You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
Short Takes USA: Philadelphia<br />
The big buzz in town was over Chris' Jazz Café's announcement of broadening<br />
bookings to include some comedy nights, blues, funk and singer-songwriter<br />
acts. The six-night-a-week venue presented over 500 jazz gigs last year<br />
and plans to continue to do so as per their booking agent, Alan McMahon, who<br />
also assured that a Jazz-only weekend booking policy will continue. It was<br />
interesting to hear outrage from various local Jazz fans about the decision,<br />
many of whom have rarely supported the club by attending shows. It's a tough<br />
economy and jazz remains a tough commodity to sell so whatever it takes for<br />
Philly's only jazz club to stay solvent should be supported. There's nowhere<br />
else in town that's gonna' get you sitting inches away from a Chris Potter,<br />
Wallace Roney, Frank Wess, Joe Lovano, or even Cadence's own David Haney<br />
(check out the hot CadenceFest coming to Chris' on 4/12)…Drummer/composer<br />
John Hollenbeck has performed numerous times at the Painted Bride Art<br />
Center and this time he brought plenty of support - his large ensemble - on<br />
12/7/12. Opening with the evening's highlight - “Wichita Lineman,” his collection<br />
of New York ringers were augmented by vocalists Theo Bleckmann and<br />
Kate McGarry. Hollenbeck's old favorite tunes were covered including goodies<br />
by Ornette Coleman, Imogen Heap, and the traditional Appalachian ballad<br />
“Man of Constant Sorrow.” They also did “Blessing,” a tune often played by<br />
Hollenbeck's bands, which feature words from an old Irish blessing and<br />
Bleckmann's haunting vocals to open and close the piece. Most surprisingly,<br />
the 20-member ensemble, led by conductor JC Sanford, featured few solos -<br />
Tony Malaby (ts, ss) and Dan Willis (reeds) each took a couple but even the<br />
leader went without a showcase. Hollenbeck announced the two last songs of<br />
the night and that, “We're going to be a little rude and then leave because we<br />
have to bus it to Duke tonight.” A tune by Germany's kraftwerk followed but<br />
Hollenbeck had converted it to a marching band version without vocals. “Not a<br />
completely smart idea,” he said, “for a band that features two vocalists, but<br />
Theo recommended it and the vocalists have a plan B, so watch them.” Hilarity<br />
followed as Bleckmann and McGarry proceeded to prance and pose like characters<br />
from the old Saturday Night Live Sprockets sketch…Cactus Truck certainly<br />
is an odd name for a Dutch trio but considering their initial name was Brand<br />
New Vagina, it'll do just fine. Saxophonist John Dikeman said, “We're terrible<br />
with names.” Ex-pat Dikeman, joined by Jasper Stadhouders (g, el b) and<br />
Onno Govaert (d) hit Highwire Gallery (Fire Museum) on 12/9 as part of their<br />
7-week US tour. Beginning with a savage roar of sound, the trio quickly took it<br />
up a notch with Dikeman thrashing about in such a way that nobody would<br />
have been surprised to see a few teeth fly from his mouth. Stadhouders lined<br />
up an array of “tools” to butcher shop his axe but never really got to use many<br />
of them during the short set of punk jazz that was equivalent to a thrilling leap<br />
onto a bulbous, thorny cactus…Later that night, Cactus Truck was found at<br />
nearby Johnny Brenda's, drinking heavily and catching Ben Goldberg's Unfold<br />
Ordinary Mind (Ars Nova Workshop) that included Nels Cline (g), Ellery<br />
45 | CadenCe Magazine | april May June 2013