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LilyPond Snippets

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Text 131<br />

}<br />

c4^\markup {<br />

roman: foo \bold bla \italic bar \italic \bold baz<br />

}<br />

c'4_\markup {<br />

\override #'(font-family . sans)<br />

{<br />

sans: foo \bold bla \italic bar \italic \bold baz<br />

}<br />

}<br />

c'2^\markup {<br />

\override #'(font-family . typewriter)<br />

{<br />

mono: foo \bold bla \italic bar \italic \bold baz<br />

}<br />

}<br />

<br />

<br />

mono: foo bla bar baz<br />

roman: foo bla bar baz<br />

<br />

<br />

<br />

sans: foo bla bar baz<br />

Combining dynamics with markup texts<br />

Some dynamics may involve text indications (such as "più forte" or "piano subito"). They can<br />

be produced using a \markup block.<br />

piuF = \markup { \italic più \dynamic f }<br />

\layout { ragged-right = ##f }<br />

\relative c'' {<br />

c2\f c-\piuF<br />

}<br />

<br />

<br />

<br />

f<br />

<br />

piùf<br />

Combining two parts on the same staff<br />

The part combiner tool ( \partcombine command ) allows the combination of several different<br />

parts on the same staff. Text directions such as "solo" or "a2" are added by default; to remove<br />

them, simply set the property printPartCombineTexts to "false". For vocal scores (hymns),<br />

there is no need to add "solo"/"a2" texts, so they should be switched off. However, it might be<br />

better not to use it if there are any solos, as they won’t be indicated. In such cases, standard<br />

polyphonic notation may be preferable.

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