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[140] Marina Albu The Real People’s House During Ceausescu’s “reign” in Romania, we had power supply back-outs that lasted between a few hours during daytime and usually the whole night when started in the evening. This event happened very often, sometimes daily. In this time, people used oil-lamps and candles for being able to complete activities around the house, read or just see each other. But almost every time these things would not happen, the reality would shift, a change of ambiance implied a change in living, being, in the pre-thought program. This would be a break, a pause in which one could think things over, but also a time of closeness - we are all in this situation and we feel it in the same way. We are abetters to one another. We are open, we put our arms, guards and shields down. We realize that not everything we urged to do is that urgent or even needed. Paradoxically, closer to darkness we see more clear. I am creating a room that contains lit oil-lamps as we used to use, church-usage candles in a glass, refilled to supply for the whole biennale period, accompanied by an audio describing the situation and the state of being. The room invites for this pause in the flow of things and actions for each of the visitors and suggests a break of the like in the flow of things and actions on the larger scale, in the way things happen in the world, in our societies. Stop, question, realize. Also, if then this lack of electric light was a troubling situation seen as directed against the people, nowadays we are aware of the finiteness of resources and propose a self-constructed system of black-outs. In this black-out we allow ourselves to feel without object, to be without reason, to let go. Marina Albu, The Evercoming Potentiality of Infinity, textile band and wool thread, 2012. Courtesy of the artist. [141]
[142] Marina Albu, Believe, textile band, flower sponges, wooden box, 2012. Courtesy of the artist. Marina Albu, Creativity and authorship, felt tip pen on paper, 2012. Courtesy of the artist. [143]
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