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Keyboards 181 } 6 11 \break c4 d\accOrgan e f c4 d\accMaster e f c4 d\accAccord e f c4 d\accMusette e f c4 d\accCeleste e f \break c4 d\accOboe e f c4 d\accClarin e f c4 d\accPiccolo e f c4 d\accViolin e f Clusters Clusters are a device to denote that a complete range of notes is to be played. fragment = \relative c' { c4 f
Keyboards 182 Controlling the placement of chord fingerings The placement of fingering numbers can be controlled precisely. \relative c' { \set fingeringOrientations = #'(left) 4 \set fingeringOrientations = #'(down) 4 \set fingeringOrientations = #'(down right up) 4 \set fingeringOrientations = #'(up) 4 \set fingeringOrientations = #'(left) 2 \set fingeringOrientations = #'(down) 2 } 5 1 3 3 1 5 1 3 3 1 5 5 3 1 Creating slurs across voices In some situations, it may be necessary to create slurs between notes from different voices. The solution is to add invisible notes to one of the voices, using \hideNotes. This example is measure 235 of the Ciaconna from Bach’s 2nd Partita for solo violin, BWV 1004. \relative c' {
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LilyPond Snippets LilyPond Snippet
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Modifying tuplet bracket length. .
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Making some staff lines thicker tha
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Vocal ensemble template with lyrics
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Contexts and engravers . . . . . .
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Templates . . . . . . . . . . . . .
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Modifying tuplet bracket length. .
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Making some staff lines thicker tha
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Vocal ensemble template with lyrics
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xviii Contexts and engravers . . .
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Templates . . . . . . . . . . . . .
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Pitches 2 Ambitus Ambi
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Pitches 4 (cons (ly:make-pitch 0 5
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Pitches 6 } } } \Staff \remove "Ke
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Pitches 8 8 Text Preventing ex
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Pitches 10 } c'1 Transpo
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Pitches 12 } 6 \set Staff.clefGlyph
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Rhythms 14 } \new DrumVoice { \stem
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Rhythms 16 } \override StrokeFinger
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Rhythms 18 Changing beam knee gap K
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Rhythms 20
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Rhythms 22 } } 9 8 8 5
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Rhythms 24 In the example, two trip
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Rhythms 26 A O P B C 18 9
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Rhythms 28 melody = \relative c'' {
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Rhythms 30 } { c''1 R1 c''1 \normal
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Rhythms 32 3 3 P
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Rhythms 34 } \override Score.BarNum
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Rhythms 36 } >> \bar "|" \time 3/8
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Rhythms 38 Printing the bar number
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Rhythms 40 } \override Staff.Rest #
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Rhythms 42 a gap Skips in lyr
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Rhythms 44 Three-sided box This exa
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Rhythms 46 Using beatLength and bea
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Expressive marks 48 Expressive mark
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Expressive marks 50 scale in the po
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Expressive marks 52 smallFlageolet
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Expressive marks 54 } \cadenzaOn c4
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Expressive marks 56
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Expressive marks 58 The solution is
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Expressive marks 60 Hiding the exte
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Expressive marks 62 \relative c'' {
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Expressive marks 64 \relative c' {
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Expressive marks 66 } } \context {
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Expressive marks 68 Setting hairpin
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Expressive marks 70 \relative c' {
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Repeats 72 } \repeat tremolo 8 { a3
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Repeats 74 } | c4 c c c % Set segno
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Repeats 76 7
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Repeats 78 \new StaffGroup > >>
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Simultaneous notes 80 A tiny e
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Simultaneous notes 82 Standard poly
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Simultaneous notes 84 } } >> b8 g g
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Staff notation 86 } } >> \new Staff
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Staff notation 88 } \dynamicDown c8
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Staff notation 90 Creating metronom
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Staff notation 92 \once \override S
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Staff notation 94 } } g1 | \once \o
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Staff notation 96 } \new Lyrics = "
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Staff notation 98 } subsubtitle = \
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Staff notation 100 Mensurstriche la
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Staff notation 102 Alternatively, f
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Staff notation 104 \set Staff.instr
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Staff notation 106
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Staff notation 108 } >> } Vol
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Editorial annotations 110 Editorial
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Editorial annotations 112 Avoiding
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Editorial annotations 114 (cons (ly
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Editorial annotations 116 } } \pape
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Editorial annotations 118 foo
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Editorial annotations 120 Grid line
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Editorial annotations 122 } } } a4
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Editorial annotations 124 Using Pos
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Text 126 } \new Voice = melody \rel
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Text 128 \relative c' { e1 } % the
Page 151 and 152: Text 130 hairpinWithCenteredText =
Page 153 and 154: Text 132 This snippet presents the
Page 155 and 156: Text 134 } \time 1/16 s16 \bar "" \
Page 157 and 158: Text 136 } } poet piece copyright
Page 159 and 160: Text 138 } \once \override LyricTex
Page 161 and 162: Text 140 Multi-measure rest markup
Page 163 and 164: Text 142 } } \midi { } Aaa B
Page 165 and 166: Text 144 } } \line { mens impletur
Page 167 and 168: Text 146 } . japanese = \lyricmode
Page 169 and 170: Text 148 } >> \layout { \context {
Page 171 and 172: Vocal music 150 \new Lyrics \with {
Page 173 and 174: Vocal music 152 4 3 1. Hi, my
Page 175 and 176: Vocal music 154 } (is-rest? (ly:gro
Page 177 and 178: Vocal music 156 } text = \lyricmode
Page 179 and 180: Vocal music 158 } > \layout { } \mi
Page 181 and 182: Vocal music 160 Vertically centered
Page 183 and 184: Vocal music 162 } \new Voice = alto
Page 185 and 186: Vocal music 164 } ho ho ho ho \scor
Page 187 and 188: Vocal music 166 } \new Lyrics = "al
Page 189 and 190: Chords 168 F F 7 B 7 Avoiding colli
Page 191 and 192: Chords 170 } \set figuredBassAltera
Page 193 and 194: Chords 172 5 1 3 3 1 5 1 3
Page 195 and 196: Chords 174 Single staff template wi
Page 197 and 198: Chords 176 } harmonies = \chordmode
Page 199 and 200: Keyboards 178 Keyboards These snipp
Page 201: Keyboards 180 } \discant \combine \
Page 205 and 206: Keyboards 184 } >> { 2.\arpeggio }
Page 207 and 208: Keyboards 186 % ------ Baritone Sax
Page 209 and 210: Keyboards 188 piano = { > } % -----
Page 211 and 212: Keyboards 190 Trumpet Alto Sax Bari
Page 213 and 214: Keyboards 192 lower = \relative c {
Page 215 and 216: Keyboards 194 } \context { \Lyrics
Page 217 and 218: Keyboards 196 g4 a f g } tenorWords
Page 219 and 220: Percussion 198 Percussion These sni
Page 221 and 222: Percussion 200 4 6
Page 223 and 224: Percussion 202 } > % ------ Trombon
Page 225 and 226: Percussion 204 } \clef bass > % ---
Page 227 and 228: Percussion 206 Trumpet Alto Sax Bar
Page 229 and 230: Percussion 208 grestore grestore 0
Page 231 and 232: Percussion 210 } \Staff \consists "
Page 233 and 234: Percussion 212 } \Perkussion >> 8
Page 235 and 236: Fretted strings 214 Allowing finger
Page 237 and 238: Fretted strings 216 C X O O 1 2 3
Page 239 and 240: Fretted strings 218 These fretboard
Page 241 and 242: Fretted strings 220 } } } c4( d) d
Page 243 and 244: Fretted strings 222 aUp = \markup {
Page 245 and 246: Fretted strings 224 } \override Bea
Page 247 and 248: Fretted strings 226 } %% A chord fo
Page 249 and 250: Fretted strings 228 } } (dot-positi
Page 251 and 252: Fretted strings 230 } % These chord
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Fretted strings 232 5 1 1 M C 3
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Fretted strings 234 } 2 } >> X
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Fretted strings 236 % ------ Barito
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Fretted strings 238 piano = { > } %
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Fretted strings 240 Trumpet Alto Sa
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Fretted strings 242 } } A B \new Ta
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Unfretted strings 244 Unfretted str
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Unfretted strings 246 } c4^\snapPiz
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Unfretted strings 248 } Violinone =
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Unfretted strings 250 Violin 1 Viol
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Ancient notation 252 Ancient notati
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Ancient notation 254 } >> >> % \bre
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Ancient notation 256 } >> >> g' as'
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Ancient notation 258 \score { \new
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Ancient notation 260 } discantusLyr
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Ancient notation 262 } bassusLyrics
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Ancient notation 264 } \override St
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Ancient notation 266 #}) 'element (
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Ancient notation 268 } % two measur
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Ancient notation 270 } \new Voice =
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Ancient notation 272 } Rest
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Ancient notation 274 altusNotes = {
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Ancient notation 276 } } incipitTen
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Ancient notation 278 } } } Discantu
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World music 280 World music These s
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Contexts and engravers 282 Contexts
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Contexts and engravers 284 } } >>
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Contexts and engravers 286 } b8 b b
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Contexts and engravers 288 Engraver
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Contexts and engravers 290 } \consi
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Contexts and engravers 292 } \score
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Contexts and engravers 294
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Contexts and engravers 296 } c4 c c
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Contexts and engravers 298 hi
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Tweaks and overrides 300 5 5 i
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Tweaks and overrides 302 "Luxi Mono
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Tweaks and overrides 304 } 3 } \o
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Tweaks and overrides 306 } b4 c a4
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Tweaks and overrides 308 } #'(fret-
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Tweaks and overrides 310 } >> } C X
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Tweaks and overrides 312 \relative
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Tweaks and overrides 314 %% C major
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Tweaks and overrides 316 c'2^\marku
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Tweaks and overrides 318 } } } (fin
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Tweaks and overrides 320 Horizontal
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Tweaks and overrides 322 \context S
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Tweaks and overrides 324 \context C
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Tweaks and overrides 326 } >> 4
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Tweaks and overrides 328 } 11 \set
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Tweaks and overrides 330 } % Increa
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Tweaks and overrides 332 } \new Sta
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Tweaks and overrides 334 ) \overrid
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Tweaks and overrides 336 \relative
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Tweaks and overrides 338 } "..." |
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Tweaks and overrides 340 } } } } li
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Tweaks and overrides 342 } } \conte
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Tweaks and overrides 344 } 6 \set S
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Tweaks and overrides 346 } 3 5 4 3
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Tweaks and overrides 348 Vertically
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Paper and layout 350 } } Left align
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Paper and layout 352 The first book
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Paper and layout 354 Second part
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Paper and layout 356 } } } (cons (m
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Paper and layout 358 Creating blank
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Paper and layout 360 } \layout { ra
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Paper and layout 362 4 Second score
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Titles 364 } "Left aligned" "instru
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Titles 366 poet piece title subtit
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Spacing 368 5 5 3 3 2 1 Page
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Spacing 370 3 4 B Music engrav
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Spacing 372 } >> \set alignBelowCon
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MIDI 374 Clarinet Flute
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MIDI 376 \set Staff.midiInstrument
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Templates 378 Templates Ancient not
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Templates 380 discantusNotes = { \t
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Templates 382 bassusNotes = { \tran
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Templates 384 3 8 o, De om
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Templates 386 d4^"Solo" d d d \nsl
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Templates 388 } % ------ Bass Guita
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Templates 390 Trumpet Alto Sax Bari
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Templates 392 \new Staff = "Staff_t
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Templates 394 Flute Oboe Clarinet i
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Templates 396 lower = \relative c {
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Templates 398 } \context { \Lyrics
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Templates 400 This snippet comes wi
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Templates 402 staffVoice = \new Sta
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Templates 404 text = \lyricmode { A
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Templates 406 } \set chordChanges =
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Templates 408 } \clef alto e2 d c1
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Templates 410 %\include "piece.ly"
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Templates 412 } \new Voice = sopran
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Templates 414 } ho ho ho ho \score
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Templates 416 } \new Lyrics = "alto
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