[144] Ciprian Homorodean Take the Book, Take the Money, Run! This is a book about stealing your way out <strong>of</strong> the financial crisis. Get your basic necessities, keep your social standing, round up your annual income… Keep your head up in the material world even if you can’t pay for it. Learn how to spot the ideal occasions for getting things without money, and practice how to do it without getting caught. Steal without stress! The art <strong>of</strong> stealing is a long term apprenticeship. As needs and desires are fulfilled, new ones will manifest and call for new techniques and more elaborate actions. Here you will find a step by step account <strong>of</strong> the progression to higher, more expensive, and more <strong>no</strong>ble needs and desires. This Crisis Special will get you acquainted with the essential vocabulary <strong>of</strong> unlawful appropriation techniques, such as pick pocketing wallets and jewelry (chapter 1), and snatching street bicycles (chapter 2). Shoplifting is also introduced, from small takes <strong>of</strong> basic products (chapter 3) to large quantities <strong>of</strong> more sophisticated commodities (chapter 4). Getting a free meal and free drinks, as if they fell from the sky will interest those wishing to satisfy the need for luxurious leisure (chapter 5), as will obtaining free clothes and furniture from charity an other such organizations (chapter 6). The theft <strong>of</strong> motor vehicles (chapter 7) and <strong>of</strong> home furnishing (chapter 8) represent more delicate and riskier takes, while immaterial theft, although almost untraceable, requires tech<strong>no</strong>logical intervention (chapter 9). Learn also how to spot the most pr<strong>of</strong>itable opportunities for engaging in stealing activity. This book should be particularly useful for the chronically unemployed, the hungry for cash, and the demanding consumer. Bonus: discover some inspirational experiences through case studies <strong>of</strong> those who have succeeded in the business <strong>of</strong> disengaging from the market. (C.H.) Ciprian Homorodean, Take the Book, Take the Money, Run! , 100 pages, hand made book, ink on paper, 32,4 x 24,4 cm, 2010. Courtesy <strong>of</strong> the artist. [145]
[146] Ciprian Homorodean, Take the Book, Take the Money, Run! , 100 pages, hand made book, ink on paper, 32,4 x 24,4 cm, 2010. Courtesy <strong>of</strong> the artist. Ciprian Homorodean, Take the Book, Take the Money, Run!, 100 pages, hand made book, ink on paper, 32,4 x 24,4 cm,, 2010. Courtesy <strong>of</strong> the artist. [147]
- Page 1 and 2:
PAVILION journal for politics and c
- Page 3 and 4:
In memoriam Ioana Nemeș (1979 - 20
- Page 5 and 6:
Biennale focuses on such practices
- Page 7 and 8:
Around [10] Fordism. Post-Fordism a
- Page 9 and 10:
tion, i.e. and elitization of cultu
- Page 11 and 12:
Politics as Art of the Impossible:
- Page 13 and 14:
the Tea Party over the next few yea
- Page 15 and 16:
Because it is a patent impossibilit
- Page 17 and 18:
front of our eyes, ready to be embr
- Page 19 and 20:
The Internalisation of the Discours
- Page 21 and 22:
Contemporary Art Centers and their
- Page 23 and 24: TACTiCs for The here And now Eikono
- Page 25 and 26: Radicalizing this Marxian analysis,
- Page 27 and 28: for Adorno art is critical insofar
- Page 29 and 30: Art in the Knowledge-based Polis [5
- Page 31 and 32: Though this emphatic plea for “re
- Page 33 and 34: seminar-cum-workshop-cum-symposium-
- Page 35 and 36: Notes [1] R0370126@student.akbild.a
- Page 37 and 38: about politics as a rich aesthetic
- Page 39 and 40: professionalization, from an impres
- Page 41 and 42: ing the latter. In contemporary art
- Page 43 and 44: dents could also take charge themse
- Page 45 and 46: analyses that account for practices
- Page 47 and 48: and there is no possibility of avoi
- Page 49 and 50: equesting them to take action to ba
- Page 51 and 52: [98] exTenT PArTiCiPAnTs And Venues
- Page 53 and 54: [102] Iman Issa Triptychs This proj
- Page 55 and 56: [106] Ahmet Öğüt Stones to Throw
- Page 57 and 58: [110] Alexandre Singh The Pledge Th
- Page 59 and 60: [114] Rinus van de Velde untitled (
- Page 61 and 62: CASA PRESEI LIBERE HOUSE OF THE FRE
- Page 63 and 64: [122] Jill Magid Failed States Jill
- Page 65 and 66: [126] David Maljković Out of Proje
- Page 67 and 68: [130] Marina Naprushkina The Office
- Page 69 and 70: [134] Vesna Pavlović Search for La
- Page 71 and 72: THE INSTITUTE FOR POLITICAL RESEARC
- Page 73: [142] Marina Albu, Believe, textile
- Page 77 and 78: [150] Janice Kerbel, Remark able: F
- Page 79 and 80: Anahita Razmi, Roof Piece Tehran, v
- Page 81 and 82: [158] Haris Epaminonda Polaroid Har
- Page 83 and 84: MAKE A POINT Str. Morarilor nr. 1 [
- Page 85 and 86: Klas Ericsson, Volvo - Döner Kebab
- Page 87 and 88: Wael Shawky, Cabaret Crusades flags
- Page 89 and 90: Mounira al Solh and Bassam Ramlawi,
- Page 91 and 92: [178] Ruth Ewan A Jukebox of People
- Page 93 and 94: CINEMA UNION Str. Ion Câmpineanu n
- Page 95 and 96: VICE radical lifestyle magazine TAB
- Page 97 and 98: [190] Curator Anne Barlow Anne Barl
- Page 99 and 100: [194] Participants Abbas Akhavan Ab
- Page 101 and 102: Vesna Pavlović Vesna Pavlović (Se
- Page 103 and 104: "Melting" brings up the recent past
- Page 105 and 106: Media Partners: Production Partner:
- Page 107: THIS IS A SPECIAL ISSUE DEDICATED T