photo - Ken Gilbert
photo - Ken Gilbert
photo - Ken Gilbert
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TIME EXPOSURE * JANUARY 1985<br />
Composite Postcard<br />
Famed <strong>photo</strong>grapher Pete<br />
Turner created this cover <strong>photo</strong><br />
by combining pictures of two of<br />
New York City’s most famous<br />
landmarks . He shot both<br />
images using a Nikon F2 and<br />
Kodachrome 25 slide fi lm, with<br />
a 20mm ultrawide lens for the<br />
Brooklyn Bridge and 105mm<br />
medium-tele for Lady Liberty.<br />
The resulting slides were placed<br />
in an optical printer, where they<br />
114 POPULAR PHOTOGRAPHY JANUARY 2010<br />
25<br />
YEARS<br />
AGO<br />
A report<br />
from the<br />
Photokina<br />
show laid<br />
out new<br />
trends<br />
for<br />
1985.<br />
were color-corrected (CC 50 blue<br />
for the bridge, CC 30 green for<br />
the statue), and combined.<br />
Timeless Glamour<br />
Horst P. Horst created this<br />
classic portrait of Marlene<br />
Dietrich in 1942 for Vogue. Horst,<br />
the subject of a<br />
major retrospective<br />
at the<br />
International<br />
Center of<br />
www.storemags.com & www.fantamag.com<br />
Photography, was one of a small<br />
number of celebrity and fashion<br />
<strong>photo</strong>graphers whose work<br />
epitomized sophistication and<br />
glamour in the ’30s and ’40s.<br />
Three-Way Contest<br />
With three new medium-speed<br />
color-slide fi lms available, which<br />
should pro <strong>photo</strong>graphers<br />
choose? This image, captured<br />
with Kodachrome 64 Professional<br />
fi lm, was one of three identical<br />
pictures made on Agfachrome,<br />
Fujichrome, and Kodachrome in<br />
a comparison test of their performance.<br />
Not surprisingly, the<br />
ultimate choice was deemed a<br />
matter of personal preference.<br />
Tribute to a <br />
Pioneer<br />
Serving as an<br />
observer of the<br />
broad <strong>photo</strong><br />
world, this<br />
magazine noted<br />
the passing of<br />
Lee Witkin, one<br />
of the earliest<br />
<strong>photo</strong> gallery<br />
specialists<br />
who helped<br />
transform the perception of<br />
<strong>photo</strong>graphy from little more<br />
than interesting pictures<br />
to valued art on a par with<br />
paintings, drawings, woodcuts,<br />
and etchings. —Harold Martin<br />
POPPHOTO.COM