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Spacing 367 Spacing These snippets illustrate Section “Spacing issues” in Notation Reference. Adjusting lyrics vertical spacing This snippet shows how to bring the lyrics line closer to the staff. % Default layout: > aa aa aa aa aa aa aa aa aa aa aa aa aa aa aa aa Allowing fingerings to be printed inside the staff aa aa By default, vertically oriented fingerings are positioned outside the staff. However, this behavior can be canceled. \relative c' { 2 \once \override Fingering #'staff-padding = #'() 2 }
Spacing 368 5 5 3 3 2 1 Page label 2 1 Page labels may be placed inside music or at top-level, and referred to in markups. #(set-default-paper-size "a6") #(define-markup-command (toc-line layout props label text) (symbol? markup?) (interpret-markup layout props (markup #:fill-line (text #:page-ref label "8" "?")))) \book { \markup \huge \fill-line { \null Title Page \null } } \pageBreak \label #'toc \markup \column { \large \fill-line { \null Table of contents \null } \toc-line #'toc "Table of contents" \toc-line #'firstScore "First Score" \toc-line #'markA "Mark A" \toc-line #'markB "Mark B" \toc-line #'markC "Mark C" \toc-line #'unknown "Unknown label" } \pageBreak \label #'firstScore \score { \new Staff \relative c' { c2 c \mark \markup { A (page \concat { \page-ref #'markA "0" "?" ) } } \label #'markA c2 c \pageBreak \mark "B" \label #'markB d2 d d2 d \once \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible \mark "C" \label #'markC } \header { piece = "First score" } }
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LilyPond Snippets LilyPond Snippet
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Modifying tuplet bracket length. .
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Making some staff lines thicker tha
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Vocal ensemble template with lyrics
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Contexts and engravers . . . . . .
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Templates . . . . . . . . . . . . .
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Modifying tuplet bracket length. .
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Making some staff lines thicker tha
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Vocal ensemble template with lyrics
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xviii Contexts and engravers . . .
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Templates . . . . . . . . . . . . .
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Pitches 2 Ambitus Ambi
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Pitches 4 (cons (ly:make-pitch 0 5
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Pitches 6 } } } \Staff \remove "Ke
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Pitches 8 8 Text Preventing ex
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Pitches 10 } c'1 Transpo
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Pitches 12 } 6 \set Staff.clefGlyph
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Rhythms 14 } \new DrumVoice { \stem
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Rhythms 16 } \override StrokeFinger
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Rhythms 18 Changing beam knee gap K
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Rhythms 20
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Rhythms 22 } } 9 8 8 5
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Rhythms 24 In the example, two trip
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Rhythms 26 A O P B C 18 9
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Rhythms 28 melody = \relative c'' {
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Rhythms 30 } { c''1 R1 c''1 \normal
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Rhythms 32 3 3 P
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Rhythms 34 } \override Score.BarNum
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Rhythms 36 } >> \bar "|" \time 3/8
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Rhythms 38 Printing the bar number
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Rhythms 40 } \override Staff.Rest #
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Rhythms 42 a gap Skips in lyr
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Rhythms 44 Three-sided box This exa
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Rhythms 46 Using beatLength and bea
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Expressive marks 48 Expressive mark
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Expressive marks 50 scale in the po
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Expressive marks 52 smallFlageolet
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Expressive marks 54 } \cadenzaOn c4
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Expressive marks 56
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Expressive marks 58 The solution is
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Expressive marks 60 Hiding the exte
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Expressive marks 62 \relative c'' {
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Expressive marks 64 \relative c' {
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Expressive marks 66 } } \context {
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Expressive marks 68 Setting hairpin
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Expressive marks 70 \relative c' {
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Repeats 72 } \repeat tremolo 8 { a3
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Repeats 74 } | c4 c c c % Set segno
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Repeats 76 7
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Repeats 78 \new StaffGroup > >>
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Simultaneous notes 80 A tiny e
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Simultaneous notes 82 Standard poly
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Simultaneous notes 84 } } >> b8 g g
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Staff notation 86 } } >> \new Staff
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Staff notation 88 } \dynamicDown c8
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Staff notation 90 Creating metronom
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Staff notation 92 \once \override S
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Staff notation 94 } } g1 | \once \o
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Staff notation 96 } \new Lyrics = "
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Staff notation 98 } subsubtitle = \
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Staff notation 100 Mensurstriche la
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Staff notation 102 Alternatively, f
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Staff notation 104 \set Staff.instr
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Staff notation 106
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Staff notation 108 } >> } Vol
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Editorial annotations 110 Editorial
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Editorial annotations 112 Avoiding
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Editorial annotations 114 (cons (ly
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Editorial annotations 116 } } \pape
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Editorial annotations 118 foo
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Editorial annotations 120 Grid line
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Editorial annotations 122 } } } a4
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Editorial annotations 124 Using Pos
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Text 126 } \new Voice = melody \rel
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Text 128 \relative c' { e1 } % the
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Text 130 hairpinWithCenteredText =
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Text 132 This snippet presents the
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Text 134 } \time 1/16 s16 \bar "" \
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Text 136 } } poet piece copyright
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Text 138 } \once \override LyricTex
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Text 140 Multi-measure rest markup
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Text 142 } } \midi { } Aaa B
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Text 144 } } \line { mens impletur
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Text 146 } . japanese = \lyricmode
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Text 148 } >> \layout { \context {
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Vocal music 150 \new Lyrics \with {
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Vocal music 152 4 3 1. Hi, my
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Vocal music 154 } (is-rest? (ly:gro
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Vocal music 156 } text = \lyricmode
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Vocal music 158 } > \layout { } \mi
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Vocal music 160 Vertically centered
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Vocal music 162 } \new Voice = alto
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Vocal music 164 } ho ho ho ho \scor
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Vocal music 166 } \new Lyrics = "al
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Chords 168 F F 7 B 7 Avoiding colli
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Chords 170 } \set figuredBassAltera
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Chords 172 5 1 3 3 1 5 1 3
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Chords 174 Single staff template wi
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Chords 176 } harmonies = \chordmode
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Keyboards 178 Keyboards These snipp
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Keyboards 180 } \discant \combine \
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Keyboards 182 Controlling the place
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Keyboards 184 } >> { 2.\arpeggio }
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Keyboards 186 % ------ Baritone Sax
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Keyboards 188 piano = { > } % -----
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Keyboards 190 Trumpet Alto Sax Bari
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Keyboards 192 lower = \relative c {
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Keyboards 194 } \context { \Lyrics
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Keyboards 196 g4 a f g } tenorWords
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Percussion 198 Percussion These sni
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Percussion 200 4 6
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Percussion 202 } > % ------ Trombon
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Percussion 204 } \clef bass > % ---
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Percussion 206 Trumpet Alto Sax Bar
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Percussion 208 grestore grestore 0
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Percussion 210 } \Staff \consists "
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Percussion 212 } \Perkussion >> 8
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Fretted strings 214 Allowing finger
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Fretted strings 216 C X O O 1 2 3
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Fretted strings 218 These fretboard
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Fretted strings 220 } } } c4( d) d
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Fretted strings 222 aUp = \markup {
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Fretted strings 224 } \override Bea
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Fretted strings 226 } %% A chord fo
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Fretted strings 228 } } (dot-positi
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Fretted strings 230 } % These chord
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Fretted strings 232 5 1 1 M C 3
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Fretted strings 234 } 2 } >> X
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Fretted strings 236 % ------ Barito
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Fretted strings 238 piano = { > } %
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Fretted strings 240 Trumpet Alto Sa
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Fretted strings 242 } } A B \new Ta
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Unfretted strings 244 Unfretted str
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Unfretted strings 246 } c4^\snapPiz
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Unfretted strings 248 } Violinone =
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Unfretted strings 250 Violin 1 Viol
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Ancient notation 252 Ancient notati
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Ancient notation 254 } >> >> % \bre
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Ancient notation 256 } >> >> g' as'
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Ancient notation 258 \score { \new
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Ancient notation 260 } discantusLyr
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Ancient notation 262 } bassusLyrics
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Ancient notation 264 } \override St
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Ancient notation 266 #}) 'element (
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Ancient notation 268 } % two measur
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Ancient notation 270 } \new Voice =
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Ancient notation 272 } Rest
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Ancient notation 274 altusNotes = {
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Ancient notation 276 } } incipitTen
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Ancient notation 278 } } } Discantu
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World music 280 World music These s
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Contexts and engravers 282 Contexts
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Contexts and engravers 284 } } >>
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Contexts and engravers 286 } b8 b b
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Contexts and engravers 288 Engraver
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Contexts and engravers 290 } \consi
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Contexts and engravers 292 } \score
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Contexts and engravers 294
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Contexts and engravers 296 } c4 c c
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Contexts and engravers 298 hi
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Tweaks and overrides 300 5 5 i
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Tweaks and overrides 302 "Luxi Mono
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Tweaks and overrides 304 } 3 } \o
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Tweaks and overrides 306 } b4 c a4
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Tweaks and overrides 308 } #'(fret-
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Tweaks and overrides 310 } >> } C X
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Tweaks and overrides 312 \relative
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Tweaks and overrides 314 %% C major
Page 337 and 338: Tweaks and overrides 316 c'2^\marku
Page 339 and 340: Tweaks and overrides 318 } } } (fin
Page 341 and 342: Tweaks and overrides 320 Horizontal
Page 343 and 344: Tweaks and overrides 322 \context S
Page 345 and 346: Tweaks and overrides 324 \context C
Page 347 and 348: Tweaks and overrides 326 } >> 4
Page 349 and 350: Tweaks and overrides 328 } 11 \set
Page 351 and 352: Tweaks and overrides 330 } % Increa
Page 353 and 354: Tweaks and overrides 332 } \new Sta
Page 355 and 356: Tweaks and overrides 334 ) \overrid
Page 357 and 358: Tweaks and overrides 336 \relative
Page 359 and 360: Tweaks and overrides 338 } "..." |
Page 361 and 362: Tweaks and overrides 340 } } } } li
Page 363 and 364: Tweaks and overrides 342 } } \conte
Page 365 and 366: Tweaks and overrides 344 } 6 \set S
Page 367 and 368: Tweaks and overrides 346 } 3 5 4 3
Page 369 and 370: Tweaks and overrides 348 Vertically
Page 371 and 372: Paper and layout 350 } } Left align
Page 373 and 374: Paper and layout 352 The first book
Page 375 and 376: Paper and layout 354 Second part
Page 377 and 378: Paper and layout 356 } } } (cons (m
Page 379 and 380: Paper and layout 358 Creating blank
Page 381 and 382: Paper and layout 360 } \layout { ra
Page 383 and 384: Paper and layout 362 4 Second score
Page 385 and 386: Titles 364 } "Left aligned" "instru
Page 387: Titles 366 poet piece title subtit
Page 391 and 392: Spacing 370 3 4 B Music engrav
Page 393 and 394: Spacing 372 } >> \set alignBelowCon
Page 395 and 396: MIDI 374 Clarinet Flute
Page 397 and 398: MIDI 376 \set Staff.midiInstrument
Page 399 and 400: Templates 378 Templates Ancient not
Page 401 and 402: Templates 380 discantusNotes = { \t
Page 403 and 404: Templates 382 bassusNotes = { \tran
Page 405 and 406: Templates 384 3 8 o, De om
Page 407 and 408: Templates 386 d4^"Solo" d d d \nsl
Page 409 and 410: Templates 388 } % ------ Bass Guita
Page 411 and 412: Templates 390 Trumpet Alto Sax Bari
Page 413 and 414: Templates 392 \new Staff = "Staff_t
Page 415 and 416: Templates 394 Flute Oboe Clarinet i
Page 417 and 418: Templates 396 lower = \relative c {
Page 419 and 420: Templates 398 } \context { \Lyrics
Page 421 and 422: Templates 400 This snippet comes wi
Page 423 and 424: Templates 402 staffVoice = \new Sta
Page 425 and 426: Templates 404 text = \lyricmode { A
Page 427 and 428: Templates 406 } \set chordChanges =
Page 429 and 430: Templates 408 } \clef alto e2 d c1
Page 431 and 432: Templates 410 %\include "piece.ly"
Page 433 and 434: Templates 412 } \new Voice = sopran
Page 435 and 436: Templates 414 } ho ho ho ho \score
Page 437: Templates 416 } \new Lyrics = "alto
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