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[148] Janice Kerbel Remarkable ‘Remarkable is a print-based work that announces the achievements of a range of extraordinary beings imagined in response to the context of the fair. In the tradition of printed broadsides and fairground ephemera Remarkable employs hyperbolic language and un-illustrated texts to conjure these unique individuals.’ Janice Kerbel, July 2007 Remarkable is a continuation of Janice Kerbel’s fascination with deception in all its forms, the outcomes of which range from plausible but impractical plans for a bank heist to a cheat’s pack of playing cards and a town designed specifically for ghosts. The artist’s understanding of the visual codes that surround these activities allow her work to exist in its own reality, between thought and action, where suggestion and expectation flourish. Kerbel’s print project took 19th-century fairground posters as its inspiration, heralding the arrival of a series of remarkable characters. Behind Kerbel’s diverse works lies a facination with the possibility of realising an impossible event or encounter. Janice Kerbel, Remark able: Dou ble Attrac tion, Crys tal and Blindspot, silkscreen print on cam paign poster paper, 107 x 158 cm, 2007. Courtesy of the artist. [149]
[150] Janice Kerbel, Remark able: Faint girl, silkscreen print on cam paign poster paper, 107 x 158 cm, 2007. Courtesy of the artist . Janice Kerbel, Remark able: Iggy Fatuse, The Human Fire fly, silkscreen print on cam paign poster paper, 107x158 cm, 2007. Courtesy of the artist . [151]
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PAVILION journal for politics and c
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In memoriam Ioana Nemeș (1979 - 20
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Biennale focuses on such practices
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Around [10] Fordism. Post-Fordism a
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tion, i.e. and elitization of cultu
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Politics as Art of the Impossible:
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the Tea Party over the next few yea
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Because it is a patent impossibilit
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front of our eyes, ready to be embr
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The Internalisation of the Discours
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Contemporary Art Centers and their
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TACTiCs for The here And now Eikono
Page 25 and 26: Radicalizing this Marxian analysis,
Page 27 and 28: for Adorno art is critical insofar
Page 29 and 30: Art in the Knowledge-based Polis [5
Page 31 and 32: Though this emphatic plea for “re
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Page 37 and 38: about politics as a rich aesthetic
Page 39 and 40: professionalization, from an impres
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