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Education and Training in Developmental Disabilities - Division on ...

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Jacob, Carl, <str<strong>on</strong>g>and</str<strong>on</strong>g> Rachel Develop Ph<strong>on</strong>emic<br />

Awareness<br />

Jacob, Carl, <str<strong>on</strong>g>and</str<strong>on</strong>g> Rachel each resp<strong>on</strong>ded well<br />

to PA <str<strong>on</strong>g>in</str<strong>on</strong>g>structi<strong>on</strong>, though their progress was<br />

very slow. Jacob began the study with some PA<br />

skills, scor<str<strong>on</strong>g>in</str<strong>on</strong>g>g approximately 25 segments per<br />

m<str<strong>on</strong>g>in</str<strong>on</strong>g>ute <strong>on</strong> the ph<strong>on</strong>eme segmentati<strong>on</strong> fluency<br />

(PSF) measure of Dynamic Indicators of<br />

Basic Early Literacy Skills (DIBELS; Good &<br />

Kam<str<strong>on</strong>g>in</str<strong>on</strong>g>ski, 2002), while Carl <str<strong>on</strong>g>and</str<strong>on</strong>g> Rachel began<br />

the study scor<str<strong>on</strong>g>in</str<strong>on</strong>g>g 0 <strong>on</strong> this measure. Even<br />

though Jacob began the study with some PA,<br />

he struggled to <str<strong>on</strong>g>in</str<strong>on</strong>g>crease his skills <str<strong>on</strong>g>in</str<strong>on</strong>g> this area<br />

because of severe deficits <str<strong>on</strong>g>in</str<strong>on</strong>g> short-term memory.<br />

However, with<str<strong>on</strong>g>in</str<strong>on</strong>g> about 5 m<strong>on</strong>ths he<br />

reached the benchmark <str<strong>on</strong>g>and</str<strong>on</strong>g> with<str<strong>on</strong>g>in</str<strong>on</strong>g> approximately<br />

10 m<strong>on</strong>ths, his scores never dipped<br />

below benchmark aga<str<strong>on</strong>g>in</str<strong>on</strong>g>, <str<strong>on</strong>g>in</str<strong>on</strong>g>dicat<str<strong>on</strong>g>in</str<strong>on</strong>g>g he had<br />

clearly mastered the skill. Carl <str<strong>on</strong>g>and</str<strong>on</strong>g> Rachel<br />

resp<strong>on</strong>ded more slowly to <str<strong>on</strong>g>in</str<strong>on</strong>g>structi<strong>on</strong> <str<strong>on</strong>g>in</str<strong>on</strong>g> PA,<br />

requir<str<strong>on</strong>g>in</str<strong>on</strong>g>g extensive practice <str<strong>on</strong>g>and</str<strong>on</strong>g> scaffold<str<strong>on</strong>g>in</str<strong>on</strong>g>g at<br />

the earliest levels of PA. With Carl <str<strong>on</strong>g>and</str<strong>on</strong>g> Rachel,<br />

we used picture support <str<strong>on</strong>g>and</str<strong>on</strong>g> extensive practice<br />

<str<strong>on</strong>g>and</str<strong>on</strong>g> scaffold<str<strong>on</strong>g>in</str<strong>on</strong>g>g at the <strong>on</strong>set-rime level of<br />

PA. Carl began to show progress after approximately<br />

5 m<strong>on</strong>ths of <str<strong>on</strong>g>in</str<strong>on</strong>g>structi<strong>on</strong> <str<strong>on</strong>g>and</str<strong>on</strong>g> now performs<br />

very near the benchmark of 35. Rachel<br />

began to show progress <strong>on</strong> PSF after approximately<br />

<strong>on</strong>e year of the <str<strong>on</strong>g>in</str<strong>on</strong>g>terventi<strong>on</strong> <str<strong>on</strong>g>and</str<strong>on</strong>g><br />

reached mastery a few m<strong>on</strong>ths later.<br />

Techniques for Teach<str<strong>on</strong>g>in</str<strong>on</strong>g>g Ph<strong>on</strong>ics <str<strong>on</strong>g>and</str<strong>on</strong>g> Word<br />

Recogniti<strong>on</strong><br />

Focus<str<strong>on</strong>g>in</str<strong>on</strong>g>g <strong>on</strong> Key Skills<br />

Like PA <str<strong>on</strong>g>in</str<strong>on</strong>g>structi<strong>on</strong>, ph<strong>on</strong>ics <str<strong>on</strong>g>and</str<strong>on</strong>g> word recogniti<strong>on</strong><br />

activities focused <strong>on</strong> several key skills<br />

that were <str<strong>on</strong>g>in</str<strong>on</strong>g>tegrated over time <str<strong>on</strong>g>and</str<strong>on</strong>g> gradually<br />

<str<strong>on</strong>g>in</str<strong>on</strong>g>creased <str<strong>on</strong>g>in</str<strong>on</strong>g> difficulty. The first skill was basic<br />

letter-sound corresp<strong>on</strong>dence which began<br />

with students identify<str<strong>on</strong>g>in</str<strong>on</strong>g>g the most comm<strong>on</strong><br />

sound of <str<strong>on</strong>g>in</str<strong>on</strong>g>dividual letters <str<strong>on</strong>g>and</str<strong>on</strong>g> gradually students<br />

learned the sounds for various letter<br />

patterns. Sec<strong>on</strong>d, students were taught to read<br />

words sound by sound. These words were<br />

made up of the letters <str<strong>on</strong>g>and</str<strong>on</strong>g> patterns that had<br />

been taught, with students <str<strong>on</strong>g>in</str<strong>on</strong>g>itially read<str<strong>on</strong>g>in</str<strong>on</strong>g>g<br />

words <str<strong>on</strong>g>in</str<strong>on</strong>g> which each letter represented its<br />

most comm<strong>on</strong> sound (ex. ran, last, milk, sun,<br />

etc.) <str<strong>on</strong>g>and</str<strong>on</strong>g> gradually <str<strong>on</strong>g>in</str<strong>on</strong>g>creas<str<strong>on</strong>g>in</str<strong>on</strong>g>g <str<strong>on</strong>g>in</str<strong>on</strong>g> difficulty as<br />

students learned l<strong>on</strong>g vowel patterns (ex. like,<br />

ra<str<strong>on</strong>g>in</str<strong>on</strong>g>, light) <str<strong>on</strong>g>and</str<strong>on</strong>g> variant vowel patterns (ex.<br />

sound, claw, clown). F<str<strong>on</strong>g>in</str<strong>on</strong>g>ally, students learned<br />

high frequency words by sight if the words<br />

were irregularly spelled (ex. was, have) or if<br />

the sounds <str<strong>on</strong>g>in</str<strong>on</strong>g> the word had not been taught<br />

yet (ex. the word <strong>on</strong> is taught before the sound<br />

for short o is taught).<br />

Teach<str<strong>on</strong>g>in</str<strong>on</strong>g>g Letter-Sound Corresp<strong>on</strong>dence<br />

Although teach<str<strong>on</strong>g>in</str<strong>on</strong>g>g letter-sound corresp<strong>on</strong>dence<br />

is fairly straightforward, we do wish to<br />

highlight a few teach<str<strong>on</strong>g>in</str<strong>on</strong>g>g techniques that are<br />

important. As with most early read<str<strong>on</strong>g>in</str<strong>on</strong>g>g <str<strong>on</strong>g>in</str<strong>on</strong>g>terventi<strong>on</strong>s,<br />

we used mean<str<strong>on</strong>g>in</str<strong>on</strong>g>gful mnem<strong>on</strong>ic<br />

clues when <str<strong>on</strong>g>in</str<strong>on</strong>g>troduc<str<strong>on</strong>g>in</str<strong>on</strong>g>g new letter sounds to<br />

l<str<strong>on</strong>g>in</str<strong>on</strong>g>k the abstract sound to someth<str<strong>on</strong>g>in</str<strong>on</strong>g>g c<strong>on</strong>crete<br />

(ex. nose associated with n). We also provided<br />

extensive, cumulative review through a quick<br />

activity dur<str<strong>on</strong>g>in</str<strong>on</strong>g>g which students simply pr<strong>on</strong>ounced<br />

the sound for the letter <strong>on</strong> the chart<br />

when the teacher touched under the letter.<br />

To facilitate memory <str<strong>on</strong>g>and</str<strong>on</strong>g> the transfer of lettersound<br />

corresp<strong>on</strong>dence to the sound<str<strong>on</strong>g>in</str<strong>on</strong>g>g out<br />

strategy, teachers held a f<str<strong>on</strong>g>in</str<strong>on</strong>g>ger under the letter<br />

for two sec<strong>on</strong>ds when the letter was a c<strong>on</strong>t<str<strong>on</strong>g>in</str<strong>on</strong>g>uous<br />

sound (ex. /mmm/) <str<strong>on</strong>g>and</str<strong>on</strong>g> tapped under<br />

the letter if it was a stop sound (ex. /t/).<br />

In this way, students became accustomed to<br />

stretch<str<strong>on</strong>g>in</str<strong>on</strong>g>g sounds when they saw letters that<br />

represented c<strong>on</strong>t<str<strong>on</strong>g>in</str<strong>on</strong>g>uous sounds <str<strong>on</strong>g>and</str<strong>on</strong>g> more easily<br />

stretched those sounds dur<str<strong>on</strong>g>in</str<strong>on</strong>g>g sound<str<strong>on</strong>g>in</str<strong>on</strong>g>g<br />

out activities. Our curriculum also sequenced<br />

letter-sound <str<strong>on</strong>g>in</str<strong>on</strong>g>troducti<strong>on</strong> carefully, <str<strong>on</strong>g>in</str<strong>on</strong>g>troduc<str<strong>on</strong>g>in</str<strong>on</strong>g>g<br />

the most comm<strong>on</strong> sounds early, <str<strong>on</strong>g>in</str<strong>on</strong>g>troduc<str<strong>on</strong>g>in</str<strong>on</strong>g>g<br />

easier sounds prior to more difficult<br />

sounds, <str<strong>on</strong>g>and</str<strong>on</strong>g> separat<str<strong>on</strong>g>in</str<strong>on</strong>g>g c<strong>on</strong>fus<str<strong>on</strong>g>in</str<strong>on</strong>g>g letters <str<strong>on</strong>g>and</str<strong>on</strong>g><br />

sounds.<br />

Jacob, Carl, <str<strong>on</strong>g>and</str<strong>on</strong>g> Rachel Develop Letter-Sound<br />

Corresp<strong>on</strong>dence<br />

At the beg<str<strong>on</strong>g>in</str<strong>on</strong>g>n<str<strong>on</strong>g>in</str<strong>on</strong>g>g of the study, Jacob, Carl, <str<strong>on</strong>g>and</str<strong>on</strong>g><br />

Rachel knew very few, if any, letter sounds. We<br />

measured their progress <strong>on</strong> this skill us<str<strong>on</strong>g>in</str<strong>on</strong>g>g<br />

DIBELS N<strong>on</strong>sense Word Fluency (NWF) <str<strong>on</strong>g>and</str<strong>on</strong>g><br />

all three c<strong>on</strong>sistently scored 0 <strong>on</strong> this measure<br />

early <str<strong>on</strong>g>in</str<strong>on</strong>g> our study. Jacob’s scores began to<br />

improve somewhat after <strong>on</strong>ly <strong>on</strong>e m<strong>on</strong>th of<br />

<str<strong>on</strong>g>in</str<strong>on</strong>g>structi<strong>on</strong>, but he did not reach the benchmark<br />

of 50 letter sounds per m<str<strong>on</strong>g>in</str<strong>on</strong>g>ute until he<br />

had participated <str<strong>on</strong>g>in</str<strong>on</strong>g> the <str<strong>on</strong>g>in</str<strong>on</strong>g>terventi<strong>on</strong> for approximately<br />

two <str<strong>on</strong>g>and</str<strong>on</strong>g> a half years. Carl strug-<br />

Read<str<strong>on</strong>g>in</str<strong>on</strong>g>g Techniques / 361

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