photo - Ken Gilbert
photo - Ken Gilbert
photo - Ken Gilbert
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guide<br />
the<br />
our opinionated take on the cameras and lenses we’ve tested<br />
canon eos-1d mark iii<br />
canon eos-1ds mark iii<br />
<br />
1/2 canon eos 5d mark ii<br />
1/2 APS-h<br />
fuLL-frAME PRICEY<br />
fuLL-frAME<br />
amateur pro amateur pro amateur pro<br />
$3,700, street, body<br />
only the emphasis is on<br />
speed over megapixels in<br />
the 1D mark III, an ideal tool<br />
for shooters of fast action.<br />
read about its soon-to-be<br />
replacement, the EoS 1D<br />
mark IV, in this issue.<br />
standout spec<br />
Demonic speed in auto-<br />
focusing, subject tracking,<br />
and, notably, burst rate:<br />
10 fps for full-res JPEGs.<br />
canon eos 7d<br />
APS-C<br />
amateur pro<br />
sensor 10.1mP cmoS,<br />
14-bit raW capture<br />
imaGe staBiliZation<br />
Lens-based<br />
video none<br />
lcd 3-in., 230,000-dot<br />
$1,700, street, body only<br />
canon’s new top aPS-c body is<br />
also its first with wireless flash<br />
control through the pop-up.<br />
Solid, weathersealed build is nEw ModEL<br />
bolstered by high-res images<br />
with low noise at high ISos. raW capture<br />
standout spec Its 8-fps imaGe staBiliZation<br />
native burst rate is the fastest Lens-based<br />
of any aPS-c format body, just video rES/FramE ratE<br />
beating out nikon’s D300s. 1080p/30 fps, 720p/60 fps<br />
sensor 18mP cmoS, 14-bit lcd 3-in., 920,000-dot<br />
canon eos reBel Xs<br />
1/2 APS-C<br />
amateur pro<br />
$500, street, with 18–55mm<br />
f/3.5 –5.6 eF-s is lens<br />
Inheriting the sensor of the<br />
former “top rebel” Xti, the<br />
XS adds live view to round<br />
out canon’s most economical<br />
DSLr. and it comes with<br />
an IS kit lens, standard.<br />
standout spec the XS,<br />
for an “entry-level” model,<br />
autofocuses faster than<br />
many a pricier camera.<br />
gEtting oLd<br />
sensor 10mP cmoS, 12-bit<br />
raW capture<br />
imaGe staBiliZation<br />
Lens-based<br />
video none<br />
lcd 2.5-in., 230,000-dot<br />
Our Star ratingS<br />
2001: a space odyssey<br />
star wars<br />
star trek<br />
Flash Gordon<br />
spaceBalls<br />
cameras and lenses—tested and rated<br />
For Full test reports and inFo<br />
on how we test and rate cameras and<br />
lenses, visit pop<strong>photo</strong>.com/reviews.<br />
$6,115, street, body<br />
only once canon’s<br />
megapixel king, it now<br />
shares that throne with<br />
the newer EoS 5D mark II.<br />
awesome image quality in a<br />
bulletproof body—at a high<br />
cost in both weight and<br />
dollars. a favorite of nature<br />
and studio shooters both.<br />
standout spec<br />
medium-format imaging from<br />
a (sort of) 35mm body.<br />
canon eos 50d<br />
APS-C<br />
amateur pro<br />
$980, street, body only<br />
now second banana in canon<br />
aPS-c models, it offers near<br />
class-leading image quality, a<br />
great build, and very speedy<br />
shooting—but no video. For<br />
that, you’ll need to move up to<br />
a 7D—or down to a rebel t1i.<br />
standout spec 6.3-fps<br />
burst rate still a standout in<br />
this class—but no longer the<br />
fastest of the fast.<br />
canon eos reBel Xsi<br />
1/2 APS-C<br />
amateur pro<br />
$600, street, with 18–55mm<br />
f/3.5 –5.6 eF-s is lens<br />
While it lacks video, the<br />
XSi’s well-designed package<br />
of fine imaging, fast-for-<br />
any-class aF, and excellent<br />
viewfinder make it a hit in<br />
its class. If you don’t need<br />
video, this may be your reb.<br />
standout spec relentless<br />
consistency of image quality<br />
throughout the ISo range.<br />
nikon d3X<br />
fuLL-frAME<br />
amateur pro<br />
sensor 21.1mP cmoS,<br />
14-bit raW capture<br />
imaGe staBiliZation<br />
Lens-based<br />
video none<br />
lcd 3-in., 230,000-dot<br />
sensor 15.1mP cmoS,<br />
14-bit raW capture<br />
imaGe staBiliZation<br />
Lens-based<br />
video none<br />
lcd 3-in., 920,000-dot<br />
sensor 12.2mP cmoS,<br />
14-bit raW capture<br />
imaGe staBiliZation<br />
Lens-based<br />
video none<br />
lcd 3-in., 230,000-dot<br />
Guide to the Guide<br />
In these three pages, we rate all of the current<br />
DSLRs (and one rangefinder), plus all of the<br />
current lenses within a given focal range, that<br />
we’ve tested. The star ratings reflect:<br />
CamERaS<br />
image quality: Includes resolution, noise,<br />
and color accuracy<br />
performance/capabilities: Includes<br />
autofocus, metering, and burst rate<br />
usability: Includes ergonomics, controls,<br />
and customization LEnSES<br />
optics: Such as sharpness, distortion, light falloff<br />
Barrel design: Includes focus and zoom<br />
rings, markings, and aF motor<br />
To match cameras and lenses, look for the labels.<br />
APS-C<br />
four thirdS<br />
bESt in CLASS<br />
gEtting oLd<br />
Is it worth the<br />
dough? Look for:<br />
fuLL-frAME nEw ModEL STEaL PRICEY<br />
$2,700, street, body only<br />
Long-awaited update of<br />
the original full-frame<br />
workhorse, the mark II<br />
impressed us with stellar image<br />
quality, hD video, rugged<br />
construction—but not the<br />
older aF system recycled from<br />
the mark I. Film students have<br />
taken to its video big time.<br />
standout spec Excellent<br />
image quality to ISo<br />
3200—’nuff said.<br />
canon eos reBel t1i<br />
APS-C<br />
amateur pro<br />
nikon d90<br />
1/2 APS-C<br />
amateur pro<br />
sensor 21.1mP cmoS,<br />
14-bit raW capture<br />
imaGe staBiliZation<br />
Lens-based<br />
video rES/FramE ratE<br />
1080p/30 fps, 720p/30 fps<br />
lcd 3-in., 920,000-dot<br />
$750, street, with 18–55mm<br />
f/3.5 –5.6 eF-s is lens<br />
as far from a “starter” camera<br />
as any rebel has ever come,<br />
the t1i has the same sensor bESt in CLASS<br />
and nearly the same<br />
processing power as pricier raW capture<br />
big brother EoS 50D. imaGe staBiliZation<br />
standout spec Sheer Lens-based<br />
imaging power—both still and video rES/FramE ratE<br />
video—ranks best for this price. 1080i/20 fps, 720p/30 fps<br />
sensor 15.1mP cmoS, 14-bit lcd 3-in., 920,000-dot<br />
$810, street, body only<br />
the first DSLr with video,<br />
it remains nikon’s main<br />
midlevel model, with great<br />
resolution, hD movie-making,<br />
and near-perfect layout. unlike sensor 12.3mP cmoS,<br />
lesser nikons, it accepts 12-bit raW capture<br />
lenses without aF motors. imaGe staBiliZation<br />
standout spec the pop-up Lens-based<br />
flash that supports wireless video rES/FramE ratE<br />
flash control. you won’t find 720p/24 fps<br />
that on the D5000.<br />
lcd 3-in., 920,000-dot<br />
PoPPhoto.com January 2010 popular <strong>photo</strong>graphy 93<br />
PRICEY<br />
$7,600, street, body only<br />
Without question, the overall<br />
image quality champ of<br />
current DSLrs—and should<br />
be for a while. Built like a tank,<br />
it’s heavy and expensive, but bESt in CLASS<br />
those who love it don’t care.<br />
has the fastest aF in low light. 14-bit raW capture<br />
standout spec the imaGe staBiliZation<br />
absolute, breathtaking Lens-based<br />
state-of-the-artness of it. video none<br />
sensor 24.5mP cmoS, lcd 3-in., 920,000-dot<br />
www.storemags.com & www.fantamag.com<br />
leica m9<br />
1/2 fuLL-frAME<br />
amateur pro<br />
$6,995, street, body only<br />
Leica finally serves up a<br />
full-frame m body, and it<br />
produced Excellent image<br />
quality through ISo 800.<br />
outside the lab, we loved the<br />
classic Leica style and good<br />
old-fashioned simplicity of<br />
operation. But what’s with the<br />
max ISo of 2500?<br />
standout spec a sensor<br />
that delivers all the quality<br />
PRICEY<br />
nEw ModEL<br />
Leica lenses can provide.<br />
sensor 18mP ccD, 14-bit<br />
raW capture<br />
imaGe staBiliZation none<br />
video none<br />
lcd 2.5-in., 230,000-dot<br />
STEaL