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Keyboards 197 } } } % a little smaller so lyrics % can be closer to the staff \Staff \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3) hi ha hu ho hi ha hu ho hi ha hu ho hi ha hu ho
Percussion 198 Percussion These snippets illustrate Section “Percussion” in Notation Reference. Adding drum parts Using the powerful pre-configured tools such as the \drummode function and the DrumStaff context, inputting drum parts is quite easy: drums are placed at their own staff positions (with a special clef symbol) and have note heads according to the drum. Attaching an extra symbol to the drum or restricting the number of lines is possible. drh = \drummode { cymc4.^"crash" hhc16^"h.h." hh hhc8 hho hhc8 hh16 hh hhc4 r4 r2 } drl = \drummode { bd4 sn8 bd bd4 > bd8 tommh tommh bd toml toml bd tomfh16 tomfh timb = \drummode { timh4 ssh timl8 ssh r timh r4 ssh8 timl r4 cb8 cb } \score { \new DrumStaff > >> \layout { } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } } timbales drums crash h.h. Heavily customized polymetric time signatures Though the polymetric time signature shown was not the most essential item here, it has been included to show the beat of this piece (which is the template of a real Balkan song!).
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LilyPond Snippets LilyPond Snippet
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Modifying tuplet bracket length. .
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Making some staff lines thicker tha
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Vocal ensemble template with lyrics
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Contexts and engravers . . . . . .
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Templates . . . . . . . . . . . . .
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Modifying tuplet bracket length. .
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Making some staff lines thicker tha
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Vocal ensemble template with lyrics
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xviii Contexts and engravers . . .
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Templates . . . . . . . . . . . . .
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Pitches 2 Ambitus Ambi
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Pitches 4 (cons (ly:make-pitch 0 5
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Pitches 6 } } } \Staff \remove "Ke
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Pitches 8 8 Text Preventing ex
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Pitches 10 } c'1 Transpo
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Pitches 12 } 6 \set Staff.clefGlyph
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Rhythms 14 } \new DrumVoice { \stem
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Rhythms 16 } \override StrokeFinger
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Rhythms 18 Changing beam knee gap K
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Rhythms 20
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Rhythms 22 } } 9 8 8 5
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Rhythms 24 In the example, two trip
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Rhythms 26 A O P B C 18 9
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Rhythms 28 melody = \relative c'' {
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Rhythms 30 } { c''1 R1 c''1 \normal
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Rhythms 32 3 3 P
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Rhythms 34 } \override Score.BarNum
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Rhythms 36 } >> \bar "|" \time 3/8
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Rhythms 38 Printing the bar number
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Rhythms 40 } \override Staff.Rest #
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Rhythms 42 a gap Skips in lyr
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Rhythms 44 Three-sided box This exa
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Rhythms 46 Using beatLength and bea
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Expressive marks 48 Expressive mark
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Expressive marks 50 scale in the po
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Expressive marks 52 smallFlageolet
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Expressive marks 54 } \cadenzaOn c4
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Expressive marks 56
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Expressive marks 58 The solution is
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Expressive marks 60 Hiding the exte
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Expressive marks 62 \relative c'' {
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Expressive marks 64 \relative c' {
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Expressive marks 66 } } \context {
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Expressive marks 68 Setting hairpin
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Expressive marks 70 \relative c' {
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Repeats 72 } \repeat tremolo 8 { a3
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Repeats 74 } | c4 c c c % Set segno
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Repeats 76 7
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Repeats 78 \new StaffGroup > >>
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Simultaneous notes 80 A tiny e
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Simultaneous notes 82 Standard poly
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Simultaneous notes 84 } } >> b8 g g
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Staff notation 86 } } >> \new Staff
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Staff notation 88 } \dynamicDown c8
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Staff notation 90 Creating metronom
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Staff notation 92 \once \override S
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Staff notation 94 } } g1 | \once \o
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Staff notation 96 } \new Lyrics = "
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Staff notation 98 } subsubtitle = \
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Staff notation 100 Mensurstriche la
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Staff notation 102 Alternatively, f
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Staff notation 104 \set Staff.instr
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Staff notation 106
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Staff notation 108 } >> } Vol
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Editorial annotations 110 Editorial
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Editorial annotations 112 Avoiding
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Editorial annotations 114 (cons (ly
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Editorial annotations 116 } } \pape
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Editorial annotations 118 foo
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Editorial annotations 120 Grid line
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Editorial annotations 122 } } } a4
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Editorial annotations 124 Using Pos
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Text 126 } \new Voice = melody \rel
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Text 128 \relative c' { e1 } % the
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Text 130 hairpinWithCenteredText =
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Text 132 This snippet presents the
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Text 134 } \time 1/16 s16 \bar "" \
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Text 136 } } poet piece copyright
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Text 138 } \once \override LyricTex
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Text 140 Multi-measure rest markup
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Text 142 } } \midi { } Aaa B
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Text 144 } } \line { mens impletur
Page 167 and 168: Text 146 } . japanese = \lyricmode
Page 169 and 170: Text 148 } >> \layout { \context {
Page 171 and 172: Vocal music 150 \new Lyrics \with {
Page 173 and 174: Vocal music 152 4 3 1. Hi, my
Page 175 and 176: Vocal music 154 } (is-rest? (ly:gro
Page 177 and 178: Vocal music 156 } text = \lyricmode
Page 179 and 180: Vocal music 158 } > \layout { } \mi
Page 181 and 182: Vocal music 160 Vertically centered
Page 183 and 184: Vocal music 162 } \new Voice = alto
Page 185 and 186: Vocal music 164 } ho ho ho ho \scor
Page 187 and 188: Vocal music 166 } \new Lyrics = "al
Page 189 and 190: Chords 168 F F 7 B 7 Avoiding colli
Page 191 and 192: Chords 170 } \set figuredBassAltera
Page 193 and 194: Chords 172 5 1 3 3 1 5 1 3
Page 195 and 196: Chords 174 Single staff template wi
Page 197 and 198: Chords 176 } harmonies = \chordmode
Page 199 and 200: Keyboards 178 Keyboards These snipp
Page 201 and 202: Keyboards 180 } \discant \combine \
Page 203 and 204: Keyboards 182 Controlling the place
Page 205 and 206: Keyboards 184 } >> { 2.\arpeggio }
Page 207 and 208: Keyboards 186 % ------ Baritone Sax
Page 209 and 210: Keyboards 188 piano = { > } % -----
Page 211 and 212: Keyboards 190 Trumpet Alto Sax Bari
Page 213 and 214: Keyboards 192 lower = \relative c {
Page 215 and 216: Keyboards 194 } \context { \Lyrics
Page 217: Keyboards 196 g4 a f g } tenorWords
Page 221 and 222: Percussion 200 4 6
Page 223 and 224: Percussion 202 } > % ------ Trombon
Page 225 and 226: Percussion 204 } \clef bass > % ---
Page 227 and 228: Percussion 206 Trumpet Alto Sax Bar
Page 229 and 230: Percussion 208 grestore grestore 0
Page 231 and 232: Percussion 210 } \Staff \consists "
Page 233 and 234: Percussion 212 } \Perkussion >> 8
Page 235 and 236: Fretted strings 214 Allowing finger
Page 237 and 238: Fretted strings 216 C X O O 1 2 3
Page 239 and 240: Fretted strings 218 These fretboard
Page 241 and 242: Fretted strings 220 } } } c4( d) d
Page 243 and 244: Fretted strings 222 aUp = \markup {
Page 245 and 246: Fretted strings 224 } \override Bea
Page 247 and 248: Fretted strings 226 } %% A chord fo
Page 249 and 250: Fretted strings 228 } } (dot-positi
Page 251 and 252: Fretted strings 230 } % These chord
Page 253 and 254: Fretted strings 232 5 1 1 M C 3
Page 255 and 256: Fretted strings 234 } 2 } >> X
Page 257 and 258: Fretted strings 236 % ------ Barito
Page 259 and 260: Fretted strings 238 piano = { > } %
Page 261 and 262: Fretted strings 240 Trumpet Alto Sa
Page 263 and 264: Fretted strings 242 } } A B \new Ta
Page 265 and 266: Unfretted strings 244 Unfretted str
Page 267 and 268: Unfretted strings 246 } c4^\snapPiz
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Unfretted strings 248 } Violinone =
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Unfretted strings 250 Violin 1 Viol
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Ancient notation 252 Ancient notati
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Ancient notation 254 } >> >> % \bre
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Ancient notation 256 } >> >> g' as'
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Ancient notation 258 \score { \new
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Ancient notation 260 } discantusLyr
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Ancient notation 262 } bassusLyrics
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Ancient notation 264 } \override St
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Ancient notation 266 #}) 'element (
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Ancient notation 268 } % two measur
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Ancient notation 270 } \new Voice =
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Ancient notation 272 } Rest
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Ancient notation 274 altusNotes = {
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Ancient notation 276 } } incipitTen
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Ancient notation 278 } } } Discantu
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World music 280 World music These s
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Contexts and engravers 282 Contexts
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Contexts and engravers 284 } } >>
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Contexts and engravers 286 } b8 b b
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Contexts and engravers 288 Engraver
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Contexts and engravers 290 } \consi
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Contexts and engravers 292 } \score
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Contexts and engravers 294
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Contexts and engravers 296 } c4 c c
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Contexts and engravers 298 hi
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Tweaks and overrides 300 5 5 i
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Tweaks and overrides 302 "Luxi Mono
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Tweaks and overrides 304 } 3 } \o
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Tweaks and overrides 306 } b4 c a4
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Tweaks and overrides 308 } #'(fret-
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Tweaks and overrides 310 } >> } C X
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Tweaks and overrides 312 \relative
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Tweaks and overrides 314 %% C major
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Tweaks and overrides 316 c'2^\marku
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Tweaks and overrides 318 } } } (fin
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Tweaks and overrides 320 Horizontal
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Tweaks and overrides 322 \context S
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Tweaks and overrides 324 \context C
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Tweaks and overrides 326 } >> 4
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Tweaks and overrides 328 } 11 \set
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Tweaks and overrides 330 } % Increa
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Tweaks and overrides 332 } \new Sta
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Tweaks and overrides 334 ) \overrid
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Tweaks and overrides 336 \relative
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Tweaks and overrides 338 } "..." |
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Tweaks and overrides 340 } } } } li
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Tweaks and overrides 342 } } \conte
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Tweaks and overrides 344 } 6 \set S
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Tweaks and overrides 346 } 3 5 4 3
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Tweaks and overrides 348 Vertically
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Paper and layout 350 } } Left align
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Paper and layout 352 The first book
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Paper and layout 354 Second part
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Paper and layout 356 } } } (cons (m
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Paper and layout 358 Creating blank
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Paper and layout 360 } \layout { ra
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Paper and layout 362 4 Second score
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Titles 364 } "Left aligned" "instru
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Titles 366 poet piece title subtit
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Spacing 368 5 5 3 3 2 1 Page
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Spacing 370 3 4 B Music engrav
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Spacing 372 } >> \set alignBelowCon
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MIDI 374 Clarinet Flute
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MIDI 376 \set Staff.midiInstrument
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Templates 378 Templates Ancient not
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Templates 380 discantusNotes = { \t
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Templates 382 bassusNotes = { \tran
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Templates 384 3 8 o, De om
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Templates 386 d4^"Solo" d d d \nsl
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Templates 388 } % ------ Bass Guita
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Templates 390 Trumpet Alto Sax Bari
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Templates 392 \new Staff = "Staff_t
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Templates 394 Flute Oboe Clarinet i
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Templates 396 lower = \relative c {
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Templates 398 } \context { \Lyrics
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Templates 400 This snippet comes wi
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Templates 402 staffVoice = \new Sta
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Templates 404 text = \lyricmode { A
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Templates 406 } \set chordChanges =
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Templates 408 } \clef alto e2 d c1
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Templates 410 %\include "piece.ly"
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Templates 412 } \new Voice = sopran
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Templates 414 } ho ho ho ho \score
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Templates 416 } \new Lyrics = "alto
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