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TIME EXPOSURE * JANUARY 1985<br />

Composite Postcard<br />

Famed <strong>photo</strong>grapher Pete<br />

Turner created this cover <strong>photo</strong><br />

by combining pictures of two of<br />

New York City’s most famous<br />

landmarks . He shot both<br />

images using a Nikon F2 and<br />

Kodachrome 25 slide fi lm, with<br />

a 20mm ultrawide lens for the<br />

Brooklyn Bridge and 105mm<br />

medium-tele for Lady Liberty.<br />

The resulting slides were placed<br />

in an optical printer, where they<br />

114 POPULAR PHOTOGRAPHY JANUARY 2010<br />

25<br />

YEARS<br />

AGO<br />

A report<br />

from the<br />

Photokina<br />

show laid<br />

out new<br />

trends<br />

for<br />

1985.<br />

were color-corrected (CC 50 blue<br />

for the bridge, CC 30 green for<br />

the statue), and combined.<br />

Timeless Glamour<br />

Horst P. Horst created this<br />

classic portrait of Marlene<br />

Dietrich in 1942 for Vogue. Horst,<br />

the subject of a<br />

major retrospective<br />

at the<br />

International<br />

Center of<br />

www.storemags.com & www.fantamag.com<br />

Photography, was one of a small<br />

number of celebrity and fashion<br />

<strong>photo</strong>graphers whose work<br />

epitomized sophistication and<br />

glamour in the ’30s and ’40s.<br />

Three-Way Contest<br />

With three new medium-speed<br />

color-slide fi lms available, which<br />

should pro <strong>photo</strong>graphers<br />

choose? This image, captured<br />

with Kodachrome 64 Professional<br />

fi lm, was one of three identical<br />

pictures made on Agfachrome,<br />

Fujichrome, and Kodachrome in<br />

a comparison test of their performance.<br />

Not surprisingly, the<br />

ultimate choice was deemed a<br />

matter of personal preference.<br />

Tribute to a <br />

Pioneer<br />

Serving as an<br />

observer of the<br />

broad <strong>photo</strong><br />

world, this<br />

magazine noted<br />

the passing of<br />

Lee Witkin, one<br />

of the earliest<br />

<strong>photo</strong> gallery<br />

specialists<br />

who helped<br />

transform the perception of<br />

<strong>photo</strong>graphy from little more<br />

than interesting pictures<br />

to valued art on a par with<br />

paintings, drawings, woodcuts,<br />

and etchings. —Harold Martin<br />

POPPHOTO.COM

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