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Repeats 77 4 3 Volta below chords 1.--4. 5. By adding the Volta_engraver to the relevant staff, volte can be put under chords. \score { > \layout { \context { \Score \remove "Volta_engraver" } } } C C 1.--2. Volta multi staff By adding the Volta_engraver to the relevant staff, volte can be put over staves other than the topmost one in a score. voltaMusic = \relative c'' { \repeat volta 2 { c1 } \alternative { d1 e } }
Repeats 78 \new StaffGroup > >> 1. 1. 2. 2. Volta text markup using repeatCommands Though volte are best specified using \repeat volta, the context property repeatCommands must be used in cases where the volta text needs more advanced formatting with \markup. Since repeatCommands takes a list, the simplest method of including markup is to use an identifier for the text and embed it in the command list using the Scheme syntax #(list (list 'volta textIdentifier)). Start- and end-repeat commands can be added as separate list elements: voltaAdLib = \markup { 1. 2. 3... \text \italic { ad lib. } } \relative c'' { c1 \set Score.repeatCommands = #(list (list 'volta voltaAdLib) 'start-repeat) c4 b d e \set Score.repeatCommands = #'((volta #f) (volta "4.") end-repeat) f1 \set Score.repeatCommands = #'((volta #f)) } 1.2.3... ad lib. 4.
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LilyPond Snippets LilyPond Snippet
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Modifying tuplet bracket length. .
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Making some staff lines thicker tha
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Vocal ensemble template with lyrics
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Contexts and engravers . . . . . .
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Templates . . . . . . . . . . . . .
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Modifying tuplet bracket length. .
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Making some staff lines thicker tha
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Vocal ensemble template with lyrics
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xviii Contexts and engravers . . .
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Templates . . . . . . . . . . . . .
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Pitches 2 Ambitus Ambi
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Pitches 4 (cons (ly:make-pitch 0 5
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Pitches 6 } } } \Staff \remove "Ke
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Pitches 8 8 Text Preventing ex
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Pitches 10 } c'1 Transpo
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Pitches 12 } 6 \set Staff.clefGlyph
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Rhythms 14 } \new DrumVoice { \stem
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Rhythms 16 } \override StrokeFinger
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Rhythms 18 Changing beam knee gap K
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Rhythms 20
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Rhythms 22 } } 9 8 8 5
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Rhythms 24 In the example, two trip
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Page 49 and 50: Rhythms 28 melody = \relative c'' {
Page 51 and 52: Rhythms 30 } { c''1 R1 c''1 \normal
Page 53 and 54: Rhythms 32 3 3 P
Page 55 and 56: Rhythms 34 } \override Score.BarNum
Page 57 and 58: Rhythms 36 } >> \bar "|" \time 3/8
Page 59 and 60: Rhythms 38 Printing the bar number
Page 61 and 62: Rhythms 40 } \override Staff.Rest #
Page 63 and 64: Rhythms 42 a gap Skips in lyr
Page 65 and 66: Rhythms 44 Three-sided box This exa
Page 67 and 68: Rhythms 46 Using beatLength and bea
Page 69 and 70: Expressive marks 48 Expressive mark
Page 71 and 72: Expressive marks 50 scale in the po
Page 73 and 74: Expressive marks 52 smallFlageolet
Page 75 and 76: Expressive marks 54 } \cadenzaOn c4
Page 77 and 78: Expressive marks 56
Page 79 and 80: Expressive marks 58 The solution is
Page 81 and 82: Expressive marks 60 Hiding the exte
Page 83 and 84: Expressive marks 62 \relative c'' {
Page 85 and 86: Expressive marks 64 \relative c' {
Page 87 and 88: Expressive marks 66 } } \context {
Page 89 and 90: Expressive marks 68 Setting hairpin
Page 91 and 92: Expressive marks 70 \relative c' {
Page 93 and 94: Repeats 72 } \repeat tremolo 8 { a3
Page 95 and 96: Repeats 74 } | c4 c c c % Set segno
Page 97: Repeats 76 7
Page 101 and 102: Simultaneous notes 80 A tiny e
Page 103 and 104: Simultaneous notes 82 Standard poly
Page 105 and 106: Simultaneous notes 84 } } >> b8 g g
Page 107 and 108: Staff notation 86 } } >> \new Staff
Page 109 and 110: Staff notation 88 } \dynamicDown c8
Page 111 and 112: Staff notation 90 Creating metronom
Page 113 and 114: Staff notation 92 \once \override S
Page 115 and 116: Staff notation 94 } } g1 | \once \o
Page 117 and 118: Staff notation 96 } \new Lyrics = "
Page 119 and 120: Staff notation 98 } subsubtitle = \
Page 121 and 122: Staff notation 100 Mensurstriche la
Page 123 and 124: Staff notation 102 Alternatively, f
Page 125 and 126: Staff notation 104 \set Staff.instr
Page 127 and 128: Staff notation 106
Page 129 and 130: Staff notation 108 } >> } Vol
Page 131 and 132: Editorial annotations 110 Editorial
Page 133 and 134: Editorial annotations 112 Avoiding
Page 135 and 136: Editorial annotations 114 (cons (ly
Page 137 and 138: Editorial annotations 116 } } \pape
Page 139 and 140: Editorial annotations 118 foo
Page 141 and 142: Editorial annotations 120 Grid line
Page 143 and 144: Editorial annotations 122 } } } a4
Page 145 and 146: Editorial annotations 124 Using Pos
Page 147 and 148: Text 126 } \new Voice = melody \rel
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Text 128 \relative c' { e1 } % the
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Text 130 hairpinWithCenteredText =
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Text 132 This snippet presents the
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Text 134 } \time 1/16 s16 \bar "" \
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Text 136 } } poet piece copyright
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Text 138 } \once \override LyricTex
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Text 140 Multi-measure rest markup
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Text 142 } } \midi { } Aaa B
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Text 144 } } \line { mens impletur
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Text 146 } . japanese = \lyricmode
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Text 148 } >> \layout { \context {
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Vocal music 150 \new Lyrics \with {
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Vocal music 152 4 3 1. Hi, my
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Vocal music 154 } (is-rest? (ly:gro
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Vocal music 156 } text = \lyricmode
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Vocal music 158 } > \layout { } \mi
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Vocal music 160 Vertically centered
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Vocal music 162 } \new Voice = alto
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Vocal music 164 } ho ho ho ho \scor
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Vocal music 166 } \new Lyrics = "al
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Chords 168 F F 7 B 7 Avoiding colli
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Chords 170 } \set figuredBassAltera
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Chords 172 5 1 3 3 1 5 1 3
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Chords 174 Single staff template wi
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Chords 176 } harmonies = \chordmode
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Keyboards 178 Keyboards These snipp
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Keyboards 180 } \discant \combine \
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Keyboards 182 Controlling the place
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Keyboards 184 } >> { 2.\arpeggio }
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Keyboards 186 % ------ Baritone Sax
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Keyboards 188 piano = { > } % -----
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Keyboards 190 Trumpet Alto Sax Bari
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Keyboards 192 lower = \relative c {
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Keyboards 194 } \context { \Lyrics
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Keyboards 196 g4 a f g } tenorWords
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Percussion 198 Percussion These sni
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Percussion 200 4 6
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Percussion 202 } > % ------ Trombon
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Percussion 204 } \clef bass > % ---
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Percussion 206 Trumpet Alto Sax Bar
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Percussion 208 grestore grestore 0
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Percussion 210 } \Staff \consists "
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Percussion 212 } \Perkussion >> 8
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Fretted strings 214 Allowing finger
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Fretted strings 216 C X O O 1 2 3
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Fretted strings 218 These fretboard
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Fretted strings 220 } } } c4( d) d
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Fretted strings 222 aUp = \markup {
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Fretted strings 224 } \override Bea
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Fretted strings 226 } %% A chord fo
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Fretted strings 228 } } (dot-positi
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Fretted strings 230 } % These chord
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Fretted strings 232 5 1 1 M C 3
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Fretted strings 234 } 2 } >> X
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Fretted strings 236 % ------ Barito
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Fretted strings 238 piano = { > } %
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Fretted strings 240 Trumpet Alto Sa
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Fretted strings 242 } } A B \new Ta
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Unfretted strings 244 Unfretted str
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Unfretted strings 246 } c4^\snapPiz
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Unfretted strings 248 } Violinone =
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Unfretted strings 250 Violin 1 Viol
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Ancient notation 252 Ancient notati
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Ancient notation 254 } >> >> % \bre
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Ancient notation 256 } >> >> g' as'
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Ancient notation 258 \score { \new
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Ancient notation 260 } discantusLyr
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Ancient notation 262 } bassusLyrics
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Ancient notation 264 } \override St
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Ancient notation 266 #}) 'element (
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Ancient notation 268 } % two measur
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Ancient notation 270 } \new Voice =
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Ancient notation 272 } Rest
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Ancient notation 274 altusNotes = {
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Ancient notation 276 } } incipitTen
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Ancient notation 278 } } } Discantu
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World music 280 World music These s
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Contexts and engravers 282 Contexts
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Contexts and engravers 284 } } >>
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Contexts and engravers 286 } b8 b b
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Contexts and engravers 288 Engraver
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Contexts and engravers 290 } \consi
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Contexts and engravers 292 } \score
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Contexts and engravers 294
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Contexts and engravers 296 } c4 c c
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Contexts and engravers 298 hi
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Tweaks and overrides 300 5 5 i
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Tweaks and overrides 302 "Luxi Mono
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Tweaks and overrides 304 } 3 } \o
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Tweaks and overrides 306 } b4 c a4
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Tweaks and overrides 308 } #'(fret-
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Tweaks and overrides 310 } >> } C X
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Tweaks and overrides 312 \relative
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Tweaks and overrides 314 %% C major
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Tweaks and overrides 316 c'2^\marku
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Tweaks and overrides 318 } } } (fin
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Tweaks and overrides 320 Horizontal
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Tweaks and overrides 322 \context S
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Tweaks and overrides 324 \context C
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Tweaks and overrides 326 } >> 4
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Tweaks and overrides 328 } 11 \set
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Tweaks and overrides 330 } % Increa
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Tweaks and overrides 332 } \new Sta
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Tweaks and overrides 334 ) \overrid
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Tweaks and overrides 336 \relative
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Tweaks and overrides 338 } "..." |
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Tweaks and overrides 340 } } } } li
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Tweaks and overrides 342 } } \conte
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Tweaks and overrides 344 } 6 \set S
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Tweaks and overrides 346 } 3 5 4 3
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Tweaks and overrides 348 Vertically
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Paper and layout 350 } } Left align
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Paper and layout 352 The first book
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Paper and layout 354 Second part
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Paper and layout 356 } } } (cons (m
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Paper and layout 358 Creating blank
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Paper and layout 360 } \layout { ra
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Paper and layout 362 4 Second score
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Titles 364 } "Left aligned" "instru
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Titles 366 poet piece title subtit
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Spacing 368 5 5 3 3 2 1 Page
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Spacing 370 3 4 B Music engrav
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Spacing 372 } >> \set alignBelowCon
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MIDI 374 Clarinet Flute
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MIDI 376 \set Staff.midiInstrument
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Templates 378 Templates Ancient not
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Templates 380 discantusNotes = { \t
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Templates 382 bassusNotes = { \tran
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Templates 384 3 8 o, De om
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Templates 386 d4^"Solo" d d d \nsl
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Templates 388 } % ------ Bass Guita
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Templates 390 Trumpet Alto Sax Bari
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Templates 392 \new Staff = "Staff_t
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Templates 394 Flute Oboe Clarinet i
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Templates 396 lower = \relative c {
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Templates 398 } \context { \Lyrics
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Templates 400 This snippet comes wi
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Templates 402 staffVoice = \new Sta
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Templates 404 text = \lyricmode { A
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Templates 406 } \set chordChanges =
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Templates 408 } \clef alto e2 d c1
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Templates 410 %\include "piece.ly"
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Templates 412 } \new Voice = sopran
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Templates 414 } ho ho ho ho \score
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Templates 416 } \new Lyrics = "alto
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