Brand value increases across categories
Brand value increases across categories
Brand value increases across categories
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Part 3 | The Categories<br />
Coach entered the <strong>Brand</strong>Z ranking of<br />
luxury brands for the first time in part<br />
due to strength in China, where the<br />
brand added 30 stores, ending 2012 with<br />
69 Chinese stores. Coach faced heated<br />
competition in the US. It refined its use<br />
of social media and the Internet, emailing<br />
over 1.2 billion messages to selected<br />
customers. Fendi also appeared for the<br />
first time in the ranking of luxury brands.<br />
The brand <strong>value</strong> of Gucci grew by a<br />
healthy 48 percent. Although sales<br />
softened in Asia, they remained strong<br />
in North America and even in Western<br />
Europe because of tourists from Asia and<br />
other regions. The brand <strong>value</strong> increase<br />
also reflects a rise in <strong>Brand</strong> Contribution,<br />
the portion of brand <strong>value</strong> attributed<br />
solely to brand and not to financial or<br />
other factors.<br />
Already available online in 27 countries,<br />
Gucci announced its first mobile app,<br />
increasing the brand’s accessibility.<br />
Accessibility may have hurt the highest<br />
<strong>value</strong>d luxury brand, Louis Vuitton, whose<br />
customer appeal depends on exclusivity.<br />
Hermès benefitted from its exclusivity<br />
and appeal to the high-end of the luxury<br />
market. Profit increased 24.6 percent on<br />
a sales increase of 22.6 percent. Its profit<br />
margin improved too.<br />
A delicate balance<br />
With consumers enthusiastic about luxury,<br />
but mindful about spending, many brands<br />
acted like media owners, organizing<br />
audiences around shared interests and<br />
creating content to suit particular audience<br />
segments and even individuals.<br />
Magazines and other traditional media<br />
remained important for reinforcing<br />
brand image. But brands developed and<br />
distributed more story-telling content<br />
themselves. Burberry relied on new stories<br />
and the latest technology to create a more<br />
personalized, twenty-first century image<br />
for a brand established in 1856.<br />
In a program called Smart Person-<br />
alization, Burberry embedded digital<br />
chips in some of its custom-made merchandise.<br />
When customers received their<br />
bespoke products they could activate the<br />
chip using a smartphone and view a<br />
video of their product being crafted and<br />
personalized with their name.<br />
The brand also planned to introduce a<br />
program called Customer 360 that would<br />
empower salespeople with tablet devices<br />
containing customer preference and<br />
shopping history information. Burberry’s<br />
brand <strong>value</strong> continued to appreciate, but<br />
at a lower pace as the global economy<br />
impacted like-for-like sales. Asia accounts<br />
for about 40 percent of the brand’s revenue.<br />
Local brands emerge<br />
At the same time, other brands appeared<br />
at the margins of the luxury category.<br />
Lacking heritage, and not yet of a scale<br />
to make the <strong>Brand</strong>Z ranking, these<br />
brands depended on compelling stories<br />
passionately communicated. Among the<br />
brands, mostly aimed at young people<br />
are: Sweden’s Acne (Ambition to Create<br />
Novel Expressions); Bree, from Germany,<br />
and the American apparel brand<br />
Tory Burch.<br />
Local luxury brands also appeared in<br />
China as the consumer attitude toward<br />
luxury evolved from an obsession with<br />
badge status to an appreciation of craft.<br />
These brands include qeelin, a collection<br />
of fine jewelry based on Chinese heritage<br />
and sold in Paris, London and other<br />
world capitals.<br />
Many brands<br />
acted like media<br />
owners, organizing<br />
audiences around<br />
shared interests<br />
and creating<br />
content<br />
The message is<br />
the medium<br />
Insight<br />
Fashion houses are becoming media<br />
owners. <strong>Brand</strong>s used to expect the<br />
fashion magazines to create content.<br />
A picture in a magazine is no longer<br />
enough to tell the full brand story.<br />
Now brands are content creators.<br />
The trend is evolving quickly. With<br />
digital, brand content and brand<br />
experience is becoming almost the<br />
same thing.<br />
Elaine Quirke<br />
Director<br />
Mindshare Luxury<br />
Elaine.Quirke@Mindshareworld.com<br />
Insights<br />
<strong>Brand</strong>Z BigData<br />
More consumers search<br />
Internet to find luxury<br />
Sophisticated use of modern<br />
communications is an important driver<br />
of luxury brand growth, as brands<br />
increasingly democratize fashion by<br />
expanding access on the Internet and in<br />
other digital media. Across the category,<br />
the number of consumers “searching<br />
for information” on luxury brands is up<br />
128 percent since 2006, according to<br />
<strong>Brand</strong>Z research.<br />
On average, consumers consider the<br />
Top 10 brands in the <strong>Brand</strong>Z luxury<br />
category more “sexy,” “desirable,” and<br />
“idealistic” in their imagery—albeit also<br />
more “arrogant.” The only apparent<br />
vulnerability of these luxury brands is<br />
a relative lack of differentiation among<br />
them, although Louis Vuitton and Hermès<br />
are exemplary in this regard.<br />
Source: <strong>Brand</strong>Z BigData, over 2 million consumer<br />
interviews regarding over 10,000 brands in 30-plus countries<br />
Action Points<br />
1. Protect the logo<br />
Owning luxury continues to be<br />
a source of validation for many<br />
customers who want logos that<br />
symbolize their membership in an<br />
esteemed group.<br />
2. Celebrate individuality<br />
Younger customers in particular, are<br />
increasingly turning to luxury brands<br />
that enable them to express their<br />
individuality and personality.<br />
3. Offer intimacy<br />
Customers seek intimacy from a<br />
luxury brand. Both global and local<br />
brands can achieve intimacy, which<br />
is about reducing the anonymity of<br />
mass production and restoring the<br />
sense of personal craftsmanship.<br />
4. Tell the story<br />
<strong>Brand</strong> heritage is like sacred scripture.<br />
Never stop retelling the brand story.<br />
And always make it relevant.<br />
Consumer & Retail | Luxury<br />
Spotlight<br />
Designer labels exert<br />
strongest appeal in<br />
BRICs<br />
More than half of adults in Russia<br />
and China, and 41 percent of<br />
Brazilians, believe that a designer<br />
label improves a person’s image.<br />
That attitude compares with 30<br />
percent in Italy, a country<br />
associated with fashion, and only<br />
13 percent in the US. The contrast<br />
reflects the importance of luxury as<br />
a symbol of personal status in fast<br />
growing markets.<br />
Label improves image<br />
54 <strong>Brand</strong>Z Top 100 Most Valuable Global <strong>Brand</strong>s 2013 55<br />
52%<br />
China<br />
52%<br />
Russia<br />
India 47%<br />
Source: Global TGI 2012<br />
Base of 18+<br />
Any who agree:<br />
“Designer label improves<br />
a person’s image”<br />
Brazil 41%<br />
30%<br />
Italy<br />
13%<br />
US