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Rhythms 29 \relative c'' { \time 2/4 > } 4 2 Manually controlling beam positions Beam positions may be controlled manually, by overriding the positions setting of the Beam grob. \relative c' { \time 2/4 % from upper staff-line (position 2) to center (position 0) \override Beam #'positions = #'(2 . 0) c8 c % from center to one above center (position 1) \override Beam #'positions = #'(0 . 1) c8 c } 4 2 Merging multi-measure rests in a polyphonic part When using multi-measure rests in a polyphonic staff, the rests will be placed differently depending on the voice they belong to. However they can be printed on the same staff line, using the following setting. normalPos = \revert MultiMeasureRest #'staff-position {
Rhythms 30 } { c''1 R1 c''1 \normalPos R1 } \\ { c'1 R1 c'1 \normalPos R1 } >> Modifying tuplet bracket length Tuplet brackets can be made to run to prefatory matter or the next note. Default tuplet brackets end at the right edge of the final note of the tuplet; full-length tuplet brackets extend farther to the right, either to cover all the non-rhythmic notation up to the following note, or to cover only the whitespace before the next item of notation, be that a clef, time signature, key signature, or another note. The example shows how to switch tuplets to full length mode and how to modify what material they cover. \new RhythmicStaff { % Set tuplets to be extendable... \set tupletFullLength = ##t % ...to cover all items up to the next note \set tupletFullLengthNote = ##t \time 2/4 \times 2/3 { c4 c c } % ...or to cover just whitespace \set tupletFullLengthNote = ##f \time 4/4 \times 4/5 { c4 c1 } \time 3/4 c2. } 3 2 4 5 4 3
Page 1 and 2: LilyPond Snippets LilyPond Snippet
Page 3 and 4: Modifying tuplet bracket length. .
Page 5 and 6: Making some staff lines thicker tha
Page 7 and 8: Vocal ensemble template with lyrics
Page 9 and 10: Contexts and engravers . . . . . .
Page 11 and 12: Templates . . . . . . . . . . . . .
Page 13 and 14: Modifying tuplet bracket length. .
Page 15 and 16: Making some staff lines thicker tha
Page 17 and 18: Vocal ensemble template with lyrics
Page 19 and 20: xviii Contexts and engravers . . .
Page 21 and 22: Templates . . . . . . . . . . . . .
Page 23 and 24: Pitches 2 Ambitus Ambi
Page 25 and 26: Pitches 4 (cons (ly:make-pitch 0 5
Page 27 and 28: Pitches 6 } } } \Staff \remove "Ke
Page 29 and 30: Pitches 8 8 Text Preventing ex
Page 31 and 32: Pitches 10 } c'1 Transpo
Page 33 and 34: Pitches 12 } 6 \set Staff.clefGlyph
Page 35 and 36: Rhythms 14 } \new DrumVoice { \stem
Page 37 and 38: Rhythms 16 } \override StrokeFinger
Page 39 and 40: Rhythms 18 Changing beam knee gap K
Page 41 and 42: Rhythms 20
Page 43 and 44: Rhythms 22 } } 9 8 8 5
Page 45 and 46: Rhythms 24 In the example, two trip
Page 47 and 48: Rhythms 26 A O P B C 18 9
Page 49: Rhythms 28 melody = \relative c'' {
Page 53 and 54: Rhythms 32 3 3 P
Page 55 and 56: Rhythms 34 } \override Score.BarNum
Page 57 and 58: Rhythms 36 } >> \bar "|" \time 3/8
Page 59 and 60: Rhythms 38 Printing the bar number
Page 61 and 62: Rhythms 40 } \override Staff.Rest #
Page 63 and 64: Rhythms 42 a gap Skips in lyr
Page 65 and 66: Rhythms 44 Three-sided box This exa
Page 67 and 68: Rhythms 46 Using beatLength and bea
Page 69 and 70: Expressive marks 48 Expressive mark
Page 71 and 72: Expressive marks 50 scale in the po
Page 73 and 74: Expressive marks 52 smallFlageolet
Page 75 and 76: Expressive marks 54 } \cadenzaOn c4
Page 77 and 78: Expressive marks 56
Page 79 and 80: Expressive marks 58 The solution is
Page 81 and 82: Expressive marks 60 Hiding the exte
Page 83 and 84: Expressive marks 62 \relative c'' {
Page 85 and 86: Expressive marks 64 \relative c' {
Page 87 and 88: Expressive marks 66 } } \context {
Page 89 and 90: Expressive marks 68 Setting hairpin
Page 91 and 92: Expressive marks 70 \relative c' {
Page 93 and 94: Repeats 72 } \repeat tremolo 8 { a3
Page 95 and 96: Repeats 74 } | c4 c c c % Set segno
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Page 99 and 100: Repeats 78 \new StaffGroup > >>
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Simultaneous notes 80 A tiny e
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Simultaneous notes 82 Standard poly
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Simultaneous notes 84 } } >> b8 g g
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Staff notation 86 } } >> \new Staff
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Staff notation 88 } \dynamicDown c8
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Staff notation 90 Creating metronom
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Staff notation 92 \once \override S
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Staff notation 94 } } g1 | \once \o
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Staff notation 96 } \new Lyrics = "
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Staff notation 98 } subsubtitle = \
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Staff notation 100 Mensurstriche la
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Staff notation 102 Alternatively, f
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Staff notation 104 \set Staff.instr
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Staff notation 106
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Staff notation 108 } >> } Vol
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Editorial annotations 110 Editorial
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Editorial annotations 112 Avoiding
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Editorial annotations 114 (cons (ly
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Editorial annotations 116 } } \pape
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Editorial annotations 118 foo
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Editorial annotations 120 Grid line
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Editorial annotations 122 } } } a4
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Editorial annotations 124 Using Pos
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Text 126 } \new Voice = melody \rel
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Text 128 \relative c' { e1 } % the
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Text 130 hairpinWithCenteredText =
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Text 132 This snippet presents the
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Text 134 } \time 1/16 s16 \bar "" \
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Text 136 } } poet piece copyright
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Text 138 } \once \override LyricTex
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Text 140 Multi-measure rest markup
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Text 142 } } \midi { } Aaa B
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Text 144 } } \line { mens impletur
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Text 146 } . japanese = \lyricmode
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Text 148 } >> \layout { \context {
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Vocal music 150 \new Lyrics \with {
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Vocal music 152 4 3 1. Hi, my
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Vocal music 154 } (is-rest? (ly:gro
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Vocal music 156 } text = \lyricmode
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Vocal music 158 } > \layout { } \mi
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Vocal music 160 Vertically centered
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Vocal music 162 } \new Voice = alto
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Vocal music 164 } ho ho ho ho \scor
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Vocal music 166 } \new Lyrics = "al
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Chords 168 F F 7 B 7 Avoiding colli
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Chords 170 } \set figuredBassAltera
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Chords 172 5 1 3 3 1 5 1 3
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Chords 174 Single staff template wi
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Chords 176 } harmonies = \chordmode
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Keyboards 178 Keyboards These snipp
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Keyboards 180 } \discant \combine \
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Keyboards 182 Controlling the place
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Keyboards 184 } >> { 2.\arpeggio }
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Keyboards 186 % ------ Baritone Sax
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Keyboards 188 piano = { > } % -----
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Keyboards 190 Trumpet Alto Sax Bari
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Keyboards 192 lower = \relative c {
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Keyboards 194 } \context { \Lyrics
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Keyboards 196 g4 a f g } tenorWords
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Percussion 198 Percussion These sni
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Percussion 200 4 6
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Percussion 202 } > % ------ Trombon
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Percussion 204 } \clef bass > % ---
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Percussion 206 Trumpet Alto Sax Bar
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Percussion 208 grestore grestore 0
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Percussion 210 } \Staff \consists "
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Percussion 212 } \Perkussion >> 8
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Fretted strings 214 Allowing finger
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Fretted strings 216 C X O O 1 2 3
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Fretted strings 218 These fretboard
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Fretted strings 220 } } } c4( d) d
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Fretted strings 222 aUp = \markup {
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Fretted strings 224 } \override Bea
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Fretted strings 226 } %% A chord fo
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Fretted strings 228 } } (dot-positi
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Fretted strings 230 } % These chord
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Fretted strings 232 5 1 1 M C 3
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Fretted strings 234 } 2 } >> X
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Fretted strings 236 % ------ Barito
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Fretted strings 238 piano = { > } %
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Fretted strings 240 Trumpet Alto Sa
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Fretted strings 242 } } A B \new Ta
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Unfretted strings 244 Unfretted str
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Unfretted strings 246 } c4^\snapPiz
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Unfretted strings 248 } Violinone =
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Unfretted strings 250 Violin 1 Viol
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Ancient notation 252 Ancient notati
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Ancient notation 254 } >> >> % \bre
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Ancient notation 256 } >> >> g' as'
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Ancient notation 258 \score { \new
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Ancient notation 260 } discantusLyr
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Ancient notation 262 } bassusLyrics
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Ancient notation 264 } \override St
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Ancient notation 266 #}) 'element (
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Ancient notation 268 } % two measur
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Ancient notation 270 } \new Voice =
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Ancient notation 272 } Rest
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Ancient notation 274 altusNotes = {
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Ancient notation 276 } } incipitTen
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Ancient notation 278 } } } Discantu
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World music 280 World music These s
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Contexts and engravers 282 Contexts
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Contexts and engravers 284 } } >>
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Contexts and engravers 286 } b8 b b
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Contexts and engravers 288 Engraver
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Contexts and engravers 290 } \consi
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Contexts and engravers 292 } \score
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Contexts and engravers 294
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Contexts and engravers 296 } c4 c c
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Contexts and engravers 298 hi
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Tweaks and overrides 300 5 5 i
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Tweaks and overrides 302 "Luxi Mono
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Tweaks and overrides 304 } 3 } \o
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Tweaks and overrides 306 } b4 c a4
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Tweaks and overrides 308 } #'(fret-
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Tweaks and overrides 310 } >> } C X
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Tweaks and overrides 312 \relative
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Tweaks and overrides 314 %% C major
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Tweaks and overrides 316 c'2^\marku
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Tweaks and overrides 318 } } } (fin
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Tweaks and overrides 320 Horizontal
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Tweaks and overrides 322 \context S
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Tweaks and overrides 324 \context C
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Tweaks and overrides 326 } >> 4
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Tweaks and overrides 328 } 11 \set
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Tweaks and overrides 330 } % Increa
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Tweaks and overrides 332 } \new Sta
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Tweaks and overrides 334 ) \overrid
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Tweaks and overrides 336 \relative
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Tweaks and overrides 338 } "..." |
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Tweaks and overrides 340 } } } } li
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Tweaks and overrides 342 } } \conte
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Tweaks and overrides 344 } 6 \set S
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Tweaks and overrides 346 } 3 5 4 3
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Tweaks and overrides 348 Vertically
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Paper and layout 350 } } Left align
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Paper and layout 352 The first book
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Paper and layout 354 Second part
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Paper and layout 356 } } } (cons (m
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Paper and layout 358 Creating blank
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Paper and layout 360 } \layout { ra
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Paper and layout 362 4 Second score
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Titles 364 } "Left aligned" "instru
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Titles 366 poet piece title subtit
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Spacing 368 5 5 3 3 2 1 Page
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Spacing 370 3 4 B Music engrav
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Spacing 372 } >> \set alignBelowCon
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MIDI 374 Clarinet Flute
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MIDI 376 \set Staff.midiInstrument
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Templates 378 Templates Ancient not
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Templates 380 discantusNotes = { \t
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Templates 382 bassusNotes = { \tran
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Templates 384 3 8 o, De om
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Templates 386 d4^"Solo" d d d \nsl
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Templates 388 } % ------ Bass Guita
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Templates 390 Trumpet Alto Sax Bari
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Templates 392 \new Staff = "Staff_t
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Templates 394 Flute Oboe Clarinet i
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Templates 396 lower = \relative c {
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Templates 398 } \context { \Lyrics
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Templates 400 This snippet comes wi
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Templates 402 staffVoice = \new Sta
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Templates 404 text = \lyricmode { A
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Templates 406 } \set chordChanges =
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Templates 408 } \clef alto e2 d c1
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Templates 410 %\include "piece.ly"
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Templates 412 } \new Voice = sopran
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Templates 414 } ho ho ho ho \score
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Templates 416 } \new Lyrics = "alto
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