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Templates 411 Violin 1 Violin 2 Viola Cello Vocal ensemble template with automatic piano reduction This template adds an automatic piano reduction to the standard SATB vocal score demonstrated in "Vocal ensemble template". This demonstrates one of the strengths of <strong>LilyPond</strong> – you can use a music definition more than once. If any changes are made to the vocal notes (say, tenorMusic), then the changes will also apply to the piano reduction. global = { \key c \major \time 4/4 } sopMusic = \relative c'' { c4 c c8[( b)] c4 } sopWords = \lyricmode { hi hi hi hi } altoMusic = \relative c' { e4 f d e } altoWords =\lyricmode { ha ha ha ha } tenorMusic = \relative c' { g4 a f g } tenorWords = \lyricmode { hu hu hu hu } bassMusic = \relative c { c4 c g c } bassWords = \lyricmode { ho ho ho ho } \score {
Templates 412 } \new Voice = sopranos { \voiceOne > } \new Voice = altos { \voiceTwo > } >> \new Lyrics = altos { s1 } \new Lyrics = tenors { s1 } \new Staff = men > \new Lyrics = basses { s1 } \context Lyrics = sopranos \lyricsto sopranos \sopWords \context Lyrics = altos \lyricsto altos \altoWords \context Lyrics = tenors \lyricsto tenors \tenorWords \context Lyrics = basses \lyricsto basses \bassWords >> \new PianoStaff >> \new Staff > >> >> >> \layout { \context { % a little smaller so lyrics % can be closer to the staff \Staff \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3) } }
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LilyPond Snippets LilyPond Snippet
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Modifying tuplet bracket length. .
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Making some staff lines thicker tha
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Vocal ensemble template with lyrics
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Contexts and engravers . . . . . .
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Templates . . . . . . . . . . . . .
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Modifying tuplet bracket length. .
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Making some staff lines thicker tha
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Vocal ensemble template with lyrics
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xviii Contexts and engravers . . .
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Templates . . . . . . . . . . . . .
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Pitches 2 Ambitus Ambi
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Pitches 4 (cons (ly:make-pitch 0 5
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Pitches 6 } } } \Staff \remove "Ke
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Pitches 8 8 Text Preventing ex
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Pitches 10 } c'1 Transpo
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Pitches 12 } 6 \set Staff.clefGlyph
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Rhythms 14 } \new DrumVoice { \stem
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Rhythms 16 } \override StrokeFinger
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Rhythms 18 Changing beam knee gap K
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Rhythms 20
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Rhythms 22 } } 9 8 8 5
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Rhythms 24 In the example, two trip
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Rhythms 26 A O P B C 18 9
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Rhythms 28 melody = \relative c'' {
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Rhythms 30 } { c''1 R1 c''1 \normal
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Rhythms 32 3 3 P
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Rhythms 34 } \override Score.BarNum
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Rhythms 36 } >> \bar "|" \time 3/8
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Rhythms 38 Printing the bar number
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Rhythms 40 } \override Staff.Rest #
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Rhythms 42 a gap Skips in lyr
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Rhythms 44 Three-sided box This exa
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Rhythms 46 Using beatLength and bea
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Expressive marks 48 Expressive mark
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Expressive marks 50 scale in the po
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Expressive marks 52 smallFlageolet
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Expressive marks 54 } \cadenzaOn c4
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Expressive marks 56
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Expressive marks 58 The solution is
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Expressive marks 60 Hiding the exte
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Expressive marks 62 \relative c'' {
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Expressive marks 64 \relative c' {
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Expressive marks 66 } } \context {
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Expressive marks 68 Setting hairpin
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Expressive marks 70 \relative c' {
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Repeats 72 } \repeat tremolo 8 { a3
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Repeats 74 } | c4 c c c % Set segno
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Repeats 76 7
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Repeats 78 \new StaffGroup > >>
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Simultaneous notes 80 A tiny e
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Simultaneous notes 82 Standard poly
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Simultaneous notes 84 } } >> b8 g g
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Staff notation 86 } } >> \new Staff
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Staff notation 88 } \dynamicDown c8
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Staff notation 90 Creating metronom
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Staff notation 92 \once \override S
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Staff notation 94 } } g1 | \once \o
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Staff notation 96 } \new Lyrics = "
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Staff notation 98 } subsubtitle = \
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Staff notation 100 Mensurstriche la
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Staff notation 102 Alternatively, f
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Staff notation 104 \set Staff.instr
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Staff notation 106
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Staff notation 108 } >> } Vol
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Editorial annotations 110 Editorial
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Editorial annotations 112 Avoiding
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Editorial annotations 114 (cons (ly
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Editorial annotations 116 } } \pape
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Editorial annotations 118 foo
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Editorial annotations 120 Grid line
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Editorial annotations 122 } } } a4
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Editorial annotations 124 Using Pos
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Text 126 } \new Voice = melody \rel
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Text 128 \relative c' { e1 } % the
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Text 130 hairpinWithCenteredText =
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Text 132 This snippet presents the
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Text 134 } \time 1/16 s16 \bar "" \
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Text 136 } } poet piece copyright
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Text 138 } \once \override LyricTex
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Text 140 Multi-measure rest markup
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Text 142 } } \midi { } Aaa B
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Text 144 } } \line { mens impletur
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Text 146 } . japanese = \lyricmode
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Text 148 } >> \layout { \context {
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Vocal music 150 \new Lyrics \with {
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Vocal music 152 4 3 1. Hi, my
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Vocal music 154 } (is-rest? (ly:gro
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Vocal music 156 } text = \lyricmode
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Vocal music 158 } > \layout { } \mi
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Vocal music 160 Vertically centered
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Vocal music 162 } \new Voice = alto
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Vocal music 164 } ho ho ho ho \scor
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Vocal music 166 } \new Lyrics = "al
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Chords 168 F F 7 B 7 Avoiding colli
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Chords 170 } \set figuredBassAltera
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Chords 172 5 1 3 3 1 5 1 3
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Chords 174 Single staff template wi
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Chords 176 } harmonies = \chordmode
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Keyboards 178 Keyboards These snipp
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Keyboards 180 } \discant \combine \
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Keyboards 182 Controlling the place
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Keyboards 184 } >> { 2.\arpeggio }
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Keyboards 186 % ------ Baritone Sax
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Keyboards 188 piano = { > } % -----
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Keyboards 190 Trumpet Alto Sax Bari
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Keyboards 192 lower = \relative c {
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Keyboards 194 } \context { \Lyrics
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Keyboards 196 g4 a f g } tenorWords
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Percussion 198 Percussion These sni
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Percussion 200 4 6
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Percussion 202 } > % ------ Trombon
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Percussion 204 } \clef bass > % ---
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Percussion 206 Trumpet Alto Sax Bar
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Percussion 208 grestore grestore 0
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Percussion 210 } \Staff \consists "
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Percussion 212 } \Perkussion >> 8
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Fretted strings 214 Allowing finger
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Fretted strings 216 C X O O 1 2 3
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Fretted strings 218 These fretboard
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Fretted strings 220 } } } c4( d) d
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Fretted strings 222 aUp = \markup {
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Fretted strings 224 } \override Bea
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Fretted strings 226 } %% A chord fo
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Fretted strings 228 } } (dot-positi
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Fretted strings 230 } % These chord
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Fretted strings 232 5 1 1 M C 3
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Fretted strings 234 } 2 } >> X
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Fretted strings 236 % ------ Barito
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Fretted strings 238 piano = { > } %
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Fretted strings 240 Trumpet Alto Sa
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Fretted strings 242 } } A B \new Ta
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Unfretted strings 244 Unfretted str
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Unfretted strings 246 } c4^\snapPiz
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Unfretted strings 248 } Violinone =
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Unfretted strings 250 Violin 1 Viol
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Ancient notation 252 Ancient notati
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Ancient notation 254 } >> >> % \bre
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Ancient notation 256 } >> >> g' as'
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Ancient notation 258 \score { \new
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Ancient notation 260 } discantusLyr
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Ancient notation 262 } bassusLyrics
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Ancient notation 264 } \override St
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Ancient notation 266 #}) 'element (
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Ancient notation 268 } % two measur
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Ancient notation 270 } \new Voice =
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Ancient notation 272 } Rest
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Ancient notation 274 altusNotes = {
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Ancient notation 276 } } incipitTen
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Ancient notation 278 } } } Discantu
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World music 280 World music These s
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Contexts and engravers 282 Contexts
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Contexts and engravers 284 } } >>
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Contexts and engravers 286 } b8 b b
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Contexts and engravers 288 Engraver
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Contexts and engravers 290 } \consi
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Contexts and engravers 292 } \score
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Contexts and engravers 294
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Contexts and engravers 296 } c4 c c
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Contexts and engravers 298 hi
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Tweaks and overrides 300 5 5 i
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Tweaks and overrides 302 "Luxi Mono
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Tweaks and overrides 304 } 3 } \o
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Tweaks and overrides 306 } b4 c a4
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Tweaks and overrides 308 } #'(fret-
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Tweaks and overrides 310 } >> } C X
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Tweaks and overrides 312 \relative
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Tweaks and overrides 314 %% C major
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Tweaks and overrides 316 c'2^\marku
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Tweaks and overrides 318 } } } (fin
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Tweaks and overrides 320 Horizontal
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Tweaks and overrides 322 \context S
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Tweaks and overrides 324 \context C
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Tweaks and overrides 326 } >> 4
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Tweaks and overrides 328 } 11 \set
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Tweaks and overrides 330 } % Increa
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Tweaks and overrides 332 } \new Sta
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Tweaks and overrides 334 ) \overrid
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Tweaks and overrides 336 \relative
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Tweaks and overrides 338 } "..." |
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Tweaks and overrides 340 } } } } li
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Tweaks and overrides 342 } } \conte
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Tweaks and overrides 344 } 6 \set S
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Tweaks and overrides 346 } 3 5 4 3
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Tweaks and overrides 348 Vertically
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Paper and layout 350 } } Left align
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Paper and layout 352 The first book
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Paper and layout 354 Second part
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Paper and layout 356 } } } (cons (m
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Paper and layout 358 Creating blank
Page 381 and 382: Paper and layout 360 } \layout { ra
Page 383 and 384: Paper and layout 362 4 Second score
Page 385 and 386: Titles 364 } "Left aligned" "instru
Page 387 and 388: Titles 366 poet piece title subtit
Page 389 and 390: Spacing 368 5 5 3 3 2 1 Page
Page 391 and 392: Spacing 370 3 4 B Music engrav
Page 393 and 394: Spacing 372 } >> \set alignBelowCon
Page 395 and 396: MIDI 374 Clarinet Flute
Page 397 and 398: MIDI 376 \set Staff.midiInstrument
Page 399 and 400: Templates 378 Templates Ancient not
Page 401 and 402: Templates 380 discantusNotes = { \t
Page 403 and 404: Templates 382 bassusNotes = { \tran
Page 405 and 406: Templates 384 3 8 o, De om
Page 407 and 408: Templates 386 d4^"Solo" d d d \nsl
Page 409 and 410: Templates 388 } % ------ Bass Guita
Page 411 and 412: Templates 390 Trumpet Alto Sax Bari
Page 413 and 414: Templates 392 \new Staff = "Staff_t
Page 415 and 416: Templates 394 Flute Oboe Clarinet i
Page 417 and 418: Templates 396 lower = \relative c {
Page 419 and 420: Templates 398 } \context { \Lyrics
Page 421 and 422: Templates 400 This snippet comes wi
Page 423 and 424: Templates 402 staffVoice = \new Sta
Page 425 and 426: Templates 404 text = \lyricmode { A
Page 427 and 428: Templates 406 } \set chordChanges =
Page 429 and 430: Templates 408 } \clef alto e2 d c1
Page 431: Templates 410 %\include "piece.ly"
Page 435 and 436: Templates 414 } ho ho ho ho \score
Page 437: Templates 416 } \new Lyrics = "alto
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