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AprilCadence2013

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HAL RUSSELL<br />

NRG ENSEMBLE<br />

NESSA 21<br />

UNCONTROLLABLE RAGES/<br />

KIT KAT/ LINDA JAZZ<br />

PRINCESS/ SEVEN SPHERES/<br />

LOST OR?/ C MELODY MANIA/<br />

72:10<br />

Hal Russell, d, C melody sax,<br />

cnt, Zither; Chuck Burdelik,<br />

ts, as, cl, flt; Brian Sandstrom,<br />

bass, trp, gong; Curt Bley, bass;<br />

Steve Hunt, vib, d<br />

New Issues<br />

183 | CadenCe Magazine | april May June 2013<br />

NRG is right. High-octane ensemble might be better.<br />

This group just comes out roaring. But, they also<br />

know how to play quietly and know how to mix it up so<br />

listeners are always kept on their toes, or should I say,<br />

ears I knew I had another CD by this group somewhere<br />

and dug it out before playing this, since I haven’t heard<br />

that one in a long time. The personnel is about half the<br />

same and the energy is all the same.<br />

In a sense the first track sums up the whole CD. We<br />

get raging saxophone with aggressive drums, quiet<br />

sections with bass and flute, then loud sections again<br />

with everyone playing. Most is improvised but there<br />

are written sections as well. There is a great composed<br />

ensemble section at the end of the first track, followed a<br />

long drum solo by Russell.<br />

Then “Kit” changes the mood entirely with a lovely flute<br />

melody, followed by Russell on vibes.<br />

There are ensemble sections between solos, but this<br />

track is carried by Burdelik. I don’t know who Linda is,<br />

but after hearing this piece, I want to know her. Another<br />

high-energy piece with quiet sections featuring great<br />

solos by all. Hunt and Russell play both vibes and drums<br />

in similar styles, so I have to check the notes to see who<br />

is playing on which tracks. On vibes both play with high<br />

energy and play lots of notes but they do not use the<br />

motor. And the last big ensemble section effectively<br />

uses the gong. The use of the zither on “Spheres” adds<br />

an almost other worldliness sound to the piece.<br />

While listening to this record I started to think about<br />

other free players and why some stand out.<br />

Part of the answer is energy. Most free players do similar<br />

things---long lines, swirls of notes, little bursts. But here<br />

the energy is so high that the listener just gets caught<br />

up in the music and doesn’t have time to reflect on<br />

anything else. The energy here was so high I felt like I<br />

needed a nap after the record was over.<br />

What sets this group apart is that in addition to the free<br />

improvisations, there are also composed sections, which<br />

the ensemble works beautifully. Highly recommended.<br />

Bernie Koenig

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