pigmented colorants: dependence on media and time - Cornell ...
pigmented colorants: dependence on media and time - Cornell ...
pigmented colorants: dependence on media and time - Cornell ...
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5.3 Canvas board materials ........................153<br />
5.4 Reflectance spectra of multiple layers of gesso ............154<br />
5.5 Appearance of multiple layers of gesso ................155<br />
5.6 A typical painted sample .......................157<br />
5.7 Possible pigment-binder problems ...................159<br />
5.8 Optical setup for diffuse reflectance measurement ..........160<br />
5.9 Diagram of a Czerny-Turner m<strong>on</strong>ochromator ............161<br />
6.1 Lapis Lazuli in different binding <strong>media</strong> after <strong>on</strong>e day ........168<br />
6.2 Similarity comparis<strong>on</strong> of Lapis Lazuli paint samples ........173<br />
6.3 Munsell plots of Lapis Lazuli in different binding <strong>media</strong> after <strong>on</strong>e day174<br />
6.4 Variati<strong>on</strong> of spectral reflectance curves of Lapis Lazuli in Gouache<br />
over<strong>time</strong> ................................178<br />
6.5 Munsell plots of Lapis Lazuli in Gouache over <strong>time</strong> .........182<br />
6.6 Visual comparis<strong>on</strong> of Lapis Lazuli in Gouache changing at each<br />
<strong>time</strong>interval ..............................184<br />
7.1 Our simulated canvas .........................190<br />
7.2 Featuresofourinteractiveviewer...................193<br />
A.1 Flux density within a paint layer ...................201<br />
A.2 The path of light between two homogeneous layers .........207<br />
B.1 Cold Glauc<strong>on</strong>ite in different binding <strong>media</strong> after <strong>on</strong>e week .....210<br />
B.2 Munsell plots of Cold Glauc<strong>on</strong>ite in different binding <strong>media</strong> after<br />
<strong>on</strong>eweek ................................211<br />
B.3 Cold Hematite Tint in different binding <strong>media</strong> freshly painted . . . 213<br />
B.4 Munsell plots of Cold Hematite Tint in different binding <strong>media</strong><br />
freshly painted .............................214<br />
B.5 Burnt Sienna in different binding <strong>media</strong> freshly painted .......216<br />
B.6 Munsell plots of Burnt Sienna in different binding <strong>media</strong> freshly<br />
painted .................................217<br />
B.7 Lampblack Tint in different binding <strong>media</strong> after <strong>on</strong>e m<strong>on</strong>th ....219<br />
B.8 Munsell plots of Lampblack Tint in different binding <strong>media</strong> after<br />
<strong>on</strong>em<strong>on</strong>th ...............................220<br />
B.9 Red Ochre Tint in different binding <strong>media</strong> after three m<strong>on</strong>ths . . . 222<br />
B.10 Munsell plots of Red Ochre Tint in different binding <strong>media</strong> after<br />
threem<strong>on</strong>ths ..............................223<br />
B.11 Variati<strong>on</strong> of spectral reflectance curves of Chrome Yellow in Distemperover<strong>time</strong>............................225<br />
B.12 Munsell plots of Chrome Yellow in Distemper over <strong>time</strong> ......226<br />
B.13 Variati<strong>on</strong> of spectral reflectance curves of Hematite Tint in Watercolorover<strong>time</strong><br />
.............................228<br />
B.14 Munsell plots of Hematite Tint in Watercolor over <strong>time</strong> ......229<br />
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