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Papatamus Robert D. Rusch<br />
It’s a record by Judith Zürcher, and it’s joined by Janos knobel on guitars,<br />
Milan Scheidegger on keyboards, which include the Hammond and<br />
piano, Mirco Häberli, and Remo Borner on drums. And it’s on the Unit<br />
label, which is a Swiss label, and it’s called Positively Pessimistic, UTR 4371.<br />
Miss Zürcher, who has written all the original nine pieces, sings on modern<br />
universal maladies, observations on common themes. Her proactive lyrics<br />
strike true, but maybe if they don’t, they’ll make you think. And the CD<br />
comes nicely with a printout of the lyrics, but say nothing about the singer.<br />
Anyway, I found this an intriguing and enjoyable vocal album, and<br />
with lyrics that do make you think. Again, a good recording. I should<br />
say, actually, a thoughtful recording, and also a good recording.<br />
For people who are interested in Norah Jones-ish type singing, there’s<br />
Tara Linda, Torch and Sass. It appears on the Tara Linda Physalia<br />
Records, no number. As I said before, this is somewhat derivative<br />
of Norah Jones. She also sings originals, and this is all done up in<br />
40s saloon manner. This is an acquired taste, perhaps, but if you’ve<br />
acquired it, I think you’ll find it more fulfilling than Miss Jones’ work.<br />
The hype sheet says that she is endorsed by Hohner Accordians, and<br />
Lanikai Ukuleles, and she lives in Oakland, California. But she’s more than<br />
that, and, again, if you like that sort of period music, this is the one to find.<br />
Singer Shawnn Monteiro has come out with a set of 12 standards with<br />
Mike Renzi on piano, Dave Zeno on bass, and Steve Langone on drums,<br />
and it’s called To Carmen, with Love. When I first listened to this—I<br />
very often listen to CDs without paying much attention to who it is;<br />
just listen to the fresh and—and said it was very much in the Carmen<br />
McRae mold, and lo and behold obviously it’s meant to be that way.<br />
Blindfolded on first blush, you might think it was Carmen McRae, but it’s<br />
not. She sings standards with a believable conviction and with some original<br />
approach, but enjoyable as it is you’re going to think of Carmen McRae. If<br />
there hadn’t been a Carmen McRae, this record might not have existed. If it<br />
had existed, it would be particularly notable—if she had existed, I should say.<br />
Shawnn Monteiro on Whaling City Sound,<br />
#WCS057, and it’s called To Carmen, with Love.<br />
And finally in the vocal department, we have Jason Paul Curtis,<br />
called Lover’s Holiday, and from the look of the package, with the<br />
champagne and so forth, it looks like another Sinatra or Sinatratype<br />
singer clone. This has no record label or number. If you go<br />
to www.jasonpaulcurtis.com, you can find more out about this.<br />
Here he’s backed by a small and large group. The small group<br />
he calls Swing Lab; the large group he calls Swing Machine. On a<br />
mixture of originals and standards, including Our Time of Year, Let<br />
it Snow, Christmastime is Here, Good This Year, Blue Friday, Lover’s<br />
Holiday, You’d Be So Nice to Come Home to, In the Still of the Night, I’ve<br />
29 | CadenCe Magazine | april May June 2013