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52 popular photography january 2010 www.storemags.com & www.fantamag.com
Arthur Morris knew that the highlights on this Galápagos hawk would be too hot, so he reduced exposure by 1/3 EV from the reading on his tripodmounted Canon EOS-1D Mark III. Exposure through an 800mm f/5.6L Canon IS lens with Canon EF 1.4X II teleconverter: 1/250 sec at f/13, ISO 400. www.storemags.com & www.fantamag.com Text and photos by Arthur Morris YOU CAN STILL SHOOT GREAT IMAGES DURING THE “HARSH HOUR” to the Galápagos Islands, my group and I had just fi nished a long walk at Urbina Bay on a successful search for big, yellow land iguanas to photograph. Just before 11 a.m., the sun had broken through the light clouds, and it was obvious that we were fi nished shooting—the light was simply too harsh. Or was it? It’s taken as an article of faith that midday sun is simply no good for photography—you might as well use that time for a nap. But I don’t accept that, and neither should you. Had I adhered to this “rule,” I would have never captured the image of the Galápagos hawk on this spread. Here are several strategies for getting good pictures in harsh midday light, all of which can be used for a variety of wildlife—not just birds—and other nature subjects. Shortly after my traveling companions and I returned from POPPHOTO.COM popular photography 53
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