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Digital Boudoir Photography : A Step-by-step Guide to ... - Ken Gilbert

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Looking at the<br />

Camera Melanie<br />

looks directly at us<br />

and draws us in<strong>to</strong> the<br />

image and <strong>to</strong> her.<br />

Watch the Eyes<br />

Lessons<br />

“The eyes are the mirror of the soul” is an old proverb<br />

that applies especially <strong>to</strong> pho<strong>to</strong>graphy. A woman’s eyes<br />

are a very key part of images, especially when they are<br />

more closely cropped. When the eyes are staring<br />

directly at the camera, it engages the viewer and draws<br />

him in<strong>to</strong> the scene in a way that the model looking<br />

away doesn’t.<br />

Sure, there are times when the model will look away<br />

and it will work great as a pho<strong>to</strong>graph. Those images<br />

tend <strong>to</strong> be 3/4 or full length, showing more of the<br />

model. They also work best when she is focused on<br />

doing something rather than just staring off in space.<br />

Importance of the Eyes<br />

The eyes are very important<br />

<strong>to</strong> the pho<strong>to</strong>graph.<br />

91<br />

Looking Away When<br />

she looks away, it tends<br />

<strong>to</strong> make us want <strong>to</strong><br />

know what she is looking<br />

at and takes us<br />

away from her.

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