NEW - Ken Gilbert
NEW - Ken Gilbert
NEW - Ken Gilbert
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DEWFly<br />
Go buggy<br />
with a macro<br />
lens and<br />
help from the<br />
weatherman<br />
As a child, I<br />
often hiked with my<br />
father and brothers<br />
through forests and<br />
parks, so at a very<br />
early age, I developed<br />
a passion for and interest in nature.<br />
Photography came later, when<br />
in 2003 I bought my fi rst digital<br />
camera with macro capability, a<br />
Nikon Coolpix 4500. Ever since,<br />
I’ve dedicated myself to examining<br />
nature’s tiny creatures, thrilled by<br />
their structures and colors.<br />
After hours of searching on a predawn,<br />
September morning, I found<br />
this dragonfl y clinging to the grass<br />
on the banks of a charming pond<br />
near my home in Kronach, Germany.<br />
The morning was cold and foggy,<br />
and the rising sun would soon fi lter<br />
through the mist, creating a diffuse<br />
and warm-hued light. Everything<br />
was covered by very fi ne dewdrops.<br />
Under such conditions, winged<br />
insects are typically torporifi c,<br />
unable to walk, much less fl y.<br />
It wasn’t my fi rst encounter<br />
with a rare (in my area) red-veined<br />
darter. I’d seen one twice before<br />
in the early morning dark, but<br />
both times, the dew was too light<br />
and the wind too strong. On this<br />
particular morning, though, the<br />
conditions were perfect, and I<br />
rushed to get a picture. I had<br />
about an hour before the air would<br />
warm, the dew evaporate, and my<br />
subject would fl y away.<br />
I quickly mounted my Nikon<br />
D200 on a Manfrotto 055<br />
Pro-B tripod. To get life-size<br />
magnifi cation, I bayonetted a<br />
Novofl ex macro bellows into the<br />
camera’s lensmount and threaded<br />
a Rodenstock Rodagon 80mm f/4<br />
enlarging lens onto the bellows.<br />
After patiently composing<br />
Text and<br />
photos<br />
by Martin<br />
Amm<br />
and focusing, I let the D200’s<br />
histograms guide me to an exposure<br />
of 2.5 sec at f/11 (ISO 200). I used<br />
a gray card to get a custom white<br />
balance and natural color.<br />
Neither subject nor background<br />
were moved or manipulated,<br />
although I used Adobe Photoshop<br />
CS2 to adjust brightness, contrast,<br />
and saturation slightly.<br />
To anyone who wants to make a<br />
similar photo, I recommend:<br />
nRising long before dawn when<br />
three factors will be present: high<br />
relative humidity; cold, but abovefreezing<br />
temperatures; and still air.<br />
nSearch in the grasses surrounding<br />
lakes and ponds for your sleeping<br />
subjects. When you’ve found one,<br />
set up and wait for dawn—and<br />
enough ambient light to take your<br />
photo. I avoid using fl ash because<br />
the pictures look like they were<br />
made in a studio, not in the fi eld.<br />
nUse the best and highest<br />
magnifi cation close-up equipment<br />
that you can afford. This could<br />
include a 1:1 macro lens, macro<br />
focusing rail, or a macro bellows.<br />
nTo prevent camera vibration,<br />
use a sturdy tripod and a camera<br />
that permits mirror lock-up, plus a<br />
remote shutter release or self-timer.<br />
nHave patience and good luck! p<br />
Martin Amm is a 22-year-old<br />
biology student from Kronach,<br />
Germany, who describes himself<br />
as “something between an amateur<br />
and professional photographer.”<br />
To see more of his work, visit<br />
www.naturfranken.de.<br />
POP PHOTO MAY 2009 WWW.POPPHOTO.COM 45<br />
Product Services Directory<br />
IS YOUR AT-HOME SOURCE<br />
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You’ll find the Product Services<br />
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86 – 89<br />
For advertising information about<br />
the Product Services Directory, call<br />
CHIP PARHAM at (212) 767-5717<br />
or email him: cparham@hfmus.com<br />
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