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AprilCadence2013

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Short Takes USA: Philadelphia<br />

The big buzz in town was over Chris' Jazz Café's announcement of broadening<br />

bookings to include some comedy nights, blues, funk and singer-songwriter<br />

acts. The six-night-a-week venue presented over 500 jazz gigs last year<br />

and plans to continue to do so as per their booking agent, Alan McMahon, who<br />

also assured that a Jazz-only weekend booking policy will continue. It was<br />

interesting to hear outrage from various local Jazz fans about the decision,<br />

many of whom have rarely supported the club by attending shows. It's a tough<br />

economy and jazz remains a tough commodity to sell so whatever it takes for<br />

Philly's only jazz club to stay solvent should be supported. There's nowhere<br />

else in town that's gonna' get you sitting inches away from a Chris Potter,<br />

Wallace Roney, Frank Wess, Joe Lovano, or even Cadence's own David Haney<br />

(check out the hot CadenceFest coming to Chris' on 4/12)…Drummer/composer<br />

John Hollenbeck has performed numerous times at the Painted Bride Art<br />

Center and this time he brought plenty of support - his large ensemble - on<br />

12/7/12. Opening with the evening's highlight - “Wichita Lineman,” his collection<br />

of New York ringers were augmented by vocalists Theo Bleckmann and<br />

Kate McGarry. Hollenbeck's old favorite tunes were covered including goodies<br />

by Ornette Coleman, Imogen Heap, and the traditional Appalachian ballad<br />

“Man of Constant Sorrow.” They also did “Blessing,” a tune often played by<br />

Hollenbeck's bands, which feature words from an old Irish blessing and<br />

Bleckmann's haunting vocals to open and close the piece. Most surprisingly,<br />

the 20-member ensemble, led by conductor JC Sanford, featured few solos -<br />

Tony Malaby (ts, ss) and Dan Willis (reeds) each took a couple but even the<br />

leader went without a showcase. Hollenbeck announced the two last songs of<br />

the night and that, “We're going to be a little rude and then leave because we<br />

have to bus it to Duke tonight.” A tune by Germany's kraftwerk followed but<br />

Hollenbeck had converted it to a marching band version without vocals. “Not a<br />

completely smart idea,” he said, “for a band that features two vocalists, but<br />

Theo recommended it and the vocalists have a plan B, so watch them.” Hilarity<br />

followed as Bleckmann and McGarry proceeded to prance and pose like characters<br />

from the old Saturday Night Live Sprockets sketch…Cactus Truck certainly<br />

is an odd name for a Dutch trio but considering their initial name was Brand<br />

New Vagina, it'll do just fine. Saxophonist John Dikeman said, “We're terrible<br />

with names.” Ex-pat Dikeman, joined by Jasper Stadhouders (g, el b) and<br />

Onno Govaert (d) hit Highwire Gallery (Fire Museum) on 12/9 as part of their<br />

7-week US tour. Beginning with a savage roar of sound, the trio quickly took it<br />

up a notch with Dikeman thrashing about in such a way that nobody would<br />

have been surprised to see a few teeth fly from his mouth. Stadhouders lined<br />

up an array of “tools” to butcher shop his axe but never really got to use many<br />

of them during the short set of punk jazz that was equivalent to a thrilling leap<br />

onto a bulbous, thorny cactus…Later that night, Cactus Truck was found at<br />

nearby Johnny Brenda's, drinking heavily and catching Ben Goldberg's Unfold<br />

Ordinary Mind (Ars Nova Workshop) that included Nels Cline (g), Ellery<br />

45 | CadenCe Magazine | april May June 2013

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