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Tweaks and overrides 345 } } \new Voice { \acciaccatura { f16 } g4 \grace { d16[ e] } f4 \appoggiatura { f,32[ g a] } e2 } Using beatLength and beatGrouping The property measureLength determines where bar lines should be inserted and, with beatLength and beatGrouping, how automatic beams should be generated for beam durations and time signatures for which no beam-ending rules are defined. This example shows several ways of controlling beaming by setting these properties. The explanations are shown as comments in the code. \relative c'' { \time 3/4 % The default in 3/4 time is to beam in three groups % each of a quarter note length a16 a a a a a a a a a a a \time 12/16 % No auto-beaming is defined for 12/16 a16 a a a a a a a a a a a \time 3/4 % Change time signature symbol, but retain underlying 3/4 beaming \set Score.timeSignatureFraction = #'(12 . 16) a16 a a a a a a a a a a a % The 3/4 time default grouping of (1 1 1) and beatLength of 1/8 % are not consistent with a measureLength of 3/4, so the beams % are grouped at beatLength intervals \set Score.beatLength = #(ly:make-moment 1 8) a16 a a a a a a a a a a a % Specify beams in groups of (3 3 2 3) 1/16th notes % 3+3+2+3=11, and 11*1/163/4, so beatGrouping does not apply, % and beams are grouped at beatLength (1/16) intervals \set Score.beatLength = #(ly:make-moment 1 16) \set Score.beatGrouping = #'(3 3 2 3) a16 a a a a a a a a a a a % Specify beams in groups of (3 4 2 3) 1/16th notes % 3+4+2+3=12, and 12*1/16=3/4, so beatGrouping applies \set Score.beatLength = #(ly:make-moment 1 16) \set Score.beatGrouping = #'(3 4 2 3) a16 a a a a a a a a a a a
Tweaks and overrides 346 } 3 5 4 3 12 16 12 16 Using PostScript to generate special note head shapes When a note head with a special shape cannot easily be generated with graphic markup, Post- Script code can be used to generate the shape. This example shows how a parallelogram-shaped note head is generated. parallelogram = #(ly:make-stencil (list 'embedded-ps "gsave currentpoint translate newpath 0 0.25 moveto 1.3125 0.75 lineto 1.3125 -0.25 lineto 0 -0.75 lineto closepath fill grestore" ) (cons 0 1.3125) (cons 0 0)) myNoteHeads = \override NoteHead #'stencil = \parallelogram normalNoteHeads = \revert NoteHead #'stencil \relative c'' { \myNoteHeads g4 d' \normalNoteHeads
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LilyPond Snippets LilyPond Snippet
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Modifying tuplet bracket length. .
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Making some staff lines thicker tha
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Vocal ensemble template with lyrics
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Contexts and engravers . . . . . .
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Templates . . . . . . . . . . . . .
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Modifying tuplet bracket length. .
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Making some staff lines thicker tha
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Vocal ensemble template with lyrics
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xviii Contexts and engravers . . .
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Templates . . . . . . . . . . . . .
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Pitches 2 Ambitus Ambi
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Pitches 4 (cons (ly:make-pitch 0 5
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Pitches 6 } } } \Staff \remove "Ke
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Pitches 8 8 Text Preventing ex
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Pitches 10 } c'1 Transpo
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Pitches 12 } 6 \set Staff.clefGlyph
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Rhythms 14 } \new DrumVoice { \stem
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Rhythms 16 } \override StrokeFinger
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Rhythms 18 Changing beam knee gap K
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Rhythms 20
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Rhythms 22 } } 9 8 8 5
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Rhythms 24 In the example, two trip
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Rhythms 26 A O P B C 18 9
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Rhythms 28 melody = \relative c'' {
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Rhythms 30 } { c''1 R1 c''1 \normal
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Rhythms 32 3 3 P
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Rhythms 34 } \override Score.BarNum
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Rhythms 36 } >> \bar "|" \time 3/8
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Rhythms 38 Printing the bar number
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Rhythms 40 } \override Staff.Rest #
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Rhythms 42 a gap Skips in lyr
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Rhythms 44 Three-sided box This exa
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Rhythms 46 Using beatLength and bea
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Expressive marks 48 Expressive mark
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Expressive marks 50 scale in the po
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Expressive marks 52 smallFlageolet
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Expressive marks 54 } \cadenzaOn c4
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Expressive marks 56
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Expressive marks 58 The solution is
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Expressive marks 60 Hiding the exte
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Expressive marks 62 \relative c'' {
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Expressive marks 64 \relative c' {
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Expressive marks 66 } } \context {
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Expressive marks 68 Setting hairpin
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Expressive marks 70 \relative c' {
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Repeats 72 } \repeat tremolo 8 { a3
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Repeats 74 } | c4 c c c % Set segno
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Repeats 76 7
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Repeats 78 \new StaffGroup > >>
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Simultaneous notes 80 A tiny e
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Simultaneous notes 82 Standard poly
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Simultaneous notes 84 } } >> b8 g g
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Staff notation 86 } } >> \new Staff
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Staff notation 88 } \dynamicDown c8
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Staff notation 90 Creating metronom
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Staff notation 92 \once \override S
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Staff notation 94 } } g1 | \once \o
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Staff notation 96 } \new Lyrics = "
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Staff notation 98 } subsubtitle = \
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Staff notation 100 Mensurstriche la
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Staff notation 102 Alternatively, f
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Staff notation 104 \set Staff.instr
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Staff notation 106
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Staff notation 108 } >> } Vol
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Editorial annotations 110 Editorial
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Editorial annotations 112 Avoiding
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Editorial annotations 114 (cons (ly
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Editorial annotations 116 } } \pape
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Editorial annotations 118 foo
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Editorial annotations 120 Grid line
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Editorial annotations 122 } } } a4
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Editorial annotations 124 Using Pos
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Text 126 } \new Voice = melody \rel
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Text 128 \relative c' { e1 } % the
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Text 130 hairpinWithCenteredText =
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Text 132 This snippet presents the
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Text 134 } \time 1/16 s16 \bar "" \
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Text 136 } } poet piece copyright
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Text 138 } \once \override LyricTex
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Text 140 Multi-measure rest markup
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Text 142 } } \midi { } Aaa B
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Text 144 } } \line { mens impletur
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Text 146 } . japanese = \lyricmode
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Text 148 } >> \layout { \context {
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Vocal music 150 \new Lyrics \with {
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Vocal music 152 4 3 1. Hi, my
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Vocal music 154 } (is-rest? (ly:gro
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Vocal music 156 } text = \lyricmode
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Vocal music 158 } > \layout { } \mi
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Vocal music 160 Vertically centered
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Vocal music 162 } \new Voice = alto
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Vocal music 164 } ho ho ho ho \scor
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Vocal music 166 } \new Lyrics = "al
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Chords 168 F F 7 B 7 Avoiding colli
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Chords 170 } \set figuredBassAltera
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Chords 172 5 1 3 3 1 5 1 3
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Chords 174 Single staff template wi
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Chords 176 } harmonies = \chordmode
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Keyboards 178 Keyboards These snipp
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Keyboards 180 } \discant \combine \
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Keyboards 182 Controlling the place
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Keyboards 184 } >> { 2.\arpeggio }
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Keyboards 186 % ------ Baritone Sax
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Keyboards 188 piano = { > } % -----
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Keyboards 190 Trumpet Alto Sax Bari
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Keyboards 192 lower = \relative c {
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Keyboards 194 } \context { \Lyrics
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Keyboards 196 g4 a f g } tenorWords
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Percussion 198 Percussion These sni
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Percussion 200 4 6
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Percussion 202 } > % ------ Trombon
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Percussion 204 } \clef bass > % ---
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Percussion 206 Trumpet Alto Sax Bar
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Percussion 208 grestore grestore 0
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Percussion 210 } \Staff \consists "
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Percussion 212 } \Perkussion >> 8
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Fretted strings 214 Allowing finger
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Fretted strings 216 C X O O 1 2 3
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Fretted strings 218 These fretboard
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Fretted strings 220 } } } c4( d) d
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Fretted strings 222 aUp = \markup {
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Fretted strings 224 } \override Bea
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Fretted strings 226 } %% A chord fo
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Fretted strings 228 } } (dot-positi
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Fretted strings 230 } % These chord
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Fretted strings 232 5 1 1 M C 3
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Fretted strings 234 } 2 } >> X
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Fretted strings 236 % ------ Barito
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Fretted strings 238 piano = { > } %
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Fretted strings 240 Trumpet Alto Sa
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Fretted strings 242 } } A B \new Ta
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Unfretted strings 244 Unfretted str
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Unfretted strings 246 } c4^\snapPiz
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Unfretted strings 248 } Violinone =
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Unfretted strings 250 Violin 1 Viol
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Ancient notation 252 Ancient notati
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Ancient notation 254 } >> >> % \bre
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Ancient notation 256 } >> >> g' as'
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Ancient notation 258 \score { \new
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Ancient notation 260 } discantusLyr
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Ancient notation 262 } bassusLyrics
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Ancient notation 264 } \override St
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Ancient notation 266 #}) 'element (
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Ancient notation 268 } % two measur
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Ancient notation 270 } \new Voice =
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Ancient notation 272 } Rest
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Ancient notation 274 altusNotes = {
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Ancient notation 276 } } incipitTen
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Ancient notation 278 } } } Discantu
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World music 280 World music These s
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Contexts and engravers 282 Contexts
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Contexts and engravers 284 } } >>
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Contexts and engravers 286 } b8 b b
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Contexts and engravers 288 Engraver
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Contexts and engravers 290 } \consi
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Contexts and engravers 292 } \score
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Page 317 and 318: Contexts and engravers 296 } c4 c c
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Page 321 and 322: Tweaks and overrides 300 5 5 i
Page 323 and 324: Tweaks and overrides 302 "Luxi Mono
Page 325 and 326: Tweaks and overrides 304 } 3 } \o
Page 327 and 328: Tweaks and overrides 306 } b4 c a4
Page 329 and 330: Tweaks and overrides 308 } #'(fret-
Page 331 and 332: Tweaks and overrides 310 } >> } C X
Page 333 and 334: Tweaks and overrides 312 \relative
Page 335 and 336: Tweaks and overrides 314 %% C major
Page 337 and 338: Tweaks and overrides 316 c'2^\marku
Page 339 and 340: Tweaks and overrides 318 } } } (fin
Page 341 and 342: Tweaks and overrides 320 Horizontal
Page 343 and 344: Tweaks and overrides 322 \context S
Page 345 and 346: Tweaks and overrides 324 \context C
Page 347 and 348: Tweaks and overrides 326 } >> 4
Page 349 and 350: Tweaks and overrides 328 } 11 \set
Page 351 and 352: Tweaks and overrides 330 } % Increa
Page 353 and 354: Tweaks and overrides 332 } \new Sta
Page 355 and 356: Tweaks and overrides 334 ) \overrid
Page 357 and 358: Tweaks and overrides 336 \relative
Page 359 and 360: Tweaks and overrides 338 } "..." |
Page 361 and 362: Tweaks and overrides 340 } } } } li
Page 363 and 364: Tweaks and overrides 342 } } \conte
Page 365: Tweaks and overrides 344 } 6 \set S
Page 369 and 370: Tweaks and overrides 348 Vertically
Page 371 and 372: Paper and layout 350 } } Left align
Page 373 and 374: Paper and layout 352 The first book
Page 375 and 376: Paper and layout 354 Second part
Page 377 and 378: Paper and layout 356 } } } (cons (m
Page 379 and 380: Paper and layout 358 Creating blank
Page 381 and 382: Paper and layout 360 } \layout { ra
Page 383 and 384: Paper and layout 362 4 Second score
Page 385 and 386: Titles 364 } "Left aligned" "instru
Page 387 and 388: Titles 366 poet piece title subtit
Page 389 and 390: Spacing 368 5 5 3 3 2 1 Page
Page 391 and 392: Spacing 370 3 4 B Music engrav
Page 393 and 394: Spacing 372 } >> \set alignBelowCon
Page 395 and 396: MIDI 374 Clarinet Flute
Page 397 and 398: MIDI 376 \set Staff.midiInstrument
Page 399 and 400: Templates 378 Templates Ancient not
Page 401 and 402: Templates 380 discantusNotes = { \t
Page 403 and 404: Templates 382 bassusNotes = { \tran
Page 405 and 406: Templates 384 3 8 o, De om
Page 407 and 408: Templates 386 d4^"Solo" d d d \nsl
Page 409 and 410: Templates 388 } % ------ Bass Guita
Page 411 and 412: Templates 390 Trumpet Alto Sax Bari
Page 413 and 414: Templates 392 \new Staff = "Staff_t
Page 415 and 416: Templates 394 Flute Oboe Clarinet i
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Templates 396 lower = \relative c {
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Templates 398 } \context { \Lyrics
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Templates 400 This snippet comes wi
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Templates 402 staffVoice = \new Sta
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Templates 404 text = \lyricmode { A
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Templates 406 } \set chordChanges =
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Templates 408 } \clef alto e2 d c1
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Templates 410 %\include "piece.ly"
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Templates 412 } \new Voice = sopran
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Templates 414 } ho ho ho ho \score
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Templates 416 } \new Lyrics = "alto
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