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AprilCadence2013

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CUPBEARERS / ALLY / THE<br />

SHERIFF / WITH MALICE<br />

TOWARDS NONE / ALL<br />

MEMBERS / MARILIA /<br />

SUITE PORT AU PRINCE<br />

/ NEW YORK 19 / QUEM<br />

QUIZER / THE THUMPER<br />

/ COUNT ME IN / REPEAT<br />

/ LASS FROM THE LOW<br />

COUNTRIE / DOWN BY THE<br />

GREENWOOD SIDE / WE<br />

SHALL OVERCOME. 75:00.<br />

Jay Cameron replaces Rout;<br />

Chuck Israels, b; Ben Riley,<br />

d; Cecil McBee, b (12, 14,<br />

15); Freddie Waits, d (12, 14,<br />

15); Jeremy Steig, f; Gene<br />

Bertoncini, g (13).<br />

3) ROB MAZUREK<br />

PULSAR QUINTET<br />

STELLAR<br />

PULSATIONS<br />

DELMARK DE 2018.<br />

PRIMITIVE JUPITER / MAGIC<br />

SATURN / SPIRITUAL<br />

MARS / SPIRAL MERCURY /<br />

SPANISH VENUS / TWISTER<br />

URANUS / FOLK SONG<br />

NEPTUNE. 47:36.<br />

Rob Mazurek, cnt; Angelica<br />

Sanchez, p; Matthew<br />

Lux, bs-g; John Herndon,<br />

d. March 2012: Chicago,<br />

Illinois.<br />

New Issues<br />

172 | CadenCe Magazine | april May June 2013<br />

Rout, trumpeter Whitsell first among shining equals.<br />

The two-CD set combines tracks recorded in the studio<br />

and their concert at the Kennedy White House<br />

– fourteen of the thirty-two tracks having never been<br />

released before. Very impressive and fresh-sounding.<br />

Count me in.<br />

Michael Steinman<br />

Cornetist / composer Mazurek has a good deal to<br />

live up to on (3) as delineated in the back-cover<br />

notes: “… the quartet sprays, throws, erupts and<br />

caresses 7 new Mazurek compositions that expand<br />

upon the idea of melodic freedom within the realm<br />

of shifting chromatics, pop-like harmonies, pulling<br />

anthems and contrasting pedal points. An exciting<br />

addition to the bursting catalog of Mazurek’s constant<br />

search to crack the galaxial ceiling of what sound can<br />

do within the universe of personality and ethereal<br />

chaos.”<br />

Now, I did not read that uncredited effusion until I was<br />

in the middle of listening to the CD. A good deal of<br />

the music does in fact “erupt” in “ethereal chaos,” with<br />

the four players taking single and collective percussive<br />

paths. The aural effect is rather like people talking<br />

loudly at once on superficially related subjects. And<br />

each of the musicians has an occasional tendency to<br />

treat his / her instrument as a drum --- fine for Herndon<br />

but tedious for the others. What gave me hope was<br />

the lyrical MAGIC SATURN and FOLK SONG NEPTUNE–<br />

searching, full of possibilities, and to a lesser degree<br />

SPIRAL MERCURY and SPANISH VENUS.<br />

Some might admire the controlled tumult of the other<br />

tracks, but they are too abstract for me. I did listen<br />

closely to the entire CD. Check it out for yourself.<br />

Michael Steinman

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