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For studio newbies,<br />

inexpensive and simple is the<br />

way to go. Simplicity in gear and<br />

style, as exemplified in Kyle Christy’s<br />

one-light portrait of actress Gabriella<br />

Union, means no complicated controls<br />

(what is asymmetrical, anyway?), heavy<br />

packs, or softboxes that are difficult to<br />

set up and/or mount. Some of the best<br />

at being simple include...<br />

nLIGHTS: INTERFIT 150<br />

Ws Stellar X monolight<br />

($207, street) Well constructed and<br />

straightforward, this entry-level strobe<br />

has well-marked controls and simple<br />

dial-set output—no labor-intensive,<br />

multi-press push-buttons. A grab handle<br />

allows easy aiming and carrying. While<br />

simple, the unit also offers its share of<br />

sophistication in stepless power setting,<br />

fan cooling, auto dumping, and a long<br />

list of groovy accessories.<br />

nBACKGROUND STANDS:<br />

SAVAGE Port-A-Stand ($110,<br />

street) With a carrying bag and free<br />

roll of white seamless, this favorably<br />

priced background system includes a<br />

telescoping cross<br />

bar (9.4 feet) and<br />

two risers (8.3<br />

feet) that can double<br />

as lightstands. All<br />

together it weighs a<br />

mere 12 pounds.<br />

nCASE:<br />

FLASHPOINT<br />

CS770 lighting<br />

case ($170,<br />

direct; www.adorama.<br />

com) This is a procaliber<br />

case at an<br />

amateur price. Interior<br />

dividers include a<br />

long shelf to create<br />

top and bottom<br />

compartments,<br />

plus vertical<br />

dividers. The<br />

tough-guy<br />

construction<br />

includes high impact<br />

plastic walls with<br />

foam padding plus<br />

a weather-resistant<br />

outer nylon shell.<br />

Its 38x10x10-inch<br />

dimensions are<br />

big, but not too.<br />

nLIGHT<br />

MODIFIERS:<br />

PHOTOGENIC Eclipse 32inch<br />

white umbrella ($22,<br />

street) This umbrella has something<br />

extra: a removable black backing. The<br />

backing prevents ambient spill, creating<br />

visibly stronger shadows, especially<br />

in small studios. Also nice: its highly<br />

reflective, white satin internal surfacing<br />

prevents the umbrella ribbing from<br />

appearing in reflective subjects.<br />

nSTUDIO ACCESSORIES:<br />

SP-SYSTEMS Grip Clamp<br />

($27, street) Studio clamps are<br />

indispensable. They handle reflectors,<br />

diffusers, filters, backdrops, and more.<br />

Start with a selection of various-sized<br />

A-clamps, and then graduate to a<br />

heavy-duty, gear-driven tool like the SP<br />

Grip Clamp. It can hold accessories and<br />

light fixtures weighing up to 33 pounds.<br />

nOPTIONS & UPGRADES:<br />

lMICROSYNC Digital Radio<br />

Slave kit ($190, street) Once<br />

you’ve tripped over a PC cord a few<br />

times, you’ll see the point of wireless<br />

strobe triggering systems. One of the<br />

most novice-friendly is the MicroSync<br />

Digital, thanks to its favorable pricing<br />

and compact proportions. The<br />

smallest radio transmitter<br />

there is, it will fire strobe<br />

at distances up to 100<br />

feet and free you from<br />

that trip-wire otherwise<br />

known as the PC cord.<br />

lLASTOLITE<br />

EzyBalance<br />

gray card<br />

($49, street)<br />

Depending on the<br />

color and reflectivity<br />

of your subject<br />

and the color<br />

temperature and<br />

consistency of the<br />

light source, setting<br />

an accurate white<br />

balance in-camera<br />

can be tricky. The best<br />

hedge is including<br />

a white balance<br />

target in one shot per<br />

lighting setup. Light<br />

and collapsible, Lastolite’s<br />

EzyBalance offers a<br />

washable white surface<br />

for custom white<br />

balancing, and a<br />

gray side for finetuning<br />

white balance<br />

later in software. p<br />

FOR NOVICE SHOOTERS<br />

n Product name n Catalog number<br />

n Street price<br />

LOCATION SHOOTERS<br />

•Calumet Travelite 375 CE1100 $ 500<br />

•Calumet Travel-pak CE1107 $ 530<br />

•Bowens Ringlight<br />

Converter BW-1790 $ 400<br />

•Lowel Uni-TO UN-55 $ 55<br />

•<strong>Ken</strong>ko KFM-1100 KFM-1100 $ 260<br />

•PocketWizard FlexTT5<br />

transceiver 801-150 $ 219<br />

•PocketWizard MiniTT1<br />

transmitter 801-140 $ 199<br />

•Photoflex FV-Multibag<br />

Transpac FV-Multibag $ 190<br />

•California Sunbounce<br />

Windkiller 0001WK $ 144<br />

•SP-Systems Excalibur<br />

Lancerlight B&H kit SPACD3200K $ 395<br />

EVENT SHOOTERS<br />

•Quantum Instruments<br />

Qflash TRIO QF8C/QF8N $ 875<br />

HIGH-END SHOOTERS<br />

•White Lightning X800 X800 $ 399<br />

•Elinchrom Digital<br />

Style Combo EL 20728.2 $ 1650<br />

•Photogenic caster<br />

lightstand 959336 $ 150<br />

•Sekonic L-758DR 401-758 $ 500<br />

•Elinchrom EL-Skyport<br />

USB RX transceiver EL 19354 $ 105<br />

•Tenba 1030 PAT Tripak 634-504 $ 265<br />

•Studioball Graf<br />

Strato kit GRS222 $ 750<br />

•AlienBees ABR800<br />

ringflash ABR800 $ 400<br />

MIDLEVEL<br />

STUDIO SHOOTERS<br />

•Westcott TD3 Spiderlite kit 4861A $ 420<br />

•Westcott TD5 Spiderlite kit 4881 $ 649<br />

•Gossen Digipro F GO4033 $ 240<br />

•Lastolite Tri-Grip<br />

reflector LL LR3607 $ 75<br />

•Lastolite Tri-Grip<br />

covers LL LR3698 $ 64<br />

•Tenba Roadie Rolling<br />

Grip Case 638-323 $ 227<br />

•Manfrotto AutoPole 2 kit 2961D $ 380<br />

•Westcott rentable backgrounds<br />

(*PER WEEK) (n.a.) $ 49*<br />

•Sunpak DigitFlash 500 MDF500 $ 400<br />

NOVICE SHOOTERS<br />

•Interfit Steller XD 150 INT450 $ 207<br />

•Savage Port-A-Stand 6203750 $ 110<br />

•Flashpoint<br />

Lighting Case FPCS770 $ 170<br />

•Photogenic<br />

Eclipse Umbrella 909143 $ 22<br />

•SP-Systems Grip Clamp SPGRIP $ 27<br />

•MicroSync transmitter/<br />

receiver kit VMTRM $ 190<br />

•Lastolite EzyBalance<br />

gray card LL LR1250 $ 49

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