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SMAIL sn~dlThe Cultural Achievements of Bosnian Muslims
4"See his novels Travnitka kronikalThe Chronicle of Travnik and Na Drini CuprijalThe Bridge
on the Drina.
41Vejsil cur6i6, Starinsko oru&/Ancient Weapons, with fifty-six text illustrations (Sarajevo:
1926), p. 4.
"Carl Peez, Mostar und sein Kulturkreis: Ein Stiidtebild aus der Hercegovina (Leipzig:
Brockhaus, 1891). p. 86.
43CelaI Esad Arseven, "Banaluka, "San'at Ansiklopedisi (Istanbul: 1943), fasc. 1, p. 206.
44Riiat Pasha GvozdoviC, "Bosnia's Artistic Handicraft, Heritage from the Turks", Die
Islamische Welt (Berlin: 1917). vol. 5, p. 304.
4stbid., 303.
46'Lo~. cit.
47Peez, op. cit., p. 16.
4RKreSevljakoviC, Kapetanije u Bosni i Hercegovini, p. 23.
4Vejsil curti~, "Bauweise des muselmanischen Wohnhauses in Bosnien, "Neue Ordnung
(Zagreb: Nov. 22, 1942).
>"Refik BeSlagiC, "Srednjevjekovni nadgrobni spomenici"1Medieval Tomb-Stones, Kupres
vol. 5 (Sarajevo: 1954). p. 158.
"Milenko S. FilipoviC, Privreda, saobraCaj i naselja u visotkoj nahijilEconomy,
Communications, and Settlements in the District of Visoko (Beograd: 1929). p. 62.
52Peez, op. cit., p. 66.
')P. MatkoviC, "Dva talijanska putopisa po Balkanskom poluotoku iz 16. vijekanlTwo Italian
Travel-Books on the Balkan Peninsula from the Sixteenth Century, Starine (Yugoslav Academy,
1878), vol. 10, pp. 201-56.
J4Arabic is most often wrinen without indicating the short vowels, which appear as diacritical
marks above or below the consonants. It is obviously easier to read vocalized texts.
Y3ee Mehmed HandiiC, Knjiievni rad bosansko-hercegovaMih muslimanalThe Literary
Activity of Bosnian and Hercegovinian Muslims (Sarajevo: 1934). p. 63.
WThe mathnawi is a double-rhyme poem, mostly of philosophical or religious content.
57D~7udn, a collection of poems. It means also, in different contexts, an Imperial Turkish
Council.
*'Maximilian Braun, Die Anfiinge derDuropiiisierung in der Literatur der muslirnischen Slaven
in Bosnien und der Herzegovina (Leipzig: 1934), p. 27.
"Otto Blau, Bonisch-tiirkische Sprachdenkmaler (Leipzig: 1866), pp. 118-20.
"According to Oktay Aslanapa there are in Topkapi-Saray in Istanbul approximately 10,000
miniatures, a veritable gallery of Islamic art. Regrettably, only very few of these pieces have been
made accessible to the public. See Emst Diez-Oktay Aslanapa, Tiirk San'arllTurkish Art (Publication
of the Department of Philosophy", no. 627; Istanbul, Turkey: University of Istanbul, 1955), p. 272.
"Turkische Miniaturen vom 13. bis zum 18. Jahrhundert. Introductory Text by Richard
Ettinghausen. "Piper: UNESCO Taschenbucher der Kunst" (Miinchen: 1965). p. 16; also see
Hiiseyin G. Yurdaydln, MatrakcT Nasuh ("Ankara ~niversitesi Illhiyat Fakultesi Yayinlari 43",
Ankara: 1963); C.F. Sybold, "Ein anonymer alter turkischer Kommentar zum letzten Drittel des
Korans in drei Handschriften zu Hamburg, Breslau und im Britischen Museum" in Festschrift
Eduard Sachau zum siebzigsren Geburtstage gewidmet von Freunden und Schulern, ed. by Gotthold
Weil (Berlin: 1915). pp. 329ff.
'lAlija Nametak, Islamki kulturni spomenici turskog perioda u Bosni i HercegovinilIslamic
Cultural Movements of the Turkish Period in Bosnia and Hercegovina (Sarajevo: 1939), p. 36.
"3"Bosna", Turk Ansiklopedisi (Ankara: 1954), vol. 7, p. 410.
MHrvatski Dnevnik (Zagreb: July 21. 1940). contribution, "Bosna".
"Lujo Thaller, "Zdravstvo Hrvatsko-Slavonske Vojne KrajineN/Health Conditions of the
Croatian-Slavonian Military Frontier, Lietnitki viestnik (Sarajevo: January 1944); Sadik SadikoviC,
Narodno zdravlje/People's Health (Sarajevo: Jugoslavenski List, 1928), p. 314.
MEditorial: "Velike hvale vrijedan primjer g. Sulejmana AliCanlAn example of Mr. Suleiman
AliC Worthy of Special Praise, GVSIkZ, no. 11-12 (Sarajevo: 1963). vol. 26, p. 561.