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Download pdf version of issue no. 16 (4 Mb) - Pavilion

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[184]<br />

Aurélien Froment<br />

Pulmo Marina<br />

The film features a Phacellophora<br />

Camtschatica (egg-yolk jelly), as it drifts<br />

in its tank home at the Monterey Bay<br />

Aquarium. A voice-over informs the viewer<br />

<strong>of</strong> its baroque but literally brainless<br />

anatomy, its voracious cannibalism and<br />

its classical forebears. It compiles an<br />

extended description <strong>of</strong> the creature<br />

according to various modes <strong>of</strong> k<strong>no</strong>wledge,<br />

perception and understanding,<br />

from ancient mythologies to natural sciences<br />

and exhibition design.<br />

Shifting from a seemingly banal wildlife<br />

TV programme about a sea creature<br />

towards a description <strong>of</strong> the physical and<br />

architectural conditions <strong>of</strong> its display in<br />

the aquarium, the film looks at how the<br />

image pre-exist its own recording,<br />

approaching the window <strong>of</strong> the aquarium<br />

as a display device that participates in the<br />

construction <strong>of</strong> the <strong>no</strong>tion <strong>of</strong> the viewer.<br />

The work was commissioned by LUX, a<br />

British film organisation, to be inserted<br />

between ads and feature films within a<br />

network <strong>of</strong> commercial cinemas in the UK<br />

and Ireland.<br />

It would take around 6 days and 11 hours<br />

to watch a two hour film if each shot <strong>of</strong><br />

the programme where the work is inserted<br />

was narrated in the same format as<br />

Pulmo Marina.<br />

Aurélien Froment, Pulmo Marina video stil, HD Cam and sound transferred to 35 mm, dolby SR, 5’ 10 ‘’.<br />

Courtesy <strong>of</strong> the artist, Motive Gallery, Amsterdam and Marcelle Alix, Paris.<br />

[185]

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