Download pdf version of issue no. 16 (4 Mb) - Pavilion
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Janice Kerbel<br />
Remarkable<br />
‘Remarkable is a print-based work that<br />
an<strong>no</strong>unces the achievements <strong>of</strong> a range<br />
<strong>of</strong> extraordinary beings imagined in<br />
response to the context <strong>of</strong> the fair. In the<br />
tradition <strong>of</strong> printed broadsides and fairground<br />
ephemera Remarkable employs<br />
hyperbolic language and un-illustrated<br />
texts to conjure these unique individuals.’<br />
Janice Kerbel, July 2007<br />
Remarkable is a continuation <strong>of</strong> Janice<br />
Kerbel’s fascination with deception in all<br />
its forms, the outcomes <strong>of</strong> which range<br />
from plausible but impractical plans for a<br />
bank heist to a cheat’s pack <strong>of</strong> playing<br />
cards and a town designed specifically<br />
for ghosts.<br />
The artist’s understanding <strong>of</strong> the visual<br />
codes that surround these activities allow<br />
her work to exist in its own reality,<br />
between thought and action, where suggestion<br />
and expectation flourish. Kerbel’s<br />
print project took 19th-century fairground<br />
posters as its inspiration, heralding the<br />
arrival <strong>of</strong> a series <strong>of</strong> remarkable characters.<br />
Behind Kerbel’s diverse works lies a<br />
facination with the possibility <strong>of</strong> realising<br />
an impossible event or encounter.<br />
Janice Kerbel, Remark able: Dou ble Attrac tion, Crys tal and Blindspot, silkscreen print on<br />
cam paign poster paper, 107 x 158 cm, 2007. Courtesy <strong>of</strong> the artist.<br />
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