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[148]<br />

Janice Kerbel<br />

Remarkable<br />

‘Remarkable is a print-based work that<br />

an<strong>no</strong>unces the achievements <strong>of</strong> a range<br />

<strong>of</strong> extraordinary beings imagined in<br />

response to the context <strong>of</strong> the fair. In the<br />

tradition <strong>of</strong> printed broadsides and fairground<br />

ephemera Remarkable employs<br />

hyperbolic language and un-illustrated<br />

texts to conjure these unique individuals.’<br />

Janice Kerbel, July 2007<br />

Remarkable is a continuation <strong>of</strong> Janice<br />

Kerbel’s fascination with deception in all<br />

its forms, the outcomes <strong>of</strong> which range<br />

from plausible but impractical plans for a<br />

bank heist to a cheat’s pack <strong>of</strong> playing<br />

cards and a town designed specifically<br />

for ghosts.<br />

The artist’s understanding <strong>of</strong> the visual<br />

codes that surround these activities allow<br />

her work to exist in its own reality,<br />

between thought and action, where suggestion<br />

and expectation flourish. Kerbel’s<br />

print project took 19th-century fairground<br />

posters as its inspiration, heralding the<br />

arrival <strong>of</strong> a series <strong>of</strong> remarkable characters.<br />

Behind Kerbel’s diverse works lies a<br />

facination with the possibility <strong>of</strong> realising<br />

an impossible event or encounter.<br />

Janice Kerbel, Remark able: Dou ble Attrac tion, Crys tal and Blindspot, silkscreen print on<br />

cam paign poster paper, 107 x 158 cm, 2007. Courtesy <strong>of</strong> the artist.<br />

[149]

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