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DEWFly<br />

Go buggy<br />

with a macro<br />

lens and<br />

help from the<br />

weatherman<br />

As a child, I<br />

often hiked with my<br />

father and brothers<br />

through forests and<br />

parks, so at a very<br />

early age, I developed<br />

a passion for and interest in nature.<br />

Photography came later, when<br />

in 2003 I bought my fi rst digital<br />

camera with macro capability, a<br />

Nikon Coolpix 4500. Ever since,<br />

I’ve dedicated myself to examining<br />

nature’s tiny creatures, thrilled by<br />

their structures and colors.<br />

After hours of searching on a predawn,<br />

September morning, I found<br />

this dragonfl y clinging to the grass<br />

on the banks of a charming pond<br />

near my home in Kronach, Germany.<br />

The morning was cold and foggy,<br />

and the rising sun would soon fi lter<br />

through the mist, creating a diffuse<br />

and warm-hued light. Everything<br />

was covered by very fi ne dewdrops.<br />

Under such conditions, winged<br />

insects are typically torporifi c,<br />

unable to walk, much less fl y.<br />

It wasn’t my fi rst encounter<br />

with a rare (in my area) red-veined<br />

darter. I’d seen one twice before<br />

in the early morning dark, but<br />

both times, the dew was too light<br />

and the wind too strong. On this<br />

particular morning, though, the<br />

conditions were perfect, and I<br />

rushed to get a picture. I had<br />

about an hour before the air would<br />

warm, the dew evaporate, and my<br />

subject would fl y away.<br />

I quickly mounted my Nikon<br />

D200 on a Manfrotto 055<br />

Pro-B tripod. To get life-size<br />

magnifi cation, I bayonetted a<br />

Novofl ex macro bellows into the<br />

camera’s lensmount and threaded<br />

a Rodenstock Rodagon 80mm f/4<br />

enlarging lens onto the bellows.<br />

After patiently composing<br />

Text and<br />

photos<br />

by Martin<br />

Amm<br />

and focusing, I let the D200’s<br />

histograms guide me to an exposure<br />

of 2.5 sec at f/11 (ISO 200). I used<br />

a gray card to get a custom white<br />

balance and natural color.<br />

Neither subject nor background<br />

were moved or manipulated,<br />

although I used Adobe Photoshop<br />

CS2 to adjust brightness, contrast,<br />

and saturation slightly.<br />

To anyone who wants to make a<br />

similar photo, I recommend:<br />

nRising long before dawn when<br />

three factors will be present: high<br />

relative humidity; cold, but abovefreezing<br />

temperatures; and still air.<br />

nSearch in the grasses surrounding<br />

lakes and ponds for your sleeping<br />

subjects. When you’ve found one,<br />

set up and wait for dawn—and<br />

enough ambient light to take your<br />

photo. I avoid using fl ash because<br />

the pictures look like they were<br />

made in a studio, not in the fi eld.<br />

nUse the best and highest<br />

magnifi cation close-up equipment<br />

that you can afford. This could<br />

include a 1:1 macro lens, macro<br />

focusing rail, or a macro bellows.<br />

nTo prevent camera vibration,<br />

use a sturdy tripod and a camera<br />

that permits mirror lock-up, plus a<br />

remote shutter release or self-timer.<br />

nHave patience and good luck! p<br />

Martin Amm is a 22-year-old<br />

biology student from Kronach,<br />

Germany, who describes himself<br />

as “something between an amateur<br />

and professional photographer.”<br />

To see more of his work, visit<br />

www.naturfranken.de.<br />

POP PHOTO MAY 2009 WWW.POPPHOTO.COM 45<br />

Product Services Directory<br />

IS YOUR AT-HOME SOURCE<br />

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You’ll find the Product Services<br />

Directory in this issue on pages<br />

86 – 89<br />

For advertising information about<br />

the Product Services Directory, call<br />

CHIP PARHAM at (212) 767-5717<br />

or email him: cparham@hfmus.com<br />

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Palm Beach Photographic Center<br />

CT Media/Photography Institute<br />

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BUSINESS OPPORTUNITIES <br />

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Plus more new<br />

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