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Islamic Studies 3 6 : 2, 3 ( 1 9 9 7) 171<br />

Two essential characteristics of Bosnian city-planning are the choice of<br />

site and the ingenious placement of objects. In order to provide the building<br />

sites with a pleasant view, the houses were either built, terrace-like, above one<br />

another, or, in rigorous observation of social considerations, separated from one<br />

another by gardens and vacant areas. For reasons of both sanitation and<br />

aesthetics, building near running water was preferred. Because of the strong<br />

ritual emphasis on cleanliness in Islam, Sarajevo, the capital of Bosnia, got its<br />

first water system as early as 1461; it was a pious donation by 'is% b. IshakoviC<br />

(d. 1469). In the later half of the sixteenth century a number of smaller Bosnian<br />

villages and towns such as Banjaluka, FoEa, Livno, Mostar, and Travnik already<br />

had water systems and public fountains. During the seventeenth and eighteenth<br />

centuries the paved streets of the business quarters (car@) of several Bosnian<br />

towns, which were constructed with a slope, were washed almost daily by means<br />

of diverted waters of a river canal or brook which were made to flow down<br />

them.74<br />

On the whole, the aesthetic achievement is impressive. In the ancient<br />

vizier-city of Travnik, for example, water flows through nearly every courtyard.<br />

Everywhere one hears the splashing, and senses the freshness of nature. A<br />

general tendency to extend the green of nature into the dwelling is evident and,<br />

thus, most of the older Bosnian cities are characteristically gardenlike."<br />

Architects<br />

The outstanding architecvs of the Ottoman period were: Khayr al-Din, builder<br />

of the old bridges in Mostar; Mehmed, architect of the Ghai Khusrew Beg<br />

Mosque in Sarajevo; Ramadm Agha, architect of the Alaja Mosque in FoEa;<br />

NajjFr H2jj Ibr2him and Siniin al-Bosnawi, all of the sixteenth century. In the<br />

eighteenth century there were two architects of Greek-Orthodox faith, StaniSa<br />

and Tanasije, who also designed buildings consecrated to Islam, and K. JireEek<br />

reports the occasional engaging of Italian architects to work in Bosnia.76<br />

Juraj Neidhardt, the leading architect in Bosnia today, characterizes<br />

Bosnian culture in architecture as follows: "The basic principles of Bosnian<br />

architecture are in accord with modem prerequisites: its foremost principle is<br />

humanity. The other principles are derived therefrom: a way of building<br />

conforming to the scale of Man, a close relationship to Nature, a logical<br />

disposition in urban texture and a clear differentiation of its component parts<br />

according to their individual function" .n<br />

CONCLUSION<br />

Understood in a religious light, the Ottoman- and Post-Ottoman period left a<br />

deep impact on the spirit, mind, and external cultural profile of the Bosniaks,<br />

an impact expressed in literature, art, and historical development.<br />

On the whole, Islam served as a major factor in shaping the intellectual<br />

outlook of the Bosnian Muslims. They, however, adopted the Hanafi school of<br />

thought which is, relatively speaking, a school of free-thinking people (ashab al-<br />

ra 'y) .

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