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Fretted strings 241 Letter tablature formatting Tablature can be formatted using letters instead of numbers. #(define (letter-tablature-format str context event) (let ((tuning (ly:context-property context 'stringTunings)) (pitch (ly:event-property event 'pitch))) (make-whiteout-markup (make-vcenter-markup (string (integer->char (+ (char->integer #\a) (- (ly:pitch-semitones pitch) (list-ref tuning (- str 1)))))))))) music = \relative c { c4 d e f g4 a b c d4 e f g } > 8 d a Modern TAB text clef c d a c a b d a b d Use a markup text to replace the (TAB) clef glyph with a modern font. TAB = \markup { \raise #1.5 \sans \bold \huge \override #'(baseline-skip . 2.5) \left-align \center-column { T
Fretted strings 242 } } A B \new TabStaff { \override Staff.Clef #'stencil = #(lambda (grob) (grob-interpret-markup grob TAB)) a } T A B 2 Placement of right-hand fingerings It is possible to exercise greater control over the placement of right-hand fingerings by setting a specific property, as demonstrated in the following example. #(define RH rightHandFinger) \relative c { \clef "treble_8" } \set strokeFingerOrientations = #'(up down) 4 \set strokeFingerOrientations = #'(up right down) 4 \set strokeFingerOrientations = #'(left) 2 i m m a 8 a i p p a m ip Polyphony in tablature Polyphony is created the same way in a TabStaff as in a regular staff. upper = \relative c' { \time 12/8 \key e \minor \voiceOne r4. r8 e, fis g16 b g e e' b c b a g fis e } lower = \relative c {
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LilyPond Snippets LilyPond Snippet
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Modifying tuplet bracket length. .
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Making some staff lines thicker tha
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Vocal ensemble template with lyrics
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Contexts and engravers . . . . . .
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Templates . . . . . . . . . . . . .
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Modifying tuplet bracket length. .
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Making some staff lines thicker tha
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Vocal ensemble template with lyrics
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xviii Contexts and engravers . . .
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Templates . . . . . . . . . . . . .
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Pitches 2 Ambitus Ambi
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Pitches 4 (cons (ly:make-pitch 0 5
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Pitches 6 } } } \Staff \remove "Ke
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Pitches 8 8 Text Preventing ex
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Pitches 10 } c'1 Transpo
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Pitches 12 } 6 \set Staff.clefGlyph
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Rhythms 14 } \new DrumVoice { \stem
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Rhythms 16 } \override StrokeFinger
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Rhythms 18 Changing beam knee gap K
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Rhythms 20
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Rhythms 22 } } 9 8 8 5
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Rhythms 24 In the example, two trip
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Rhythms 26 A O P B C 18 9
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Rhythms 28 melody = \relative c'' {
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Rhythms 30 } { c''1 R1 c''1 \normal
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Rhythms 32 3 3 P
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Rhythms 34 } \override Score.BarNum
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Rhythms 36 } >> \bar "|" \time 3/8
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Rhythms 38 Printing the bar number
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Rhythms 40 } \override Staff.Rest #
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Rhythms 42 a gap Skips in lyr
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Rhythms 44 Three-sided box This exa
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Rhythms 46 Using beatLength and bea
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Expressive marks 48 Expressive mark
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Expressive marks 50 scale in the po
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Expressive marks 52 smallFlageolet
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Expressive marks 54 } \cadenzaOn c4
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Expressive marks 56
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Expressive marks 58 The solution is
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Expressive marks 60 Hiding the exte
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Expressive marks 62 \relative c'' {
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Expressive marks 64 \relative c' {
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Expressive marks 66 } } \context {
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Expressive marks 68 Setting hairpin
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Expressive marks 70 \relative c' {
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Repeats 72 } \repeat tremolo 8 { a3
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Repeats 74 } | c4 c c c % Set segno
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Repeats 76 7
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Repeats 78 \new StaffGroup > >>
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Simultaneous notes 80 A tiny e
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Simultaneous notes 82 Standard poly
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Simultaneous notes 84 } } >> b8 g g
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Staff notation 86 } } >> \new Staff
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Staff notation 88 } \dynamicDown c8
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Staff notation 90 Creating metronom
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Staff notation 92 \once \override S
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Staff notation 94 } } g1 | \once \o
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Staff notation 96 } \new Lyrics = "
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Staff notation 98 } subsubtitle = \
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Staff notation 100 Mensurstriche la
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Staff notation 102 Alternatively, f
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Staff notation 104 \set Staff.instr
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Staff notation 106
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Staff notation 108 } >> } Vol
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Editorial annotations 110 Editorial
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Editorial annotations 112 Avoiding
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Editorial annotations 114 (cons (ly
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Editorial annotations 116 } } \pape
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Editorial annotations 118 foo
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Editorial annotations 120 Grid line
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Editorial annotations 122 } } } a4
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Editorial annotations 124 Using Pos
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Text 126 } \new Voice = melody \rel
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Text 128 \relative c' { e1 } % the
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Text 130 hairpinWithCenteredText =
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Text 132 This snippet presents the
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Text 134 } \time 1/16 s16 \bar "" \
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Text 136 } } poet piece copyright
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Text 138 } \once \override LyricTex
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Text 140 Multi-measure rest markup
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Text 142 } } \midi { } Aaa B
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Text 144 } } \line { mens impletur
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Text 146 } . japanese = \lyricmode
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Text 148 } >> \layout { \context {
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Vocal music 150 \new Lyrics \with {
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Vocal music 152 4 3 1. Hi, my
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Vocal music 154 } (is-rest? (ly:gro
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Vocal music 156 } text = \lyricmode
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Vocal music 158 } > \layout { } \mi
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Vocal music 160 Vertically centered
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Vocal music 162 } \new Voice = alto
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Vocal music 164 } ho ho ho ho \scor
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Vocal music 166 } \new Lyrics = "al
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Chords 168 F F 7 B 7 Avoiding colli
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Chords 170 } \set figuredBassAltera
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Chords 172 5 1 3 3 1 5 1 3
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Chords 174 Single staff template wi
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Chords 176 } harmonies = \chordmode
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Keyboards 178 Keyboards These snipp
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Keyboards 180 } \discant \combine \
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Keyboards 182 Controlling the place
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Keyboards 184 } >> { 2.\arpeggio }
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Keyboards 186 % ------ Baritone Sax
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Keyboards 188 piano = { > } % -----
Page 211 and 212: Keyboards 190 Trumpet Alto Sax Bari
Page 213 and 214: Keyboards 192 lower = \relative c {
Page 215 and 216: Keyboards 194 } \context { \Lyrics
Page 217 and 218: Keyboards 196 g4 a f g } tenorWords
Page 219 and 220: Percussion 198 Percussion These sni
Page 221 and 222: Percussion 200 4 6
Page 223 and 224: Percussion 202 } > % ------ Trombon
Page 225 and 226: Percussion 204 } \clef bass > % ---
Page 227 and 228: Percussion 206 Trumpet Alto Sax Bar
Page 229 and 230: Percussion 208 grestore grestore 0
Page 231 and 232: Percussion 210 } \Staff \consists "
Page 233 and 234: Percussion 212 } \Perkussion >> 8
Page 235 and 236: Fretted strings 214 Allowing finger
Page 237 and 238: Fretted strings 216 C X O O 1 2 3
Page 239 and 240: Fretted strings 218 These fretboard
Page 241 and 242: Fretted strings 220 } } } c4( d) d
Page 243 and 244: Fretted strings 222 aUp = \markup {
Page 245 and 246: Fretted strings 224 } \override Bea
Page 247 and 248: Fretted strings 226 } %% A chord fo
Page 249 and 250: Fretted strings 228 } } (dot-positi
Page 251 and 252: Fretted strings 230 } % These chord
Page 253 and 254: Fretted strings 232 5 1 1 M C 3
Page 255 and 256: Fretted strings 234 } 2 } >> X
Page 257 and 258: Fretted strings 236 % ------ Barito
Page 259 and 260: Fretted strings 238 piano = { > } %
Page 261: Fretted strings 240 Trumpet Alto Sa
Page 265 and 266: Unfretted strings 244 Unfretted str
Page 267 and 268: Unfretted strings 246 } c4^\snapPiz
Page 269 and 270: Unfretted strings 248 } Violinone =
Page 271 and 272: Unfretted strings 250 Violin 1 Viol
Page 273 and 274: Ancient notation 252 Ancient notati
Page 275 and 276: Ancient notation 254 } >> >> % \bre
Page 277 and 278: Ancient notation 256 } >> >> g' as'
Page 279 and 280: Ancient notation 258 \score { \new
Page 281 and 282: Ancient notation 260 } discantusLyr
Page 283 and 284: Ancient notation 262 } bassusLyrics
Page 285 and 286: Ancient notation 264 } \override St
Page 287 and 288: Ancient notation 266 #}) 'element (
Page 289 and 290: Ancient notation 268 } % two measur
Page 291 and 292: Ancient notation 270 } \new Voice =
Page 293 and 294: Ancient notation 272 } Rest
Page 295 and 296: Ancient notation 274 altusNotes = {
Page 297 and 298: Ancient notation 276 } } incipitTen
Page 299 and 300: Ancient notation 278 } } } Discantu
Page 301 and 302: World music 280 World music These s
Page 303 and 304: Contexts and engravers 282 Contexts
Page 305 and 306: Contexts and engravers 284 } } >>
Page 307 and 308: Contexts and engravers 286 } b8 b b
Page 309 and 310: Contexts and engravers 288 Engraver
Page 311 and 312: Contexts and engravers 290 } \consi
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Contexts and engravers 292 } \score
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Contexts and engravers 294
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Contexts and engravers 296 } c4 c c
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Contexts and engravers 298 hi
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Tweaks and overrides 300 5 5 i
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Tweaks and overrides 302 "Luxi Mono
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Tweaks and overrides 304 } 3 } \o
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Tweaks and overrides 306 } b4 c a4
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Tweaks and overrides 308 } #'(fret-
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Tweaks and overrides 310 } >> } C X
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Tweaks and overrides 312 \relative
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Tweaks and overrides 314 %% C major
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Tweaks and overrides 316 c'2^\marku
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Tweaks and overrides 318 } } } (fin
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Tweaks and overrides 320 Horizontal
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Tweaks and overrides 322 \context S
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Tweaks and overrides 324 \context C
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Tweaks and overrides 326 } >> 4
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Tweaks and overrides 328 } 11 \set
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Tweaks and overrides 330 } % Increa
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Tweaks and overrides 332 } \new Sta
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Tweaks and overrides 334 ) \overrid
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Tweaks and overrides 336 \relative
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Tweaks and overrides 338 } "..." |
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Tweaks and overrides 340 } } } } li
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Tweaks and overrides 342 } } \conte
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Tweaks and overrides 344 } 6 \set S
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Tweaks and overrides 346 } 3 5 4 3
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Tweaks and overrides 348 Vertically
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Paper and layout 350 } } Left align
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Paper and layout 352 The first book
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Paper and layout 354 Second part
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Paper and layout 356 } } } (cons (m
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Paper and layout 358 Creating blank
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Paper and layout 360 } \layout { ra
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Paper and layout 362 4 Second score
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Titles 364 } "Left aligned" "instru
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Titles 366 poet piece title subtit
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Spacing 368 5 5 3 3 2 1 Page
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Spacing 370 3 4 B Music engrav
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Spacing 372 } >> \set alignBelowCon
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MIDI 374 Clarinet Flute
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MIDI 376 \set Staff.midiInstrument
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Templates 378 Templates Ancient not
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Templates 380 discantusNotes = { \t
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Templates 382 bassusNotes = { \tran
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Templates 384 3 8 o, De om
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Templates 386 d4^"Solo" d d d \nsl
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Templates 388 } % ------ Bass Guita
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Templates 390 Trumpet Alto Sax Bari
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Templates 392 \new Staff = "Staff_t
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Templates 394 Flute Oboe Clarinet i
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Templates 396 lower = \relative c {
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Templates 398 } \context { \Lyrics
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Templates 400 This snippet comes wi
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Templates 402 staffVoice = \new Sta
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Templates 404 text = \lyricmode { A
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Templates 406 } \set chordChanges =
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Templates 408 } \clef alto e2 d c1
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Templates 410 %\include "piece.ly"
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Templates 412 } \new Voice = sopran
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Templates 414 } ho ho ho ho \score
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Templates 416 } \new Lyrics = "alto
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