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[102]<br />

Iman Issa<br />

Triptychs<br />

This project began with snapshots <strong>of</strong><br />

spaces that I have found myself visiting<br />

and revisiting over the last few years. At<br />

one point, I realized that what might have<br />

attracted me to these spaces was that<br />

they reminded me <strong>of</strong> others; that they triggered<br />

a series <strong>of</strong> memories and associations.<br />

In an attempt to articulate the content<br />

<strong>of</strong> these memories and associations,<br />

I decided to start constructing settings<br />

that corresponded to them, settings which<br />

I would then photograph. The resulting<br />

images ended up constituting the second<br />

element in each <strong>of</strong> these triptychs.<br />

In trying to be as precise as possible, I<br />

realized that the certainty with which I<br />

was able to construct and produce these<br />

images did <strong>no</strong>t translate to my final photographs,<br />

that I <strong>no</strong> longer recognized my<br />

constructions, <strong>no</strong>r was I certain <strong>of</strong> their<br />

sources. This brought about the idea to<br />

approach these photographs in a<br />

removed manner—as if they were found<br />

or produced by someone else—and use<br />

them as a point <strong>of</strong> departure for a<strong>no</strong>ther<br />

artwork, one which eventually became<br />

what is presented here as the third and<br />

final element in each <strong>of</strong> these triptychs.<br />

Iman Issa, Triptych#6, photographs, framed text, installation view, 2009.<br />

Courtesy <strong>of</strong> the artist and Rodeo.<br />

[103]

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