Volume 8–4 (Low Res).pdf - U&lc

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46 Something from Everybody for U&<strong>lc</strong> PAT NVOKI RN to soft-working din rs gave microscopic ittle sharpness and less high-di- ;ave good grain, great X-on-snow contrast. m really an ASA 400 fled to tame the wild ulsion, the experience irm my long-standing monosized emulsion itigh-definition, in his ranch-style 'harles River, in Shared Dick Delagi, hav- e not quite as sharp The second basic di these two soft-workit modern developm,i„ mal image contrg,' -- Metol alone, that accompanying develop( The most famous eJ formulation is Kodak sists of ICO grams of s 7.5 grams of Metol i with nothing else. He agent and the prese tives of somewhat-lo ON 0 PE! r, SEW) 'YOUR NEXT ISSUE OF To rm 4K3 ALLYN STRESS, HKRON , 0111 0 Li.3 Li Dear Sol, This is a confession/ I admit it/ lam sleabh8 your mastz.Ine from the mai/ room It started so innocent/y, first I was reach/! over Froples" Shoulders,tliehr cods Asyrowi/78' coloieS of tiec Next I was 63 k/ny off other peopieS' desk and now out -the mail room- 67-0? ME BEFORE 'rs To ifurE1 5aue me from this sordid life, Makt me an honest M4/7 once aeam, send me Yo ur next issuE Must 50 now theiris someone . df the door. HOI✓ESTZ-y, Nickhli .0-kXSO)V Ir U L CASE PitASE SEND To JEFF BEEDE 129 ShRDySIDE OR. YOUOIS-rawN ,OHI 0,445 1 2 .14i in a spot.... j'in riot on your riailing Flew add naT,. *Year\ Jo es 128 Voigt gall il-hep\s, Ohio ivoi I'll get straight to the point: I wanna be on your mailing list. 1,NE'Re Horteizq -R3k -Ft-FNE 5E14,1D A "ft.1 HE O746 OF 1191.-e. - 1 cat SC014-4 ATQL-LJ 1:2CA4:5 SocrI4 WI R, CT Orart
Philadelphia Grad Goes from Z to V PHILADELPHIA — When Denise Deery, Commercial Art graduate of the Art Institute of Philadelphia, began her search for employment, she started with the "Z" listings for local ad agencies. It didn't take her long to find work. One of the "V's"—VanSant Dugdale — hired her almost immediately. She's an art assistant for the agency, doing layout, design and mechanicals for clients such as Altair Airlines, Philadelphia National Bank, Slazenger sports equipment, and radio stations WIP and WMMR. "My Art Institute education was valuable because it was so practical," says Miss Deery, who did on-the-job training with a well-known Philadelphia agency while in school. When her training was completed, they offered her a full-time position, but she waited and is now happy with her choice of VanSant Dugdale. "There's real opportunity for growth here," she says. Logo design for a calling card graphically represents the initials of the artist, Kyle Paula, of the Art Institute of Fort Lauderdale. Noted Designers Judge Student Poster Competition ASPEN, Colo.—Four of the biggest names in the world of design — Saul Bass, Milton Glaser, Henry Wolf and Ivan Chermayeff.acted as judges for The Design Schools poster competition at this year's International Design Conference in Aspen. The conference is one of the most prestigious design events in the world, and this year's theme, "The Italian Idea," drew over 1,800 entries to the poster competition. From the 180 finalists, 23 posters were selected for cash prizes and were featured in a special exhibit during the conference. They are now part of a traveling exhibit touring the nation. In addition to being an all-round learning experience, the contest demonstrated how students at the six autonomous Design Schools could work effectively toward a common goal. NEWSLETTER Skills for Hire* I I \ I \ Prize Winners (left to right): First, Jan Rommel, Colorado Institute of Art; Second, Kevin Mitchell, Art Institute of Fort Lauderdale; Third, Jennifer Eitemiller, Colorado Institute of Art. Prestigious judges of The Design Schools Aspen poster contest (left to right): Saul Bass, Milton Glaser, Henry Wolf and Ivan Chermayeff Art Institute of Atlanta Art Institute of Fort Lauderdale Art Institute of Houston Art Institute of Philadelphia Art Institute of Pittsburgh Colorado Institute of Art The New Technology, Servant or Master? To the readers of U&/c: Is technology complicating your professional life? If so, you'll want to attend the big conference, "The Designer and the Technology Explosion," on May 12-14, 1982, at the Rochester Institute of Technology. Sponsored by The Design Schools and R.I.T., the program will shed light on everything from digitized typesetting to computer graphics techniques. The steering committee for the program consists of Ivan Chermayeff, Muriel Cooper, Lou Dorfsman, Colin Forbes, Tom Lunde, John Massey, Eileen Hedy Schultz, Robert S. Smith, Jim Ver Hague and Edward A. Hamilton. For advance information or reservations, mail in the coupon at right. Enrollment is limited to 350. Graduates of The Design Schools have had 24 months of intensive, specialized preparation in a variety of skills, including: advertising design, typography, photography, illustration, drawing, perspective, lettering, airbrush, package design, multimedia, animation, mechanicals, pre-separation and many others. They are prepared to work productively for you. Edward A. Hamilton, Design Director 18 The Design Schools Pan Am Building, Suite 256, East Mezzanine 200 Park Avenue, New York, N.Y. 10166 ❑ I would like to know more about The Design Schools graduates. Please send me your free booklet "Design Graduates at Work." ❑ I don't have an opening at present, but please keep me advised. ❑ I'd like to know more about "The Designer and the Technology Explosion." Name Position Company Phone ( ) Address City State Zip Skills of special interest to me 47
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