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HAL RUSSELL<br />
NRG ENSEMBLE<br />
NESSA 21<br />
UNCONTROLLABLE RAGES/<br />
KIT KAT/ LINDA JAZZ<br />
PRINCESS/ SEVEN SPHERES/<br />
LOST OR?/ C MELODY MANIA/<br />
72:10<br />
Hal Russell, d, C melody sax,<br />
cnt, Zither; Chuck Burdelik,<br />
ts, as, cl, flt; Brian Sandstrom,<br />
bass, trp, gong; Curt Bley, bass;<br />
Steve Hunt, vib, d<br />
New Issues<br />
183 | CadenCe Magazine | april May June 2013<br />
NRG is right. High-octane ensemble might be better.<br />
This group just comes out roaring. But, they also<br />
know how to play quietly and know how to mix it up so<br />
listeners are always kept on their toes, or should I say,<br />
ears I knew I had another CD by this group somewhere<br />
and dug it out before playing this, since I haven’t heard<br />
that one in a long time. The personnel is about half the<br />
same and the energy is all the same.<br />
In a sense the first track sums up the whole CD. We<br />
get raging saxophone with aggressive drums, quiet<br />
sections with bass and flute, then loud sections again<br />
with everyone playing. Most is improvised but there<br />
are written sections as well. There is a great composed<br />
ensemble section at the end of the first track, followed a<br />
long drum solo by Russell.<br />
Then “Kit” changes the mood entirely with a lovely flute<br />
melody, followed by Russell on vibes.<br />
There are ensemble sections between solos, but this<br />
track is carried by Burdelik. I don’t know who Linda is,<br />
but after hearing this piece, I want to know her. Another<br />
high-energy piece with quiet sections featuring great<br />
solos by all. Hunt and Russell play both vibes and drums<br />
in similar styles, so I have to check the notes to see who<br />
is playing on which tracks. On vibes both play with high<br />
energy and play lots of notes but they do not use the<br />
motor. And the last big ensemble section effectively<br />
uses the gong. The use of the zither on “Spheres” adds<br />
an almost other worldliness sound to the piece.<br />
While listening to this record I started to think about<br />
other free players and why some stand out.<br />
Part of the answer is energy. Most free players do similar<br />
things---long lines, swirls of notes, little bursts. But here<br />
the energy is so high that the listener just gets caught<br />
up in the music and doesn’t have time to reflect on<br />
anything else. The energy here was so high I felt like I<br />
needed a nap after the record was over.<br />
What sets this group apart is that in addition to the free<br />
improvisations, there are also composed sections, which<br />
the ensemble works beautifully. Highly recommended.<br />
Bernie Koenig