 and 252: Fretted strings 230 } % These chord
Page 253 and 254: Fretted strings 232 5 1 1 M C 3
Page 255 and 256: Fretted strings 234 } 2 } >> X
Page 257 and 258: Fretted strings 236 % ------ Barito
Page 259 and 260: Fretted strings 238 piano = { > } %
Page 261 and 262: Fretted strings 240 Trumpet Alto Sa
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Fretted strings 242 } } A B \new Ta
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Unfretted strings 244 Unfretted str
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Unfretted strings 246 } c4^\snapPiz
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Unfretted strings 248 } Violinone =
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Unfretted strings 250 Violin 1 Viol
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Ancient notation 252 Ancient notati
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Ancient notation 254 } >> >> % \bre
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Ancient notation 256 } >> >> g' as'
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Ancient notation 258 \score { \new
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Ancient notation 260 } discantusLyr
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Ancient notation 262 } bassusLyrics
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Ancient notation 264 } \override St
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Ancient notation 266 #}) 'element (
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Ancient notation 268 } % two measur
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Ancient notation 270 } \new Voice =
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Ancient notation 272 } Rest
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Ancient notation 274 altusNotes = {
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Ancient notation 276 } } incipitTen
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Ancient notation 278 } } } Discantu
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World music 280 World music These s
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Contexts and engravers 282 Contexts
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Contexts and engravers 284 } } >>
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Contexts and engravers 286 } b8 b b
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Contexts and engravers 288 Engraver
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Contexts and engravers 290 } \consi
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Contexts and engravers 292 } \score
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Contexts and engravers 294
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Contexts and engravers 296 } c4 c c
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Contexts and engravers 298 hi
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Tweaks and overrides 300 5 5 i
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Tweaks and overrides 302 "Luxi Mono
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Tweaks and overrides 304 } 3 } \o
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Tweaks and overrides 306 } b4 c a4
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Tweaks and overrides 308 } #'(fret-
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Tweaks and overrides 310 } >> } C X
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Tweaks and overrides 312 \relative
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Tweaks and overrides 314 %% C major
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Tweaks and overrides 316 c'2^\marku
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Tweaks and overrides 318 } } } (fin
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Tweaks and overrides 320 Horizontal
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Tweaks and overrides 322 \context S
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Tweaks and overrides 324 \context C
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Tweaks and overrides 326 } >> 4
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Tweaks and overrides 328 } 11 \set
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Tweaks and overrides 330 } % Increa
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Tweaks and overrides 332 } \new Sta
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Tweaks and overrides 334 ) \overrid
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Tweaks and overrides 336 \relative
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Tweaks and overrides 338 } "..." |
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Tweaks and overrides 340 } } } } li
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Tweaks and overrides 342 } } \conte
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Tweaks and overrides 344 } 6 \set S
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Tweaks and overrides 346 } 3 5 4 3
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Tweaks and overrides 348 Vertically
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Paper and layout 350 } } Left align
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Paper and layout 352 The first book
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Paper and layout 354 Second part
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Paper and layout 356 } } } (cons (m
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Paper and layout 358 Creating blank
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Paper and layout 360 } \layout { ra
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Paper and layout 362 4 Second score
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Titles 364 } "Left aligned" "instru
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Titles 366 poet piece title subtit
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Spacing 368 5 5 3 3 2 1 Page
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Spacing 370 3 4 B Music engrav
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Spacing 372 } >> \set alignBelowCon
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MIDI 374 Clarinet Flute
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MIDI 376 \set Staff.midiInstrument
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Templates 378 Templates Ancient not
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Templates 380 discantusNotes = { \t
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Templates 382 bassusNotes = { \tran
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Templates 384 3 8 o, De om
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Templates 386 d4^"Solo" d d d \nsl
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Templates 388 } % ------ Bass Guita
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Templates 390 Trumpet Alto Sax Bari
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Templates 392 \new Staff = "Staff_t
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Templates 394 Flute Oboe Clarinet i
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Templates 396 lower = \relative c {
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Templates 398 } \context { \Lyrics
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Templates 400 This snippet comes wi
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Templates 402 staffVoice = \new Sta
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Templates 404 text = \lyricmode { A
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Templates 406 } \set chordChanges =
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Templates 408 } \clef alto e2 d c1
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Templates 410 %\include "piece.ly"
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Templates 412 } \new Voice = sopran
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Templates 414 } ho ho ho ho \score
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Templates 416 } \new Lyrics = "alto
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