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Digital Boudoir Photography : A Step-by-step Guide to ... - Ken Gilbert

Digital Boudoir Photography : A Step-by-step Guide to ... - Ken Gilbert

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92 <strong>Digital</strong> <strong>Boudoir</strong> <strong>Pho<strong>to</strong>graphy</strong><br />

Looking Away Since Deborah is not looking at the camera, it makes this pho<strong>to</strong>graph more private and more voyeuristic. Notice how this pho<strong>to</strong>graph works since you<br />

can see her mirror and makeup brush. We know what she is doing. Contrast this image with the previous figure where we don’t know what the model is looking at.<br />

Besides having the model look at the camera, “how” she looks at the camera will<br />

greatly affect the final result. When she has her chin raised, it gives the pho<strong>to</strong>graph a<br />

bit of an “attitude” and generally shows confidence. If you have her drop her chin<br />

down and use a higher angle <strong>by</strong> being higher than she is and shooting down at her a<br />

bit, it will create a more sensual or sexual look. You need <strong>to</strong> see the whites of her eyes<br />

below her iris <strong>to</strong> achieve this look. The whites of her eyes will only be seen below her<br />

eyes and not above it. In this case a more serious expression or very slight smile seems<br />

<strong>to</strong> work best.

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