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LOSE THE COLOR<br />

Kim Bennett<br />

Climax, SK, Canada<br />

pBefore<br />

qAfter<br />

The problem: The classic<br />

big, full moon shot, with an owl<br />

silhouetted in front, makes for a<br />

bold graphic statement. But as<br />

soon as we brought up the image<br />

on our computer screen, the<br />

Centered Subject Police barged in<br />

and issued a summons.<br />

What now: We cropped in to<br />

move the owl off-center, which<br />

places it just about where the Rule<br />

of Thirds says it should go. See<br />

how this makes the composition<br />

immediately more dynamic by<br />

removing the static space around<br />

the subject? The tighter crop has<br />

the added advantage of making<br />

the moon and the owl bigger<br />

relative to the frame. While we were<br />

looking at the cropped version, we<br />

also thought: (1) the odd color cast in<br />

the shadow areas doesn’t do anything<br />

for the picture; and (2) the image<br />

is essentially monochrome to begin<br />

with. So we used the black-and-white<br />

conversion tool in Photoshop CS4<br />

to knock out the color. Using Levels,<br />

we brightened the exposure just<br />

enough to bring out a little detail<br />

in the post, which added a bit more<br />

interest to the composition.<br />

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afraid to crop the image later to cut<br />

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f/6.3, ISO 800. Minor corrections in<br />

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