AprilCadence2013

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LA FAMA / NEW MAC CITY / INTROSPECTION / VOICES / CASINO 14 / FRIED NECK BONES / DONDE LO HACE DUELEN / FOTOS DE LOS OCHENTAS / CONJUNTO MOODS / NITE TRAX / A NIGHT IN TUNISIA. 68:41. Collective personnel: Gollehon, t, tb; Charlie Palmieri, Larry Harlow, Hilton Ruiz, Gilberto “El Pulpo” Colon, Alon Nechusten, p, kbd, org; Carlos “Potato” Valdez, Frankie Malaby, SA Davis, Francisco “Kata” Bastar, Nicky Marrero, Pablo Rosario, Sammy Pagan, Poncho Roman, Jimmy Delgado, Ray Colon, perc; Tony Thompson, d; Bernard Edwards, Ray Martinez, Victor Venegas, Akex Blake, b; Ray Maldondado, Lester Bowie, Jose Febles, Doc Cheatham, “Puchi” Boulong, t; Jose Rodriguez, Harry D Aguiar, Barry Rogers, Michael Grey, tb; Baron Raymonde.
STRAIGHT / CENTRAL PARK WEST / WOODY ‘N’ YOU / SOFTLY AS IN A MORNING SUNRISE / GOD BLESS THE CHILD / FOOTPRINTS / OLD MAN BLUES / JUJU. 67:44. Ernest Dawkins, as, ts, perc; Corey Wilkes, t; Willerm Delisport, p; Junius Paul, b; Isaiah Spencer, d; Ruben Alvarez (3, 4, 8), Greg Carmouche (1, 6); Greg Penn (3, 10), perc; Ben Patterson, org (7). October 28, 29, 2010; April 2, 3, 2012: Chicago, Illinois. 8) SOUTH FLORIDA JAZZ ORCHESTRA FEATURING WAYNE BERGERON, BRIAN LYNCH, JASON CARDER, GREG GISBERT, ALEX NORRIS, CISCO DIMAS, AUGIE HAAS, KIM PENSYL TRUMPET SUMMIT MAMA MAA 1043. DAAHOUD / READ MY LIPS / EVERYTHING I’VE GOT BELONGS TO YOU / BLUES FOR THE TERRIBLE TWO’S / PEER PRESSURE / SOPHISTICATED LADY / ONE FOR MOGIE / ALL THE THINGS YOU ARE / GOOD ADDICTION. 69:09. New Issues 175 | CadenCe Magazine | april May June 2013 passionate player who reminds me of Lou Donaldson -- and company have big sounds and improvise with feeling and ingenuity. And his commitment to the Latin percussion is deep: the title track here, although brief (ninety-four seconds) is given over to percussion – reminiscent of Blakey’s ORGY IN RHYTHM on a smaller scale. Although Dawkins is associated with post-bop and free jazz, he is solidly in the great traditions, and this CD doesn’t feel at all as if he is consciously stepping back to make a point; it just sounds whole-hearted. OLD MAN BLUES, incidentally, isn’t Ellington’s 1930 romp but a Dawkins medium-tempo exploration that would have fit nicely in Kansas City of the late Forties, a soulful swagger – with his soft-voiced conversational journey through familiar blues couplets. The closing JU JU, appropriately assertive, reminds us that Dawkins is far from being elderly or self-consciously retrospective: it is nearly ten minutes of vigorous energy. Finally, there’s a TRUMPET SUMMIT, (8) – whose title misleadingly suggests one of those all-star affairs where the trumpeters get together to scream at fast tempos over simple repertoire. Cats in the alley. This summit is a delightful change, for there’s very little upper-register pyrotechnicality, and the immediate impression is music played at a very high level by a unified orchestra. The soloists here are famous – Lynch perhaps most so, but all the names will be familiar to those who love the instrument – but they are part of this very expressive and empathic orchestra. So the CD never sounds as if the Visiting Star is playing a feature with a group of locals whose musicality is far below. The SFJO floats along on a splendid rhythm section, its own focused soloists, and hip arrangements. In the tradition of great big band playing but never clichéd or formulaic. Michael Steinman Collective personnel: Bergeron, Haas, Lynch, Gisbert, Carder, Norris, Dimas, Pensyl, t; Gary Keller, Gary Lindsay, Ed Calle, Ed Maina, Ken Matis, Mike Brignola, rds; Dana Teboe, Dante Luciani, John Kricker, Joanna Sabater, Jennifer Wharton, tb; Brian Murphy, Martin Bejerano, p; Chuck Bergeron, b; John Yarling, d; Raymer Olalde, Roberto Quintero, perc; Nicole Yarling, voc (3). August 2011, January 2012: Fort Lauderdale, Florida.
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The independenT journal of creaTive
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2013 RELEASES ON SLAM "Day For Nigh
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earshot JAZZ All Photos by Daniel S
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Cadence Magazine is celebrating it
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Trio Records & Productions Creative
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Inside This Issue REISSUES: ART PEP
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Column Title PIERRE FAVRE - DRUMS A
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NEW!!! Antonio Adolfo Finas Mistura
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Contributors ALAN BARGEBUHR (CD Rev
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Column Contributors Title BERNIE kO
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Contributors SLIM (Slim and Him, Ob
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Papatamus Robert D. Rusch It’s a
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Papatamus Robert D. Rusch has produ
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Papatamus Robert D. Rusch and it’
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ecordings. Bud Shank, Four Classic
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Short Takes Belgium While the count
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Short Takes USA: Detroit Trinospher
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Short Takes USA: Portland I'm pleas
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Short Takes USA: Portland no longer
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Short Takes USA: Philadelphia The b
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Short Takes USA: Philadelphia North
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Short Takes USA: Philadelphia Facto
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Short Takes USA: Philadelphia Chris
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Short Takes Japan: Kansai As any ve
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Short Takes Canada: Calgary Right o
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Short Takes Canada: Calgary include
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MACK Short Takes Canada: Vancouver
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Slim and Him Bob Rusch Interview an
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Slim and Him Bob Rusch Interview S:
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Slim and Him Bob Rusch Interview BR
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Jazz Stories John McLaughlin jm: i
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Jazz Stories Bruce Ditmas The only
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Jazz Stories Lewis Porter was recen
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Jazz Stories Lewis Porter by myself
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Jazz Stories: A Photo History A SAL
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Jazz Stories: A Photo History inclu
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Jazz Stories: A Photo History wonde
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Photo Credit: ©2012 by Patrick Hin
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Photo Credit: Ken Weiss Interview 8
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Interview Buster Williams out of th
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Interview Buster Williams i had nev
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Interview Buster Williams that i co
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Carmen Bradford vocalist Taken and
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97 | CadenCe Magazine | april May J
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Dennis Mackrel drummer and bandlead
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sing along with ella, and i would k
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Book Look The Wrong place for the r
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Book Look of that. i wanted a place
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ART PEPPER, NEON ART VOL. 3, OMNIVO
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THE NUDE PAPER SERMON/WIRETAP LABOR
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ALBERT MANGELSDORFF QUINTETT LEGEND
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STANLEY SCHUMACHER AND THE MUSIC NO
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IVO PERELMAN - MATTHEW SHIPP - MICH
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Page 125 and 126: DISC 4: CONTRACTIONS WELCOME / SMIL
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Page 129 and 130: FAT BABIES CHICAGO HOT DELMARK 253
Page 131 and 132: SAPONEGRE (No Number). THE LITTLE D
Page 133 and 134: 2) BARRY ROMBERG’S RANDOM ACCESS,
Page 135 and 136: DOUG MUNRO & LA POMPE ATTACK, A VER
Page 137 and 138: Karolina Strassmayer, as; Drori Mon
Page 139 and 140: ALEXANDER VON SCHLIPPENBACH, SCHLIP
Page 141 and 142: JASON ROBINSON, TIRESIAN SYMMETRY,
Page 143 and 144: 1) DAVID HANEY/ JORGE HERNAEZ, H DU
Page 145 and 146: ART ENSEMBLE, EARLY COMBINATIONS, N
Page 147 and 148: CITE-PEAU WORKS FOR DRUMS AND PIANO
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Page 151 and 152: ERI YAMAMOTO TRIO THE NEXT PAGE AUM
Page 153 and 154: CLAUDIO SCOLARI COLORS OF RED ISLAN
Page 155 and 156: 1) TOM TEASLEY, ALL THE WORLD'S A S
Page 157 and 158: SAM KULIK, ESCAPE FROM SOCIETY, Hot
Page 159 and 160: JOHN MOULDER QUINTET THE ELEVENTH H
Page 161 and 162: JOE CHAMBERS MOVING PICTURES ORCHES
Page 163 and 164: PAUL DUNMALL/ TONY BIANCO, THANK YO
Page 165 and 166: MIKE REED’S PEOPLE, PLACES, AND T
Page 167 and 168: ERIC BOEREN, COCONUT, PLATTENBAKKER
Page 169 and 170: TOMMY IGOE AND THE BIRDLAND BIG BAN
Page 171 and 172: 1) JOE GILMAN RELATIVITY CAPRI 7411
Page 173: 4) JAMES MORRISON SNAPPY TOO MORRIS
Page 177 and 178: JOE SARDARO THE PHOTOGRAPH NO LABEL
Page 179 and 180: DAVID HANEY DAY FOR NIGHT AT JACKST
Page 181 and 182: GIANCARLO MAZZU, BLAISE SIWULA, LUC
Page 183 and 184: HAL RUSSELL NRG ENSEMBLE NESSA 21 U
Page 185 and 186: GRATKOWSKI/ BROWN/ WINANT/ + GERHAR
Page 187 and 188: Obituaries Kenny Ball, (trumpeter)
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