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Elaine Browne.pdf - Nelson Mandela Metropolitan University

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should be known. Visual art related concepts like ‘line’, ‘content’, ‘shape’, ‘texture’, ‘form’,<br />

‘pattern’, ‘artefacts’, ‘collages’, ‘model‐making’, ‘clay work’, ‘geometric shapes’ and ‘two and<br />

three dimensional forms’ need to be fully conceptualised by the teacher in order to enable<br />

learners to reach the envisaged outcomes by means of meaningful visual arts activities.<br />

In essence, the teacher should be able to convey the meaning and practical application of the<br />

above‐mentioned elements and techniques to the learners, so that they can explore and<br />

represent these in their art works. Fundamental knowledge and skills in terms of the mixing of<br />

primary, secondary and tertiary colours as well as a comprehensive knowledge of styles and<br />

techniques in a variety of cultural art works is of utmost importance. In grade six, for example,<br />

the learner is expected to combine all these art forms when producing a puppet show based on<br />

an African tale. The grade six learner is expected to make the puppet, compose the music for<br />

the puppet show as well as choreograph movements for puppets (DoE 2002a, 49).<br />

The ‘competent’ Arts and Culture teacher<br />

For the purposes of this study, it is now important to reflect on and discuss the notion of a<br />

‘competent’ Arts and Culture teacher in the Intermediate Phase in South African schools.<br />

Andrews (2004, 79) focuses on the virtues of a good visual arts teacher. This author argues that<br />

the quality of visual art experiences largely depends on the expertise of the teacher, because it<br />

is the teacher who prepares the art materials and determines the art activity. Andrews (ibid, 82)<br />

accordingly identifies the requisite knowledge, skills and values required of a competent<br />

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