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guide<br />

the<br />

our opinionated take on the cameras and lenses we’ve tested<br />

canon eos-1d mark iii<br />

canon eos-1ds mark iii<br />

<br />

1/2 canon eos 5d mark ii<br />

1/2 APS-h<br />

fuLL-frAME PRICEY<br />

fuLL-frAME<br />

amateur pro amateur pro amateur pro<br />

$3,700, street, body<br />

only the emphasis is on<br />

speed over megapixels in<br />

the 1D mark III, an ideal tool<br />

for shooters of fast action.<br />

read about its soon-to-be<br />

replacement, the EoS 1D<br />

mark IV, in this issue.<br />

standout spec<br />

Demonic speed in auto-<br />

focusing, subject tracking,<br />

and, notably, burst rate:<br />

10 fps for full-res JPEGs.<br />

canon eos 7d<br />

APS-C<br />

amateur pro<br />

sensor 10.1mP cmoS,<br />

14-bit raW capture<br />

imaGe staBiliZation<br />

Lens-based<br />

video none<br />

lcd 3-in., 230,000-dot<br />

$1,700, street, body only<br />

canon’s new top aPS-c body is<br />

also its first with wireless flash<br />

control through the pop-up.<br />

Solid, weathersealed build is nEw ModEL<br />

bolstered by high-res images<br />

with low noise at high ISos. raW capture<br />

standout spec Its 8-fps imaGe staBiliZation<br />

native burst rate is the fastest Lens-based<br />

of any aPS-c format body, just video rES/FramE ratE<br />

beating out nikon’s D300s. 1080p/30 fps, 720p/60 fps<br />

sensor 18mP cmoS, 14-bit lcd 3-in., 920,000-dot<br />

canon eos reBel Xs<br />

1/2 APS-C<br />

amateur pro<br />

$500, street, with 18–55mm<br />

f/3.5 –5.6 eF-s is lens<br />

Inheriting the sensor of the<br />

former “top rebel” Xti, the<br />

XS adds live view to round<br />

out canon’s most economical<br />

DSLr. and it comes with<br />

an IS kit lens, standard.<br />

standout spec the XS,<br />

for an “entry-level” model,<br />

autofocuses faster than<br />

many a pricier camera.<br />

gEtting oLd<br />

sensor 10mP cmoS, 12-bit<br />

raW capture<br />

imaGe staBiliZation<br />

Lens-based<br />

video none<br />

lcd 2.5-in., 230,000-dot<br />

Our Star ratingS<br />

2001: a space odyssey<br />

star wars<br />

star trek<br />

Flash Gordon<br />

spaceBalls<br />

cameras and lenses—tested and rated<br />

For Full test reports and inFo<br />

on how we test and rate cameras and<br />

lenses, visit pop<strong>photo</strong>.com/reviews.<br />

$6,115, street, body<br />

only once canon’s<br />

megapixel king, it now<br />

shares that throne with<br />

the newer EoS 5D mark II.<br />

awesome image quality in a<br />

bulletproof body—at a high<br />

cost in both weight and<br />

dollars. a favorite of nature<br />

and studio shooters both.<br />

standout spec<br />

medium-format imaging from<br />

a (sort of) 35mm body.<br />

canon eos 50d<br />

APS-C<br />

amateur pro<br />

$980, street, body only<br />

now second banana in canon<br />

aPS-c models, it offers near<br />

class-leading image quality, a<br />

great build, and very speedy<br />

shooting—but no video. For<br />

that, you’ll need to move up to<br />

a 7D—or down to a rebel t1i.<br />

standout spec 6.3-fps<br />

burst rate still a standout in<br />

this class—but no longer the<br />

fastest of the fast.<br />

canon eos reBel Xsi<br />

1/2 APS-C<br />

amateur pro<br />

$600, street, with 18–55mm<br />

f/3.5 –5.6 eF-s is lens<br />

While it lacks video, the<br />

XSi’s well-designed package<br />

of fine imaging, fast-for-<br />

any-class aF, and excellent<br />

viewfinder make it a hit in<br />

its class. If you don’t need<br />

video, this may be your reb.<br />

standout spec relentless<br />

consistency of image quality<br />

throughout the ISo range.<br />

nikon d3X<br />

fuLL-frAME<br />

amateur pro<br />

sensor 21.1mP cmoS,<br />

14-bit raW capture<br />

imaGe staBiliZation<br />

Lens-based<br />

video none<br />

lcd 3-in., 230,000-dot<br />

sensor 15.1mP cmoS,<br />

14-bit raW capture<br />

imaGe staBiliZation<br />

Lens-based<br />

video none<br />

lcd 3-in., 920,000-dot<br />

sensor 12.2mP cmoS,<br />

14-bit raW capture<br />

imaGe staBiliZation<br />

Lens-based<br />

video none<br />

lcd 3-in., 230,000-dot<br />

Guide to the Guide<br />

In these three pages, we rate all of the current<br />

DSLRs (and one rangefinder), plus all of the<br />

current lenses within a given focal range, that<br />

we’ve tested. The star ratings reflect:<br />

CamERaS<br />

image quality: Includes resolution, noise,<br />

and color accuracy<br />

performance/capabilities: Includes<br />

autofocus, metering, and burst rate<br />

usability: Includes ergonomics, controls,<br />

and customization LEnSES<br />

optics: Such as sharpness, distortion, light falloff<br />

Barrel design: Includes focus and zoom<br />

rings, markings, and aF motor<br />

To match cameras and lenses, look for the labels.<br />

APS-C<br />

four thirdS<br />

bESt in CLASS<br />

gEtting oLd<br />

Is it worth the<br />

dough? Look for:<br />

fuLL-frAME nEw ModEL STEaL PRICEY<br />

$2,700, street, body only<br />

Long-awaited update of<br />

the original full-frame<br />

workhorse, the mark II<br />

impressed us with stellar image<br />

quality, hD video, rugged<br />

construction—but not the<br />

older aF system recycled from<br />

the mark I. Film students have<br />

taken to its video big time.<br />

standout spec Excellent<br />

image quality to ISo<br />

3200—’nuff said.<br />

canon eos reBel t1i<br />

APS-C<br />

amateur pro<br />

nikon d90<br />

1/2 APS-C<br />

amateur pro<br />

sensor 21.1mP cmoS,<br />

14-bit raW capture<br />

imaGe staBiliZation<br />

Lens-based<br />

video rES/FramE ratE<br />

1080p/30 fps, 720p/30 fps<br />

lcd 3-in., 920,000-dot<br />

$750, street, with 18–55mm<br />

f/3.5 –5.6 eF-s is lens<br />

as far from a “starter” camera<br />

as any rebel has ever come,<br />

the t1i has the same sensor bESt in CLASS<br />

and nearly the same<br />

processing power as pricier raW capture<br />

big brother EoS 50D. imaGe staBiliZation<br />

standout spec Sheer Lens-based<br />

imaging power—both still and video rES/FramE ratE<br />

video—ranks best for this price. 1080i/20 fps, 720p/30 fps<br />

sensor 15.1mP cmoS, 14-bit lcd 3-in., 920,000-dot<br />

$810, street, body only<br />

the first DSLr with video,<br />

it remains nikon’s main<br />

midlevel model, with great<br />

resolution, hD movie-making,<br />

and near-perfect layout. unlike sensor 12.3mP cmoS,<br />

lesser nikons, it accepts 12-bit raW capture<br />

lenses without aF motors. imaGe staBiliZation<br />

standout spec the pop-up Lens-based<br />

flash that supports wireless video rES/FramE ratE<br />

flash control. you won’t find 720p/24 fps<br />

that on the D5000.<br />

lcd 3-in., 920,000-dot<br />

PoPPhoto.com January 2010 popular <strong>photo</strong>graphy 93<br />

PRICEY<br />

$7,600, street, body only<br />

Without question, the overall<br />

image quality champ of<br />

current DSLrs—and should<br />

be for a while. Built like a tank,<br />

it’s heavy and expensive, but bESt in CLASS<br />

those who love it don’t care.<br />

has the fastest aF in low light. 14-bit raW capture<br />

standout spec the imaGe staBiliZation<br />

absolute, breathtaking Lens-based<br />

state-of-the-artness of it. video none<br />

sensor 24.5mP cmoS, lcd 3-in., 920,000-dot<br />

www.storemags.com & www.fantamag.com<br />

leica m9<br />

1/2 fuLL-frAME<br />

amateur pro<br />

$6,995, street, body only<br />

Leica finally serves up a<br />

full-frame m body, and it<br />

produced Excellent image<br />

quality through ISo 800.<br />

outside the lab, we loved the<br />

classic Leica style and good<br />

old-fashioned simplicity of<br />

operation. But what’s with the<br />

max ISo of 2500?<br />

standout spec a sensor<br />

that delivers all the quality<br />

PRICEY<br />

nEw ModEL<br />

Leica lenses can provide.<br />

sensor 18mP ccD, 14-bit<br />

raW capture<br />

imaGe staBiliZation none<br />

video none<br />

lcd 2.5-in., 230,000-dot<br />

STEaL

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