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sing along with ella, and i would keep scatting the same phrase until somebody<br />

moved the needle across (laughter). apparently i scatted along with the clicks as<br />

well, so even then i was listening closely to all these things and music just became<br />

a part of me.<br />

CAD: At age two you were described as a drum prodigy – was this pots and pans<br />

in the kitchen?<br />

dm: pretty much that, then my mother found me playing with chopsticks and<br />

decided i was in to this music and before long i had a kit of drums. i was five at the<br />

time.<br />

CAD: Did you have any formal teaching?<br />

dm: no, i was pretty much self taught at that stage – just listened closely to the<br />

radio, and studied and copied what i could from my parents’ record collection.<br />

CAD: So your first professional job playing drums was a Community Theatre<br />

Production of A Funny Thing Happened On the Way to the Forum – that was in<br />

Anchorage, Alaska and you were aged ten?<br />

dm: Yes, that’s right, in anchorage.<br />

CAD: So you were reading by then?<br />

dm: no, no, i just got hold of a record of the show, and learned it from that, so<br />

when rehearsals started, i was ready. it was a very short season, only a few nights.<br />

CAD: Was it a full group of musicians?<br />

dm: no, no, only a quintet. But around that time i began really listening to other<br />

things. see my mother really loved jimmy smith’s records, so she wanted me to<br />

play keyboards because of the organ, you see. and i liked those records because<br />

they got me listening carefully to Grady Tate, the drummer in the trio, and to jimmy<br />

of course, and i also got really interested in the electronic sound of the organ. at<br />

around this time there was a strong move in the rock world towards electronics and<br />

all my friends were listening to that.<br />

CAD: So your influences during those early years was rock rather than jazz?<br />

dm: i guess so, r ‘n’ B. see we were all listening to radio all the time, not records,<br />

and like everybody else i got caught up in it. soon i was paying more attention<br />

to the bass, the electric bass, than the drums, and before too long i had a bass<br />

and was working at it. Then it occurred to me that the bass player only had one<br />

case to carry around, while the drummer……you know? also i was still struggling<br />

to learn to read drum music, and the bass seemed to have a lot less to read – it<br />

seemed a whole lot easier to me. and before long i was with a pop group on bass!<br />

sometimes, drums, but mostly bass.<br />

CAD: You graduated from High School in Las Vegas?<br />

dm: Yes, clark high school.<br />

CAD: Was there a music faculty there?<br />

dm: There was, but the marching band was strong but, um, let’s leave it at that.<br />

CAD: Not strong on jazz – is that why you were more into R ‘n’ B?<br />

dm: That’s what we listened to, and at that time, because of my interest in the bass,<br />

i listened to a lot of english pop bands with great bass players, they were getting a<br />

103 | CadenCe Magazine | april May June 2013<br />

Interview Dennis Mackrel

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