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CUPBEARERS / ALLY / THE<br />
SHERIFF / WITH MALICE<br />
TOWARDS NONE / ALL<br />
MEMBERS / MARILIA /<br />
SUITE PORT AU PRINCE<br />
/ NEW YORK 19 / QUEM<br />
QUIZER / THE THUMPER<br />
/ COUNT ME IN / REPEAT<br />
/ LASS FROM THE LOW<br />
COUNTRIE / DOWN BY THE<br />
GREENWOOD SIDE / WE<br />
SHALL OVERCOME. 75:00.<br />
Jay Cameron replaces Rout;<br />
Chuck Israels, b; Ben Riley,<br />
d; Cecil McBee, b (12, 14,<br />
15); Freddie Waits, d (12, 14,<br />
15); Jeremy Steig, f; Gene<br />
Bertoncini, g (13).<br />
3) ROB MAZUREK<br />
PULSAR QUINTET<br />
STELLAR<br />
PULSATIONS<br />
DELMARK DE 2018.<br />
PRIMITIVE JUPITER / MAGIC<br />
SATURN / SPIRITUAL<br />
MARS / SPIRAL MERCURY /<br />
SPANISH VENUS / TWISTER<br />
URANUS / FOLK SONG<br />
NEPTUNE. 47:36.<br />
Rob Mazurek, cnt; Angelica<br />
Sanchez, p; Matthew<br />
Lux, bs-g; John Herndon,<br />
d. March 2012: Chicago,<br />
Illinois.<br />
New Issues<br />
172 | CadenCe Magazine | april May June 2013<br />
Rout, trumpeter Whitsell first among shining equals.<br />
The two-CD set combines tracks recorded in the studio<br />
and their concert at the Kennedy White House<br />
– fourteen of the thirty-two tracks having never been<br />
released before. Very impressive and fresh-sounding.<br />
Count me in.<br />
Michael Steinman<br />
Cornetist / composer Mazurek has a good deal to<br />
live up to on (3) as delineated in the back-cover<br />
notes: “… the quartet sprays, throws, erupts and<br />
caresses 7 new Mazurek compositions that expand<br />
upon the idea of melodic freedom within the realm<br />
of shifting chromatics, pop-like harmonies, pulling<br />
anthems and contrasting pedal points. An exciting<br />
addition to the bursting catalog of Mazurek’s constant<br />
search to crack the galaxial ceiling of what sound can<br />
do within the universe of personality and ethereal<br />
chaos.”<br />
Now, I did not read that uncredited effusion until I was<br />
in the middle of listening to the CD. A good deal of<br />
the music does in fact “erupt” in “ethereal chaos,” with<br />
the four players taking single and collective percussive<br />
paths. The aural effect is rather like people talking<br />
loudly at once on superficially related subjects. And<br />
each of the musicians has an occasional tendency to<br />
treat his / her instrument as a drum --- fine for Herndon<br />
but tedious for the others. What gave me hope was<br />
the lyrical MAGIC SATURN and FOLK SONG NEPTUNE–<br />
searching, full of possibilities, and to a lesser degree<br />
SPIRAL MERCURY and SPANISH VENUS.<br />
Some might admire the controlled tumult of the other<br />
tracks, but they are too abstract for me. I did listen<br />
closely to the entire CD. Check it out for yourself.<br />
Michael Steinman