photo - Ken Gilbert
photo - Ken Gilbert
photo - Ken Gilbert
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bright ideas<br />
Continued from page 55<br />
you’ll almost always need to add<br />
exposure. With the spoonbill, I<br />
went 1/3-stop over the reading;<br />
with the gannet, a full stop.<br />
Wait for Shade<br />
If the light is just too harsh for<br />
<strong>photo</strong>graphy—as it was in the<br />
scene on Galápagos of the swallow-tailed<br />
gull chick on page 55,<br />
try waiting for a cloud to diffuse<br />
the sunlight. In this case all it took<br />
was a very thin cloud to soften<br />
the light, and the evaluative meter<br />
reading proved perfect.<br />
No clouds? Another strategy<br />
is to find subjects in open shade,<br />
or wait for your subject to move<br />
into shade. Look for trees or other<br />
vegetation, a large rock, a hill, a<br />
mountain, or a building. With a<br />
subject in shade, try to include a<br />
sunlit background.<br />
124 popular <strong>photo</strong>graphy january 2010<br />
www.storemags.com & www.fantamag.com<br />
In most cases you will need<br />
to add exposure over the meter<br />
reading. Another option is to<br />
spotmeter the subject, adjust for<br />
its tonality (add exposure for light<br />
subjects, subtract exposure for<br />
dark subjects), and then set that<br />
exposure manually.<br />
Example: This northern gannet<br />
chick, above, that I found resting<br />
right next to a viewing shelter on<br />
Bonaventure Island, Québec. To<br />
avoid the white down coming out<br />
as medium gray, I added 1.3 stops<br />
to the evaluative meter reading.<br />
Make your own Shade<br />
I’ve often said that 90 percent<br />
of all flower images could be<br />
improved by shading the subject—<br />
with a diffuser, a large piece<br />
of cardboard, a shirt, or even a<br />
friend’s body. The same technique<br />
can work well with other small