Download pdf version of issue no. 16 (4 Mb) - Pavilion
Download pdf version of issue no. 16 (4 Mb) - Pavilion
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David Maljković<br />
Out <strong>of</strong> Projection<br />
David Maljković’s new installation<br />
expands on his continuing exploration <strong>of</strong><br />
memories as futurist propositions, while<br />
making reference to disparate film genres<br />
such as science fiction and documentary.<br />
Out <strong>of</strong> Projection was filmed at the carefully<br />
guarded test track <strong>of</strong> the Peugeot<br />
headuarters in Sochaux, France. The primary<br />
screen shows the protagonists, elderly<br />
couples who build ideas for future<br />
projects. They are actual retired company<br />
workers who act as a medium between<br />
past and future, moving slowly around<br />
the test track alongside the car prototypes.<br />
The second, smaller projection is<br />
<strong>of</strong> close-up interviews with individual<br />
workers in silent recollection, eerily blurring<br />
the past and the future. The use <strong>of</strong><br />
Peugeot prototypes as props follows the<br />
artist’s use <strong>of</strong> futuristic automobile prototypes<br />
in Croatian Modernist architectural<br />
settings, such as in his past video works<br />
These Days and Lost Memories from<br />
These Days.<br />
David Maljković, Out <strong>of</strong> Projection, 2 channel HD video installation, 18’ 41’’.<br />
Courtesy <strong>of</strong> Sprüth Magers Berlin London<br />
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