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photo - Ken Gilbert

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54 popular <strong>photo</strong>graphy january 2010<br />

our iguana shoot, several young<br />

hawks began hovering over the<br />

white sand beach, some landing<br />

on driftwood a good distance<br />

away. But with that area closed to<br />

protect sea turtle nests, we could<br />

not get into decent position—we<br />

had the sun directly in our faces.<br />

In this case I followed a basic<br />

strategy—when the sun is bright,<br />

shoot tight—and went with my<br />

longest lens plus a teleconverter.<br />

By cropping tightly, you can<br />

eliminate many of the harsh and<br />

distracting shadows in the scene.<br />

Morris<br />

shot this<br />

spoonbill<br />

with a tripodmounted<br />

Canon<br />

EOS-1D<br />

Mark III<br />

and 800mm<br />

f/5.6L Canon<br />

EF IS lens<br />

with 1.4X<br />

EF II teleconverter;<br />

1/1000 sec<br />

at f/10 (+0.3<br />

EV), ISO 400.<br />

www.storemags.com & www.fantamag.com<br />

Get low, try to move as close<br />

to your subject as possible (while<br />

always mindful of the welfare of<br />

the animal and your own safety<br />

as well), and try for as clean a<br />

background as possible. If you can<br />

get nearer to your subject than<br />

the minimum focusing distance<br />

of your lens, adding an extension<br />

tube will let you focus closer.<br />

use Strong Backlight<br />

Another strategy for shooting<br />

during the harsh hour is to exploit<br />

backlight. Keep in mind that on

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