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146<br />

SMAIL an~iclThe Cultural Achievements of Bosnian Muslims<br />

When thc old man saw it Mustar-Aga;<br />

Loud he screamed with voice of troubled anger;<br />

"Look to this, ye bidden for the wedding!<br />

He, the robber! bears away my maiden;<br />

See her, see her borne away for ever",<br />

But one answer met the old man's wailings:<br />

"Let the hawk bear off the quail in safety,-<br />

Bear in safety - she was born to wed him;<br />

Thou, retire thee to thy own dwelling!<br />

Blossoms not for thee so fair a maiden! "I6<br />

Muslim heroic songs are often unusually long because of the Muslim<br />

way of life. In the long nights of RamadBn, the month of fasting, during which<br />

pious Muslims are at their most sociable after having abstained from food and<br />

drink all day, long songs that could fill the evening were needed, and thus<br />

emerged.<br />

With the increasing decline of the older social institutions, the heroic<br />

song was condemned to fade from social life. It seems unlikely that it will again<br />

flourish as it did in the seventeenth century when, throughout the Ottoman<br />

Empire, Muslims were beginning their struggle to maintain a European<br />

existence, and when a national consciousness began to emerge among Bosnian<br />

Muslims.<br />

Lyric Folk Poetry<br />

In the Balkan lands, where poetry and the epic were virtually synonymous, lyric<br />

poetry was hardly understood or appreciated. Yet despite the fact that the<br />

Bosnian and Herzegovinian Muslims poured their greatest love and gifts into the<br />

cultivation of epic poetry, ballads and romances also developed. Their contrast<br />

with the epic is twofold. Whereas epic songs are sung to the accompaniment of<br />

the tamburitza or the gusle, these ballads and romances are recited simply and<br />

naturally, without melody or instrumental accompaniment. Then, too, they<br />

focus on feminine concerns. l7<br />

Their content accounts for their virtual absence from all but the Muslim<br />

Croatian culture. These songs of the lives of women are found only in the<br />

"western domain of the Serbo-Croatian language" IX because of the comparatively<br />

higher social status enjoyed by the women in these territories. In the Bosnian-<br />

Muslim milieu, the chivalrous treatment of women, who are veritably coddled<br />

as young wives and highly honoured as aged mothers, is in sharp contrast with<br />

the attitudes of the Orthodox hinterlands of the East." The medieval, oriental<br />

non-Islamic conception of woman as something intrinsically evil, as the vessel<br />

of sin, was always entirely foreign to Muslim culture in contrast to Byzantine<br />

culture where the concept of woman's defectiveness reigned for a long time."<br />

The Muslim woman had her hereditary rights from time immemorial according<br />

to the Shari'ah (the canon law), and was not dependent upon the goodwill of the<br />

father or brothers.

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