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Interview Buster Williams<br />

i had never been away from school from camden—i was 17 years old. so, four<br />

o’clock in the morning, sunday morning we packed up the cars and drove off and—i<br />

ain’t been home since!!” (Buster breaks out in laughter.)<br />

AS: What was your dad’s first name?<br />

BW: cholly, they called him cholly. his name was charles anthony Williams, sr.,<br />

and i’m charles anthony Williams, jr. They called him not “charlie”, they called him<br />

cholly-c-h-o-l-l-Y.”<br />

AS: That’s almost like “Cholly” Mingus.<br />

BW: Yes<br />

AS: Wait a second—you stole the gig from your dad.<br />

BW: Yeh, right!<br />

AS: How did Cholly react?<br />

BW: he was happy.<br />

AS: He was proud of you.<br />

BW: oh, yeh.<br />

BW: i have to write a book, man. There’s all kinds of insides in these stories.<br />

i have had people say: “Buster, can i just travel with you?” people who are<br />

journalists, and that’s what i need, ‘cause i’m not going to sit down and write. i had<br />

one guy in new York, this guy took me into the studio and tried to set up a series<br />

where i went into the studio and talked—we did a few of these things, and i know<br />

this guy has this stuff. if he puts it out, i’m going to make sure, i hope i see it on<br />

Youtube so i can demand to be paid. (laughs) i actually did a few hours of sittin’<br />

there telling stories.<br />

AS: Ben Sidran–the piano player, he put out a bunch of interviews six years<br />

ago, in a big CD boxed set, and he interviewed Dizzy, McCoy. Miles, and Sonny<br />

Rollins. He spends about 1/2 hour with each musician, and it’s a fascinating oral<br />

history of this music. Some people brought their horn and played and talked—<br />

sort of like a master class.<br />

BW: i think i saw some of his stuff on Youtube.<br />

AS: My wife got me the set for my birthday, it’s 24 CD’s-60 interviews done for<br />

NPR. When he interviews Miles Davis he says something like: “my last name<br />

S-i-d-r-a-n backwards, is the name of your tune “Nardis.” How did you meet<br />

Herbie Hancock when you moved to New York in 1969, and how did your tune<br />

“Firewater” get recorded (on The Prisoner) and Mwandishi afterwards?<br />

BW: now this goes back to 1960. in 1960, i graduated from high school, and that<br />

summer i played the showboat with Gene ammons and sonny stitt and went out<br />

on the road. now, our first gig, we left philadelphia, and we drove to st. louis—<br />

there was a club in st. louis called Georgie’s. it was in what they called Gaslight<br />

square—a little hip area in st. louis. We went straight to the club and closing<br />

that night was donald Byrd and pepper adams. We got there just as the band<br />

was finishing up, and i met donald Byrd and i met pepper adams and they told<br />

me about their new piano player who had left to go back to the hotel—and it was<br />

herbie hancock. That’s when i first heard herbie hancock’s name. That was the<br />

91 | CadenCe Magazine | april May June 2013

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