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Vesna Pavlović, Search for Landscapes, photographic installation, size variable, 2011. Photo by Dieter Kik. Courtesy of the artist and the Contemporary Art Center of Quimper, France [136] Vesna Pavlović, Search for Landscapes, photographic installation, artist’s studio, size variable, 2011. Courtesy of the artist and G Fine Art Gallery, Washington DC. [137]
THE INSTITUTE FOR POLITICAL RESEARCH University of Bucharest Str. Spiru Haret nr. 8 [138] The Institute of Political Research was created in 1999, 10 years after the revolution, through the transformation of the Centre for Political Research, founded in 1995 as the research core of the Faculty of Political Science of The University of Bucharest. After 10 years from the institutionalization of research activity, the Institute remains one of few platforms of debate and analysis of the Romanian political environment from an academic perspective, through social and economic mediation. By intervening within the Institute of Political Research, BUCHAREST BIENNALE 5 suggests and inserts new means of investigation, discussion and criticism of the sociopolitical context. [139]
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PAVILION journal for politics and c
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In memoriam Ioana Nemeș (1979 - 20
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Biennale focuses on such practices
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Around [10] Fordism. Post-Fordism a
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tion, i.e. and elitization of cultu
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Politics as Art of the Impossible:
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the Tea Party over the next few yea
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Because it is a patent impossibilit
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front of our eyes, ready to be embr
Page 19 and 20: The Internalisation of the Discours
Page 21 and 22: Contemporary Art Centers and their
Page 23 and 24: TACTiCs for The here And now Eikono
Page 25 and 26: Radicalizing this Marxian analysis,
Page 27 and 28: for Adorno art is critical insofar
Page 29 and 30: Art in the Knowledge-based Polis [5
Page 31 and 32: Though this emphatic plea for “re
Page 33 and 34: seminar-cum-workshop-cum-symposium-
Page 35 and 36: Notes [1] R0370126@student.akbild.a
Page 37 and 38: about politics as a rich aesthetic
Page 39 and 40: professionalization, from an impres
Page 41 and 42: ing the latter. In contemporary art
Page 43 and 44: dents could also take charge themse
Page 45 and 46: analyses that account for practices
Page 47 and 48: and there is no possibility of avoi
Page 49 and 50: equesting them to take action to ba
Page 51 and 52: [98] exTenT PArTiCiPAnTs And Venues
Page 53 and 54: [102] Iman Issa Triptychs This proj
Page 55 and 56: [106] Ahmet Öğüt Stones to Throw
Page 57 and 58: [110] Alexandre Singh The Pledge Th
Page 59 and 60: [114] Rinus van de Velde untitled (
Page 61 and 62: CASA PRESEI LIBERE HOUSE OF THE FRE
Page 63 and 64: [122] Jill Magid Failed States Jill
Page 65 and 66: [126] David Maljković Out of Proje
Page 67 and 68: [130] Marina Naprushkina The Office
Page 69: [134] Vesna Pavlović Search for La
Page 73 and 74: [142] Marina Albu, Believe, textile
Page 75 and 76: [146] Ciprian Homorodean, Take the
Page 77 and 78: [150] Janice Kerbel, Remark able: F
Page 79 and 80: Anahita Razmi, Roof Piece Tehran, v
Page 81 and 82: [158] Haris Epaminonda Polaroid Har
Page 83 and 84: MAKE A POINT Str. Morarilor nr. 1 [
Page 85 and 86: Klas Ericsson, Volvo - Döner Kebab
Page 87 and 88: Wael Shawky, Cabaret Crusades flags
Page 89 and 90: Mounira al Solh and Bassam Ramlawi,
Page 91 and 92: [178] Ruth Ewan A Jukebox of People
Page 93 and 94: CINEMA UNION Str. Ion Câmpineanu n
Page 95 and 96: VICE radical lifestyle magazine TAB
Page 97 and 98: [190] Curator Anne Barlow Anne Barl
Page 99 and 100: [194] Participants Abbas Akhavan Ab
Page 101 and 102: Vesna Pavlović Vesna Pavlović (Se
Page 103 and 104: "Melting" brings up the recent past
Page 105 and 106: Media Partners: Production Partner:
Page 107: THIS IS A SPECIAL ISSUE DEDICATED T
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