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ISMSC 2007 - Università degli Studi di Pavia

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Welcome to <strong>ISMSC</strong> <strong>2007</strong><br />

The University of <strong>Pavia</strong> is pleased to host the 2nd International Symposium on<br />

Macrocyclic and Supramolecular Chemistry, <strong>ISMSC</strong> <strong>2007</strong>, in Salice Terme (<strong>Pavia</strong>)<br />

from 24 to 28 June, <strong>2007</strong>. More than 250 delegates are participating in the<br />

conference, which is articulated in 9 Plenary Lectures, 12 Invited Lectures, 21<br />

Oral Communications, and 200 Poster Presentations, <strong>di</strong>vided in 2 Sessions. The<br />

high standard of the scientific contributions promises for the success of the<br />

Symposium. The Organizing Committee wishes all the delegates a pleasant stay<br />

in Salice Terme and, beyond the scientific sessions, to profit from the gifts of the<br />

land, from the point of view of culture, art and history and, also, from the more<br />

material side of food and wine.<br />

<strong>Pavia</strong>, June <strong>2007</strong><br />

About the logo<br />

The logo combines the official symbol of Terme <strong>di</strong> Salice (a spring of thermal water topped by the red<br />

flower of hibiscus) and the partially hidden structural formula of a 14-membered macrocycle.<br />

Although the 14-membered saturated ring is one of the most represented cyclic structures among<br />

natural substances, the present combination intends to pay a tribute to cyclam. Cyclam, and the<br />

related family of tetra-aza macrocycles, stand at the basis of macrocyclic chemistry, thanks to the<br />

pioneering work of Busch and Curtis in the 1960's, and their synthesis is strictly associated to the<br />

development of the template effect, a lea<strong>di</strong>ng concept of supramolecular chemistry.<br />

About the cover<br />

The cover presents a fresco (partially transferred on canvas) by Bernar<strong>di</strong>no Lanzani and his school<br />

(1522) in the Basilica of San Teodoro in <strong>Pavia</strong>. The painting features one the Patron Saints of <strong>Pavia</strong>,<br />

Sant’Antonio Abate, and a view of the of the town of <strong>Pavia</strong> from the right bank of Ticino river (the<br />

most ancient picture of <strong>Pavia</strong> available today). The fresco was painted only three years before the<br />

Battle of <strong>Pavia</strong> (24 February, 1525), in which the Spanish-German army of Charles V, Emperor of<br />

the Holy Roman Empire, defeated the army of Francis I, King of France. The battle took place in the<br />

park beyond the Castle, featured in the background of the fresco, lasted less than 4 hours and<br />

caused more than 10 000 casualties, most on the French side. Francis I was made a prisoner and<br />

brought to Spain. When the fresco was painted, <strong>Pavia</strong> was under the Spanish rule and was the<br />

object of occasional attacks by the French. This explains the presence of knights and armigers in the<br />

streets and around the Castle, as shown in Bernar<strong>di</strong>no Lanzani’s fresco.

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