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Brand value increases across categories

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Part 3 | The Categories<br />

Coach entered the <strong>Brand</strong>Z ranking of<br />

luxury brands for the first time in part<br />

due to strength in China, where the<br />

brand added 30 stores, ending 2012 with<br />

69 Chinese stores. Coach faced heated<br />

competition in the US. It refined its use<br />

of social media and the Internet, emailing<br />

over 1.2 billion messages to selected<br />

customers. Fendi also appeared for the<br />

first time in the ranking of luxury brands.<br />

The brand <strong>value</strong> of Gucci grew by a<br />

healthy 48 percent. Although sales<br />

softened in Asia, they remained strong<br />

in North America and even in Western<br />

Europe because of tourists from Asia and<br />

other regions. The brand <strong>value</strong> increase<br />

also reflects a rise in <strong>Brand</strong> Contribution,<br />

the portion of brand <strong>value</strong> attributed<br />

solely to brand and not to financial or<br />

other factors.<br />

Already available online in 27 countries,<br />

Gucci announced its first mobile app,<br />

increasing the brand’s accessibility.<br />

Accessibility may have hurt the highest<br />

<strong>value</strong>d luxury brand, Louis Vuitton, whose<br />

customer appeal depends on exclusivity.<br />

Hermès benefitted from its exclusivity<br />

and appeal to the high-end of the luxury<br />

market. Profit increased 24.6 percent on<br />

a sales increase of 22.6 percent. Its profit<br />

margin improved too.<br />

A delicate balance<br />

With consumers enthusiastic about luxury,<br />

but mindful about spending, many brands<br />

acted like media owners, organizing<br />

audiences around shared interests and<br />

creating content to suit particular audience<br />

segments and even individuals.<br />

Magazines and other traditional media<br />

remained important for reinforcing<br />

brand image. But brands developed and<br />

distributed more story-telling content<br />

themselves. Burberry relied on new stories<br />

and the latest technology to create a more<br />

personalized, twenty-first century image<br />

for a brand established in 1856.<br />

In a program called Smart Person-<br />

alization, Burberry embedded digital<br />

chips in some of its custom-made merchandise.<br />

When customers received their<br />

bespoke products they could activate the<br />

chip using a smartphone and view a<br />

video of their product being crafted and<br />

personalized with their name.<br />

The brand also planned to introduce a<br />

program called Customer 360 that would<br />

empower salespeople with tablet devices<br />

containing customer preference and<br />

shopping history information. Burberry’s<br />

brand <strong>value</strong> continued to appreciate, but<br />

at a lower pace as the global economy<br />

impacted like-for-like sales. Asia accounts<br />

for about 40 percent of the brand’s revenue.<br />

Local brands emerge<br />

At the same time, other brands appeared<br />

at the margins of the luxury category.<br />

Lacking heritage, and not yet of a scale<br />

to make the <strong>Brand</strong>Z ranking, these<br />

brands depended on compelling stories<br />

passionately communicated. Among the<br />

brands, mostly aimed at young people<br />

are: Sweden’s Acne (Ambition to Create<br />

Novel Expressions); Bree, from Germany,<br />

and the American apparel brand<br />

Tory Burch.<br />

Local luxury brands also appeared in<br />

China as the consumer attitude toward<br />

luxury evolved from an obsession with<br />

badge status to an appreciation of craft.<br />

These brands include qeelin, a collection<br />

of fine jewelry based on Chinese heritage<br />

and sold in Paris, London and other<br />

world capitals.<br />

Many brands<br />

acted like media<br />

owners, organizing<br />

audiences around<br />

shared interests<br />

and creating<br />

content<br />

The message is<br />

the medium<br />

Insight<br />

Fashion houses are becoming media<br />

owners. <strong>Brand</strong>s used to expect the<br />

fashion magazines to create content.<br />

A picture in a magazine is no longer<br />

enough to tell the full brand story.<br />

Now brands are content creators.<br />

The trend is evolving quickly. With<br />

digital, brand content and brand<br />

experience is becoming almost the<br />

same thing.<br />

Elaine Quirke<br />

Director<br />

Mindshare Luxury<br />

Elaine.Quirke@Mindshareworld.com<br />

Insights<br />

<strong>Brand</strong>Z BigData<br />

More consumers search<br />

Internet to find luxury<br />

Sophisticated use of modern<br />

communications is an important driver<br />

of luxury brand growth, as brands<br />

increasingly democratize fashion by<br />

expanding access on the Internet and in<br />

other digital media. Across the category,<br />

the number of consumers “searching<br />

for information” on luxury brands is up<br />

128 percent since 2006, according to<br />

<strong>Brand</strong>Z research.<br />

On average, consumers consider the<br />

Top 10 brands in the <strong>Brand</strong>Z luxury<br />

category more “sexy,” “desirable,” and<br />

“idealistic” in their imagery—albeit also<br />

more “arrogant.” The only apparent<br />

vulnerability of these luxury brands is<br />

a relative lack of differentiation among<br />

them, although Louis Vuitton and Hermès<br />

are exemplary in this regard.<br />

Source: <strong>Brand</strong>Z BigData, over 2 million consumer<br />

interviews regarding over 10,000 brands in 30-plus countries<br />

Action Points<br />

1. Protect the logo<br />

Owning luxury continues to be<br />

a source of validation for many<br />

customers who want logos that<br />

symbolize their membership in an<br />

esteemed group.<br />

2. Celebrate individuality<br />

Younger customers in particular, are<br />

increasingly turning to luxury brands<br />

that enable them to express their<br />

individuality and personality.<br />

3. Offer intimacy<br />

Customers seek intimacy from a<br />

luxury brand. Both global and local<br />

brands can achieve intimacy, which<br />

is about reducing the anonymity of<br />

mass production and restoring the<br />

sense of personal craftsmanship.<br />

4. Tell the story<br />

<strong>Brand</strong> heritage is like sacred scripture.<br />

Never stop retelling the brand story.<br />

And always make it relevant.<br />

Consumer & Retail | Luxury<br />

Spotlight<br />

Designer labels exert<br />

strongest appeal in<br />

BRICs<br />

More than half of adults in Russia<br />

and China, and 41 percent of<br />

Brazilians, believe that a designer<br />

label improves a person’s image.<br />

That attitude compares with 30<br />

percent in Italy, a country<br />

associated with fashion, and only<br />

13 percent in the US. The contrast<br />

reflects the importance of luxury as<br />

a symbol of personal status in fast<br />

growing markets.<br />

Label improves image<br />

54 <strong>Brand</strong>Z Top 100 Most Valuable Global <strong>Brand</strong>s 2013 55<br />

52%<br />

China<br />

52%<br />

Russia<br />

India 47%<br />

Source: Global TGI 2012<br />

Base of 18+<br />

Any who agree:<br />

“Designer label improves<br />

a person’s image”<br />

Brazil 41%<br />

30%<br />

Italy<br />

13%<br />

US

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