Volume 8–4 (Low Res).pdf - U&lc
Volume 8–4 (Low Res).pdf - U&lc
Volume 8–4 (Low Res).pdf - U&lc
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Emily Bronte H. G. Wells Marcel Proust William Carlos Williams Nathaniel Hawthorne<br />
This is William Bramhall's third appearance in the pages<br />
of U&<strong>lc</strong>, but he hasn't worn out his we<strong>lc</strong>ome. His work is so<br />
eminently satisfying, we feel others in the graphic world<br />
should enjoy sharing it with us. For one thing caricature as<br />
Bramhall practices it, goes far beyond portrait painting. He<br />
doesn't just capture a likeness, he relays the essence of the<br />
character and his work. He also gets it down in a few<br />
persuasive, economical strokes, which is exactly what good<br />
caricature is all about.<br />
Considering his keen perceptions and nimble pen, it is<br />
even more amazing to know that Bramhall has no formal<br />
art background. For his art education, he shopped around,<br />
choosing teachers who suited his purpose. In the past he<br />
studied with Sigmund Abiles. Currently, he is taking a<br />
course with Dick Odin at California State University, Long<br />
Beach. Bramhall also admires (and we assume has been<br />
influenced by) Alan Cober, Brad Holland and Albrecht<br />
Diirer, to name a few.<br />
At the moment, Mr. Bramhall is involved in a new project,<br />
a book called Bad Examples, to be published by Potter. "It<br />
is the history of the American misfit; he explained, "and I<br />
am doing my own research, writing and illustration:' He<br />
emphasized the word "illustration" explaining that the<br />
work would be less like caricature and more like the etchings<br />
of Diirer. We have such peat respect for BramhaH's<br />
incisive wit and potentially wicked pen,we hope to see Bad<br />
Examples from the outside, looking in.<br />
MARION MULLER<br />
4f' .<br />
Thc)9;<br />
Mark Twain<br />
THIS ARTICLE WAS SET IN ITC CENTURY' AND ITC GORILLA.<br />
27