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Jill Magid, Failed States, excerpt from the book, insert in the Romanian radical lifestyle magazine Vice, 2012. Courtesy of the artist [188] Jill Magid, Failed States, excerpt from the book, insert in the Romanian architecture magazine Zeppelin, 2012. Courtesy of the artist. Jill Magid, Failed States, excerpt from the book, insert in the Romanian women magazine Tabu, 2012. Courtesy of the artist. [189]
[190] Curator Anne Barlow Anne Barlow (born in Glasgow, Scotland) is Executive Director of Art in General, New York, a non-profit organization that supports artists through the commissioning of new work and an international residency exchange program. From 1999-2006, Barlow was Curator of Education and Media Programs at the New Museum, New York, where she oversaw its educational and public programs, conceived of and developed Museum as Hub (a global network initiative that connected the museum with art partners in Cairo, Eindhoven, Mexico City and Seoul), organized inter-disciplinary roundtables with leaders in the fields of the visual arts, architecture, and design, developed the museum’s Digital Culture Programs, and curated numerous exhibitions and performances. Barlow received her M.A. in the History of Art from the University of Glasgow, Scotland. Prior to moving to New York, Barlow was Curator of Contemporary Art and Design at Glasgow Museums, where she managed its contemporary art collection, exhibitions, residencies and commissions programs. Independently, she collaborated on the exhibition Copy It, Steal It, Share It at Borusan Art Gallery, Istanbul, and guest-curated film and media projects for the International Film Festival Rotterdam, the Netherlands, and Threshold Artspace, Scotland. Barlow has published for organizations including: Liverpool University Press/Tate Gallery Liverpool; the Henry Moore Institute, Leeds, United Kingdom; the Edith Russ House for Media Art, Oldenburg; the New Museum; and Art in General. She recently co-organized Art in General’s international residency/exchange symposium What Now?, and has participated in lectures and discussions at organizations including: the Royal College of Art, London; Centre for Contemporary Art, Warsaw; MUMOK, Vienna; The Cooper Union for the Advancement of Science and Art, New York; New York University; ARCOmadrid, for Latitudes’ Professional Encounters; Tate Modern, London; and the Sharjah Art Foundation. Writers / Scriitori Sotirios Bahtsetzis Sotirios Bahtsetzis is an adjunct professor in art history and an independent curator based in Athens and Berlin. His research interests include image theory, political theory and contemporary cultural analysis. Recent publications: The Time That Remains (e-flux Journal v. 28 & v. 30), Image Wars (Afterimage v. 38); Recent exhibitions: Roaming Images (3. Thessaloniki Biennale). Stephen Duncombe Stephen Duncombe is an Associate Professor at the Gallatin School and the Department of Media, Culture and Communications of New York University where he teaches the history and politics of media. He is the author of Dream: Re-Imagining Progressive Politics in an Age of Fantasy and Notes From Underground: Zines and the Politics of Underground Culture, and co-author of The Bobbed Haired Bandit: Crime and Celebrity in 1920s New York; the editor of the Cultural Resistance Reader and co-editor of White Riot: Punk Rock and the Politics of Race. He is the creator of the Open Utopia, an open-access, open-source, web-based edition of Thomas More’sUtopia, and writes on the intersection of culture and politics for a range of scholarly and popular publications, from the cerebral, The Nation, to the prurient, Playboy. Duncombe is a life-long political activist, co-founding a community based advocacy group in the Lower East Side of Manhattan and working as an organizer for the NYC chapter of the international direct action group, Reclaim the Streets. In 2009 he was a Research Associate at the Eyebeam Center for Art and Technology in New York City where he helped organize The College of Tactical Culture. With funding from the Open Societies Foundations he co-created the School for Creative Activism in 2011, and is presently co-director of the Center for Artistic Activism. Duncombe is currently working on a book on the art of propaganda during the New Deal. Tom Holert Tom Holert is an art historian and cultural critic. A former editor of Texte zur Kunst and copublisher of Spex magazine, Holert currently lives in Berlin and teaches and conducts research in the Institute of Art Theory and Cultural Studies at the Academy of Fine Arts Vienna. He contributes to journals and newspapers such as Artforum, Texte zur Kunst, Camera Austria, Jungle World, and Der Standard. Among his recent publications are a book on migration and tourism (Fliehkraft: Gesellschaft in Bewegung—von Migranten und Touristen, with Mark Terkessidis), a monograph on Marc Camille Chaimowicz' 1972 installation "Celebration? Realife" (2007) and a collection of chapters on visual culture and politics (Regieren im Bildraum, 2008). Răzvan Ion Răzvan Ion is a theoretician, curator, cultural manager and political activist. He is the cofounder and co-director (with Eugen Rădescu) of Pavilion - journal for politics and culture, Bucharest Biennale and Pavilion - center for contemporary art & culture. He teached and lectured at venues including University of California, Berkeley; University of Oxford; University of London; Headlands Center for the Arts, San Francisco, California; Political Science Faculty, Cluj; Art Academy, Timisoara; La Casa Encedida, Madrid; and the Calouste Gulbenkian Foundation, Lisbon. Ion writes for different magazines and newspapers, and recently curated "Exploring the Return of Repression" at rum46, Aarhus, Denmark and "From Contemplating to Contructing Situations" at PAVILION, Bucharest, Romania. He is now working on the two book projects "Exploring the Return of Repression" and "Rhizomic Structures Of Art Institutions. Neo-Politics Of Culture", to be published in 2012/2013. His new curatorial and research project is “Smash the Church! Smash the State!” dealing with anarchist and collective activism and social-political movements in art and will be exhibited late 2013. He is professor at University of Bucharest, Romania. Ion lives and works in Bucharest. Olive McKeon Olive McKeon is a doctoral candidate at UCLA in Culture and Performance. Her research focuses on the relation between dance and Marxism, moving between the political economy of dance and the choreography of labor struggles. She makes dances as a part of the Welcoming Committee. She is involved in university organizing and feminist groups. She lives in Los Angeles, California. Suzana Milevska Dr. Suzana Milevska is a theorist of visual art and culture based in Skopje, Macedonia. Currently she teaches art history and theory of visual art at the Faculty of Fine Arts – University Ss. Cyril and Methodius in Skopje. From 2008 – 2010 she taught fine arts and digital arts at the New-York University in Skopje and she taught art history and analysis of styles at the Accademia Italiana Skopje and she was its Dean. From 2006 to 2008, she was the Director of the Center for Visual and Cultural Research at the Social Sciences and Humanities Research Institute [191]
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PAVILION journal for politics and c
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In memoriam Ioana Nemeș (1979 - 20
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Biennale focuses on such practices
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Around [10] Fordism. Post-Fordism a
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tion, i.e. and elitization of cultu
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Politics as Art of the Impossible:
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the Tea Party over the next few yea
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Because it is a patent impossibilit
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front of our eyes, ready to be embr
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The Internalisation of the Discours
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Contemporary Art Centers and their
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TACTiCs for The here And now Eikono
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Radicalizing this Marxian analysis,
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for Adorno art is critical insofar
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Art in the Knowledge-based Polis [5
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Though this emphatic plea for “re
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seminar-cum-workshop-cum-symposium-
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Notes [1] R0370126@student.akbild.a
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about politics as a rich aesthetic
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professionalization, from an impres
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ing the latter. In contemporary art
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dents could also take charge themse
Page 45 and 46: analyses that account for practices
Page 47 and 48: and there is no possibility of avoi
Page 49 and 50: equesting them to take action to ba
Page 51 and 52: [98] exTenT PArTiCiPAnTs And Venues
Page 53 and 54: [102] Iman Issa Triptychs This proj
Page 55 and 56: [106] Ahmet Öğüt Stones to Throw
Page 57 and 58: [110] Alexandre Singh The Pledge Th
Page 59 and 60: [114] Rinus van de Velde untitled (
Page 61 and 62: CASA PRESEI LIBERE HOUSE OF THE FRE
Page 63 and 64: [122] Jill Magid Failed States Jill
Page 65 and 66: [126] David Maljković Out of Proje
Page 67 and 68: [130] Marina Naprushkina The Office
Page 69 and 70: [134] Vesna Pavlović Search for La
Page 71 and 72: THE INSTITUTE FOR POLITICAL RESEARC
Page 73 and 74: [142] Marina Albu, Believe, textile
Page 75 and 76: [146] Ciprian Homorodean, Take the
Page 77 and 78: [150] Janice Kerbel, Remark able: F
Page 79 and 80: Anahita Razmi, Roof Piece Tehran, v
Page 81 and 82: [158] Haris Epaminonda Polaroid Har
Page 83 and 84: MAKE A POINT Str. Morarilor nr. 1 [
Page 85 and 86: Klas Ericsson, Volvo - Döner Kebab
Page 87 and 88: Wael Shawky, Cabaret Crusades flags
Page 89 and 90: Mounira al Solh and Bassam Ramlawi,
Page 91 and 92: [178] Ruth Ewan A Jukebox of People
Page 93 and 94: CINEMA UNION Str. Ion Câmpineanu n
Page 95: VICE radical lifestyle magazine TAB
Page 99 and 100: [194] Participants Abbas Akhavan Ab
Page 101 and 102: Vesna Pavlović Vesna Pavlović (Se
Page 103 and 104: "Melting" brings up the recent past
Page 105 and 106: Media Partners: Production Partner:
Page 107: THIS IS A SPECIAL ISSUE DEDICATED T
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