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Interview Buster Williams<br />
i had never been away from school from camden—i was 17 years old. so, four<br />
o’clock in the morning, sunday morning we packed up the cars and drove off and—i<br />
ain’t been home since!!” (Buster breaks out in laughter.)<br />
AS: What was your dad’s first name?<br />
BW: cholly, they called him cholly. his name was charles anthony Williams, sr.,<br />
and i’m charles anthony Williams, jr. They called him not “charlie”, they called him<br />
cholly-c-h-o-l-l-Y.”<br />
AS: That’s almost like “Cholly” Mingus.<br />
BW: Yes<br />
AS: Wait a second—you stole the gig from your dad.<br />
BW: Yeh, right!<br />
AS: How did Cholly react?<br />
BW: he was happy.<br />
AS: He was proud of you.<br />
BW: oh, yeh.<br />
BW: i have to write a book, man. There’s all kinds of insides in these stories.<br />
i have had people say: “Buster, can i just travel with you?” people who are<br />
journalists, and that’s what i need, ‘cause i’m not going to sit down and write. i had<br />
one guy in new York, this guy took me into the studio and tried to set up a series<br />
where i went into the studio and talked—we did a few of these things, and i know<br />
this guy has this stuff. if he puts it out, i’m going to make sure, i hope i see it on<br />
Youtube so i can demand to be paid. (laughs) i actually did a few hours of sittin’<br />
there telling stories.<br />
AS: Ben Sidran–the piano player, he put out a bunch of interviews six years<br />
ago, in a big CD boxed set, and he interviewed Dizzy, McCoy. Miles, and Sonny<br />
Rollins. He spends about 1/2 hour with each musician, and it’s a fascinating oral<br />
history of this music. Some people brought their horn and played and talked—<br />
sort of like a master class.<br />
BW: i think i saw some of his stuff on Youtube.<br />
AS: My wife got me the set for my birthday, it’s 24 CD’s-60 interviews done for<br />
NPR. When he interviews Miles Davis he says something like: “my last name<br />
S-i-d-r-a-n backwards, is the name of your tune “Nardis.” How did you meet<br />
Herbie Hancock when you moved to New York in 1969, and how did your tune<br />
“Firewater” get recorded (on The Prisoner) and Mwandishi afterwards?<br />
BW: now this goes back to 1960. in 1960, i graduated from high school, and that<br />
summer i played the showboat with Gene ammons and sonny stitt and went out<br />
on the road. now, our first gig, we left philadelphia, and we drove to st. louis—<br />
there was a club in st. louis called Georgie’s. it was in what they called Gaslight<br />
square—a little hip area in st. louis. We went straight to the club and closing<br />
that night was donald Byrd and pepper adams. We got there just as the band<br />
was finishing up, and i met donald Byrd and i met pepper adams and they told<br />
me about their new piano player who had left to go back to the hotel—and it was<br />
herbie hancock. That’s when i first heard herbie hancock’s name. That was the<br />
91 | CadenCe Magazine | april May June 2013