NEW - Ken Gilbert
NEW - Ken Gilbert
NEW - Ken Gilbert
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For studio newbies,<br />
inexpensive and simple is the<br />
way to go. Simplicity in gear and<br />
style, as exemplified in Kyle Christy’s<br />
one-light portrait of actress Gabriella<br />
Union, means no complicated controls<br />
(what is asymmetrical, anyway?), heavy<br />
packs, or softboxes that are difficult to<br />
set up and/or mount. Some of the best<br />
at being simple include...<br />
nLIGHTS: INTERFIT 150<br />
Ws Stellar X monolight<br />
($207, street) Well constructed and<br />
straightforward, this entry-level strobe<br />
has well-marked controls and simple<br />
dial-set output—no labor-intensive,<br />
multi-press push-buttons. A grab handle<br />
allows easy aiming and carrying. While<br />
simple, the unit also offers its share of<br />
sophistication in stepless power setting,<br />
fan cooling, auto dumping, and a long<br />
list of groovy accessories.<br />
nBACKGROUND STANDS:<br />
SAVAGE Port-A-Stand ($110,<br />
street) With a carrying bag and free<br />
roll of white seamless, this favorably<br />
priced background system includes a<br />
telescoping cross<br />
bar (9.4 feet) and<br />
two risers (8.3<br />
feet) that can double<br />
as lightstands. All<br />
together it weighs a<br />
mere 12 pounds.<br />
nCASE:<br />
FLASHPOINT<br />
CS770 lighting<br />
case ($170,<br />
direct; www.adorama.<br />
com) This is a procaliber<br />
case at an<br />
amateur price. Interior<br />
dividers include a<br />
long shelf to create<br />
top and bottom<br />
compartments,<br />
plus vertical<br />
dividers. The<br />
tough-guy<br />
construction<br />
includes high impact<br />
plastic walls with<br />
foam padding plus<br />
a weather-resistant<br />
outer nylon shell.<br />
Its 38x10x10-inch<br />
dimensions are<br />
big, but not too.<br />
nLIGHT<br />
MODIFIERS:<br />
PHOTOGENIC Eclipse 32inch<br />
white umbrella ($22,<br />
street) This umbrella has something<br />
extra: a removable black backing. The<br />
backing prevents ambient spill, creating<br />
visibly stronger shadows, especially<br />
in small studios. Also nice: its highly<br />
reflective, white satin internal surfacing<br />
prevents the umbrella ribbing from<br />
appearing in reflective subjects.<br />
nSTUDIO ACCESSORIES:<br />
SP-SYSTEMS Grip Clamp<br />
($27, street) Studio clamps are<br />
indispensable. They handle reflectors,<br />
diffusers, filters, backdrops, and more.<br />
Start with a selection of various-sized<br />
A-clamps, and then graduate to a<br />
heavy-duty, gear-driven tool like the SP<br />
Grip Clamp. It can hold accessories and<br />
light fixtures weighing up to 33 pounds.<br />
nOPTIONS & UPGRADES:<br />
lMICROSYNC Digital Radio<br />
Slave kit ($190, street) Once<br />
you’ve tripped over a PC cord a few<br />
times, you’ll see the point of wireless<br />
strobe triggering systems. One of the<br />
most novice-friendly is the MicroSync<br />
Digital, thanks to its favorable pricing<br />
and compact proportions. The<br />
smallest radio transmitter<br />
there is, it will fire strobe<br />
at distances up to 100<br />
feet and free you from<br />
that trip-wire otherwise<br />
known as the PC cord.<br />
lLASTOLITE<br />
EzyBalance<br />
gray card<br />
($49, street)<br />
Depending on the<br />
color and reflectivity<br />
of your subject<br />
and the color<br />
temperature and<br />
consistency of the<br />
light source, setting<br />
an accurate white<br />
balance in-camera<br />
can be tricky. The best<br />
hedge is including<br />
a white balance<br />
target in one shot per<br />
lighting setup. Light<br />
and collapsible, Lastolite’s<br />
EzyBalance offers a<br />
washable white surface<br />
for custom white<br />
balancing, and a<br />
gray side for finetuning<br />
white balance<br />
later in software. p<br />
FOR NOVICE SHOOTERS<br />
n Product name n Catalog number<br />
n Street price<br />
LOCATION SHOOTERS<br />
•Calumet Travelite 375 CE1100 $ 500<br />
•Calumet Travel-pak CE1107 $ 530<br />
•Bowens Ringlight<br />
Converter BW-1790 $ 400<br />
•Lowel Uni-TO UN-55 $ 55<br />
•<strong>Ken</strong>ko KFM-1100 KFM-1100 $ 260<br />
•PocketWizard FlexTT5<br />
transceiver 801-150 $ 219<br />
•PocketWizard MiniTT1<br />
transmitter 801-140 $ 199<br />
•Photoflex FV-Multibag<br />
Transpac FV-Multibag $ 190<br />
•California Sunbounce<br />
Windkiller 0001WK $ 144<br />
•SP-Systems Excalibur<br />
Lancerlight B&H kit SPACD3200K $ 395<br />
EVENT SHOOTERS<br />
•Quantum Instruments<br />
Qflash TRIO QF8C/QF8N $ 875<br />
HIGH-END SHOOTERS<br />
•White Lightning X800 X800 $ 399<br />
•Elinchrom Digital<br />
Style Combo EL 20728.2 $ 1650<br />
•Photogenic caster<br />
lightstand 959336 $ 150<br />
•Sekonic L-758DR 401-758 $ 500<br />
•Elinchrom EL-Skyport<br />
USB RX transceiver EL 19354 $ 105<br />
•Tenba 1030 PAT Tripak 634-504 $ 265<br />
•Studioball Graf<br />
Strato kit GRS222 $ 750<br />
•AlienBees ABR800<br />
ringflash ABR800 $ 400<br />
MIDLEVEL<br />
STUDIO SHOOTERS<br />
•Westcott TD3 Spiderlite kit 4861A $ 420<br />
•Westcott TD5 Spiderlite kit 4881 $ 649<br />
•Gossen Digipro F GO4033 $ 240<br />
•Lastolite Tri-Grip<br />
reflector LL LR3607 $ 75<br />
•Lastolite Tri-Grip<br />
covers LL LR3698 $ 64<br />
•Tenba Roadie Rolling<br />
Grip Case 638-323 $ 227<br />
•Manfrotto AutoPole 2 kit 2961D $ 380<br />
•Westcott rentable backgrounds<br />
(*PER WEEK) (n.a.) $ 49*<br />
•Sunpak DigitFlash 500 MDF500 $ 400<br />
NOVICE SHOOTERS<br />
•Interfit Steller XD 150 INT450 $ 207<br />
•Savage Port-A-Stand 6203750 $ 110<br />
•Flashpoint<br />
Lighting Case FPCS770 $ 170<br />
•Photogenic<br />
Eclipse Umbrella 909143 $ 22<br />
•SP-Systems Grip Clamp SPGRIP $ 27<br />
•MicroSync transmitter/<br />
receiver kit VMTRM $ 190<br />
•Lastolite EzyBalance<br />
gray card LL LR1250 $ 49