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Special thanks (in alphabetical order): Charline Adriaens Bogdan Afrăsinei Andrei Alexandrescu Isabella Alexandrescu Ana Androne Nathalie Angles Alma and John Barlow Eugenia Bell Fritzie Brown Lăcrămioara Brecea Cătălin Burcea Simona Buzatu Paola Capata Alma Cazacu Adriana Căpraru Karin Cervenka Cătalina Coșoiu Ioana Cristina Suzana Dan Elena David Oana Dima Adrian Dobrescu Eliza Dumitrașcu Christopher Eamon Stina Edblom Sila Ekin Jonatan Habib Engqvist Suzi Ersahin Robert Ferguson Mihai Fulger Mihai Fuiorea Andreas Gegner Tessa Giblin Luciana Ghica Ioana Gogoncea Ada Maria Ichim Mirela Ionescu Bianca Ioniță Oana Ioniță Rita Kálmán Lissa Kinnear Moukhtar Kocache Sylvia Kouvali Gheorghe Laurențiu Claudia Rose Lewis Hilde Lievens [208] Maria Lind Ramona Macarie Raimundas Malašauskas Alexandru Manole Anthony Marcellini Robert Marin Ștefana Mărmureanu Cătălina Miciu Mihai Mironenco Anca Mitran Igor Mocanu Ioana Moldoveanu Laura Mott Nana Bogdan Theodor Olteanu Florin Oslobanu João Ribas Lisa Rosendahl Daniel Todoran-Rareș Bianca Sărățeanu Caroline Seebregts Sylvia Segura Dan Shafran Simon Sheikh Dana Stănică Tijana Stepanović Anamaria Spătaru Corina-Maria Scheianu Alexandra Sopon Anamaria Spătaru Maureen Sullivan Adrian Șaguna Simona Șercan Niels van Tomme Laura Turcan Felix Vogel For all the help and special dedication to the project all our gratitude to Anca Nuță and Răsvan Radu. For all the support our gratitude The Staff and The Board of Art in General. Our deep gratitude to all artists and writers.
THIS IS A SPECIAL ISSUE DEDICATED TO BUCHAREST BIENNALE - BUCHAREST INTERNATIONAL BIENNIAL FOR CONTEMPORARY ART WWW.BUCHARESTBIENNALE.ORG
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PAVILION journal for politics and c
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In memoriam Ioana Nemeș (1979 - 20
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Biennale focuses on such practices
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Around [10] Fordism. Post-Fordism a
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tion, i.e. and elitization of cultu
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Politics as Art of the Impossible:
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the Tea Party over the next few yea
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Because it is a patent impossibilit
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front of our eyes, ready to be embr
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The Internalisation of the Discours
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Contemporary Art Centers and their
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TACTiCs for The here And now Eikono
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Radicalizing this Marxian analysis,
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for Adorno art is critical insofar
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Art in the Knowledge-based Polis [5
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Though this emphatic plea for “re
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seminar-cum-workshop-cum-symposium-
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Notes [1] R0370126@student.akbild.a
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about politics as a rich aesthetic
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professionalization, from an impres
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ing the latter. In contemporary art
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dents could also take charge themse
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analyses that account for practices
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and there is no possibility of avoi
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equesting them to take action to ba
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[98] exTenT PArTiCiPAnTs And Venues
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[102] Iman Issa Triptychs This proj
Page 55 and 56: [106] Ahmet Öğüt Stones to Throw
Page 57 and 58: [110] Alexandre Singh The Pledge Th
Page 59 and 60: [114] Rinus van de Velde untitled (
Page 61 and 62: CASA PRESEI LIBERE HOUSE OF THE FRE
Page 63 and 64: [122] Jill Magid Failed States Jill
Page 65 and 66: [126] David Maljković Out of Proje
Page 67 and 68: [130] Marina Naprushkina The Office
Page 69 and 70: [134] Vesna Pavlović Search for La
Page 71 and 72: THE INSTITUTE FOR POLITICAL RESEARC
Page 73 and 74: [142] Marina Albu, Believe, textile
Page 75 and 76: [146] Ciprian Homorodean, Take the
Page 77 and 78: [150] Janice Kerbel, Remark able: F
Page 79 and 80: Anahita Razmi, Roof Piece Tehran, v
Page 81 and 82: [158] Haris Epaminonda Polaroid Har
Page 83 and 84: MAKE A POINT Str. Morarilor nr. 1 [
Page 85 and 86: Klas Ericsson, Volvo - Döner Kebab
Page 87 and 88: Wael Shawky, Cabaret Crusades flags
Page 89 and 90: Mounira al Solh and Bassam Ramlawi,
Page 91 and 92: [178] Ruth Ewan A Jukebox of People
Page 93 and 94: CINEMA UNION Str. Ion Câmpineanu n
Page 95 and 96: VICE radical lifestyle magazine TAB
Page 97 and 98: [190] Curator Anne Barlow Anne Barl
Page 99 and 100: [194] Participants Abbas Akhavan Ab
Page 101 and 102: Vesna Pavlović Vesna Pavlović (Se
Page 103 and 104: "Melting" brings up the recent past
Page 105: Media Partners: Production Partner:
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