Education and Training in Developmental Disabilities - Division on ...
Education and Training in Developmental Disabilities - Division on ...
Education and Training in Developmental Disabilities - Division on ...
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Jacob, Carl, <str<strong>on</strong>g>and</str<strong>on</strong>g> Rachel Develop Ph<strong>on</strong>emic<br />
Awareness<br />
Jacob, Carl, <str<strong>on</strong>g>and</str<strong>on</strong>g> Rachel each resp<strong>on</strong>ded well<br />
to PA <str<strong>on</strong>g>in</str<strong>on</strong>g>structi<strong>on</strong>, though their progress was<br />
very slow. Jacob began the study with some PA<br />
skills, scor<str<strong>on</strong>g>in</str<strong>on</strong>g>g approximately 25 segments per<br />
m<str<strong>on</strong>g>in</str<strong>on</strong>g>ute <strong>on</strong> the ph<strong>on</strong>eme segmentati<strong>on</strong> fluency<br />
(PSF) measure of Dynamic Indicators of<br />
Basic Early Literacy Skills (DIBELS; Good &<br />
Kam<str<strong>on</strong>g>in</str<strong>on</strong>g>ski, 2002), while Carl <str<strong>on</strong>g>and</str<strong>on</strong>g> Rachel began<br />
the study scor<str<strong>on</strong>g>in</str<strong>on</strong>g>g 0 <strong>on</strong> this measure. Even<br />
though Jacob began the study with some PA,<br />
he struggled to <str<strong>on</strong>g>in</str<strong>on</strong>g>crease his skills <str<strong>on</strong>g>in</str<strong>on</strong>g> this area<br />
because of severe deficits <str<strong>on</strong>g>in</str<strong>on</strong>g> short-term memory.<br />
However, with<str<strong>on</strong>g>in</str<strong>on</strong>g> about 5 m<strong>on</strong>ths he<br />
reached the benchmark <str<strong>on</strong>g>and</str<strong>on</strong>g> with<str<strong>on</strong>g>in</str<strong>on</strong>g> approximately<br />
10 m<strong>on</strong>ths, his scores never dipped<br />
below benchmark aga<str<strong>on</strong>g>in</str<strong>on</strong>g>, <str<strong>on</strong>g>in</str<strong>on</strong>g>dicat<str<strong>on</strong>g>in</str<strong>on</strong>g>g he had<br />
clearly mastered the skill. Carl <str<strong>on</strong>g>and</str<strong>on</strong>g> Rachel<br />
resp<strong>on</strong>ded more slowly to <str<strong>on</strong>g>in</str<strong>on</strong>g>structi<strong>on</strong> <str<strong>on</strong>g>in</str<strong>on</strong>g> PA,<br />
requir<str<strong>on</strong>g>in</str<strong>on</strong>g>g extensive practice <str<strong>on</strong>g>and</str<strong>on</strong>g> scaffold<str<strong>on</strong>g>in</str<strong>on</strong>g>g at<br />
the earliest levels of PA. With Carl <str<strong>on</strong>g>and</str<strong>on</strong>g> Rachel,<br />
we used picture support <str<strong>on</strong>g>and</str<strong>on</strong>g> extensive practice<br />
<str<strong>on</strong>g>and</str<strong>on</strong>g> scaffold<str<strong>on</strong>g>in</str<strong>on</strong>g>g at the <strong>on</strong>set-rime level of<br />
PA. Carl began to show progress after approximately<br />
5 m<strong>on</strong>ths of <str<strong>on</strong>g>in</str<strong>on</strong>g>structi<strong>on</strong> <str<strong>on</strong>g>and</str<strong>on</strong>g> now performs<br />
very near the benchmark of 35. Rachel<br />
began to show progress <strong>on</strong> PSF after approximately<br />
<strong>on</strong>e year of the <str<strong>on</strong>g>in</str<strong>on</strong>g>terventi<strong>on</strong> <str<strong>on</strong>g>and</str<strong>on</strong>g><br />
reached mastery a few m<strong>on</strong>ths later.<br />
Techniques for Teach<str<strong>on</strong>g>in</str<strong>on</strong>g>g Ph<strong>on</strong>ics <str<strong>on</strong>g>and</str<strong>on</strong>g> Word<br />
Recogniti<strong>on</strong><br />
Focus<str<strong>on</strong>g>in</str<strong>on</strong>g>g <strong>on</strong> Key Skills<br />
Like PA <str<strong>on</strong>g>in</str<strong>on</strong>g>structi<strong>on</strong>, ph<strong>on</strong>ics <str<strong>on</strong>g>and</str<strong>on</strong>g> word recogniti<strong>on</strong><br />
activities focused <strong>on</strong> several key skills<br />
that were <str<strong>on</strong>g>in</str<strong>on</strong>g>tegrated over time <str<strong>on</strong>g>and</str<strong>on</strong>g> gradually<br />
<str<strong>on</strong>g>in</str<strong>on</strong>g>creased <str<strong>on</strong>g>in</str<strong>on</strong>g> difficulty. The first skill was basic<br />
letter-sound corresp<strong>on</strong>dence which began<br />
with students identify<str<strong>on</strong>g>in</str<strong>on</strong>g>g the most comm<strong>on</strong><br />
sound of <str<strong>on</strong>g>in</str<strong>on</strong>g>dividual letters <str<strong>on</strong>g>and</str<strong>on</strong>g> gradually students<br />
learned the sounds for various letter<br />
patterns. Sec<strong>on</strong>d, students were taught to read<br />
words sound by sound. These words were<br />
made up of the letters <str<strong>on</strong>g>and</str<strong>on</strong>g> patterns that had<br />
been taught, with students <str<strong>on</strong>g>in</str<strong>on</strong>g>itially read<str<strong>on</strong>g>in</str<strong>on</strong>g>g<br />
words <str<strong>on</strong>g>in</str<strong>on</strong>g> which each letter represented its<br />
most comm<strong>on</strong> sound (ex. ran, last, milk, sun,<br />
etc.) <str<strong>on</strong>g>and</str<strong>on</strong>g> gradually <str<strong>on</strong>g>in</str<strong>on</strong>g>creas<str<strong>on</strong>g>in</str<strong>on</strong>g>g <str<strong>on</strong>g>in</str<strong>on</strong>g> difficulty as<br />
students learned l<strong>on</strong>g vowel patterns (ex. like,<br />
ra<str<strong>on</strong>g>in</str<strong>on</strong>g>, light) <str<strong>on</strong>g>and</str<strong>on</strong>g> variant vowel patterns (ex.<br />
sound, claw, clown). F<str<strong>on</strong>g>in</str<strong>on</strong>g>ally, students learned<br />
high frequency words by sight if the words<br />
were irregularly spelled (ex. was, have) or if<br />
the sounds <str<strong>on</strong>g>in</str<strong>on</strong>g> the word had not been taught<br />
yet (ex. the word <strong>on</strong> is taught before the sound<br />
for short o is taught).<br />
Teach<str<strong>on</strong>g>in</str<strong>on</strong>g>g Letter-Sound Corresp<strong>on</strong>dence<br />
Although teach<str<strong>on</strong>g>in</str<strong>on</strong>g>g letter-sound corresp<strong>on</strong>dence<br />
is fairly straightforward, we do wish to<br />
highlight a few teach<str<strong>on</strong>g>in</str<strong>on</strong>g>g techniques that are<br />
important. As with most early read<str<strong>on</strong>g>in</str<strong>on</strong>g>g <str<strong>on</strong>g>in</str<strong>on</strong>g>terventi<strong>on</strong>s,<br />
we used mean<str<strong>on</strong>g>in</str<strong>on</strong>g>gful mnem<strong>on</strong>ic<br />
clues when <str<strong>on</strong>g>in</str<strong>on</strong>g>troduc<str<strong>on</strong>g>in</str<strong>on</strong>g>g new letter sounds to<br />
l<str<strong>on</strong>g>in</str<strong>on</strong>g>k the abstract sound to someth<str<strong>on</strong>g>in</str<strong>on</strong>g>g c<strong>on</strong>crete<br />
(ex. nose associated with n). We also provided<br />
extensive, cumulative review through a quick<br />
activity dur<str<strong>on</strong>g>in</str<strong>on</strong>g>g which students simply pr<strong>on</strong>ounced<br />
the sound for the letter <strong>on</strong> the chart<br />
when the teacher touched under the letter.<br />
To facilitate memory <str<strong>on</strong>g>and</str<strong>on</strong>g> the transfer of lettersound<br />
corresp<strong>on</strong>dence to the sound<str<strong>on</strong>g>in</str<strong>on</strong>g>g out<br />
strategy, teachers held a f<str<strong>on</strong>g>in</str<strong>on</strong>g>ger under the letter<br />
for two sec<strong>on</strong>ds when the letter was a c<strong>on</strong>t<str<strong>on</strong>g>in</str<strong>on</strong>g>uous<br />
sound (ex. /mmm/) <str<strong>on</strong>g>and</str<strong>on</strong>g> tapped under<br />
the letter if it was a stop sound (ex. /t/).<br />
In this way, students became accustomed to<br />
stretch<str<strong>on</strong>g>in</str<strong>on</strong>g>g sounds when they saw letters that<br />
represented c<strong>on</strong>t<str<strong>on</strong>g>in</str<strong>on</strong>g>uous sounds <str<strong>on</strong>g>and</str<strong>on</strong>g> more easily<br />
stretched those sounds dur<str<strong>on</strong>g>in</str<strong>on</strong>g>g sound<str<strong>on</strong>g>in</str<strong>on</strong>g>g<br />
out activities. Our curriculum also sequenced<br />
letter-sound <str<strong>on</strong>g>in</str<strong>on</strong>g>troducti<strong>on</strong> carefully, <str<strong>on</strong>g>in</str<strong>on</strong>g>troduc<str<strong>on</strong>g>in</str<strong>on</strong>g>g<br />
the most comm<strong>on</strong> sounds early, <str<strong>on</strong>g>in</str<strong>on</strong>g>troduc<str<strong>on</strong>g>in</str<strong>on</strong>g>g<br />
easier sounds prior to more difficult<br />
sounds, <str<strong>on</strong>g>and</str<strong>on</strong>g> separat<str<strong>on</strong>g>in</str<strong>on</strong>g>g c<strong>on</strong>fus<str<strong>on</strong>g>in</str<strong>on</strong>g>g letters <str<strong>on</strong>g>and</str<strong>on</strong>g><br />
sounds.<br />
Jacob, Carl, <str<strong>on</strong>g>and</str<strong>on</strong>g> Rachel Develop Letter-Sound<br />
Corresp<strong>on</strong>dence<br />
At the beg<str<strong>on</strong>g>in</str<strong>on</strong>g>n<str<strong>on</strong>g>in</str<strong>on</strong>g>g of the study, Jacob, Carl, <str<strong>on</strong>g>and</str<strong>on</strong>g><br />
Rachel knew very few, if any, letter sounds. We<br />
measured their progress <strong>on</strong> this skill us<str<strong>on</strong>g>in</str<strong>on</strong>g>g<br />
DIBELS N<strong>on</strong>sense Word Fluency (NWF) <str<strong>on</strong>g>and</str<strong>on</strong>g><br />
all three c<strong>on</strong>sistently scored 0 <strong>on</strong> this measure<br />
early <str<strong>on</strong>g>in</str<strong>on</strong>g> our study. Jacob’s scores began to<br />
improve somewhat after <strong>on</strong>ly <strong>on</strong>e m<strong>on</strong>th of<br />
<str<strong>on</strong>g>in</str<strong>on</strong>g>structi<strong>on</strong>, but he did not reach the benchmark<br />
of 50 letter sounds per m<str<strong>on</strong>g>in</str<strong>on</strong>g>ute until he<br />
had participated <str<strong>on</strong>g>in</str<strong>on</strong>g> the <str<strong>on</strong>g>in</str<strong>on</strong>g>terventi<strong>on</strong> for approximately<br />
two <str<strong>on</strong>g>and</str<strong>on</strong>g> a half years. Carl strug-<br />
Read<str<strong>on</strong>g>in</str<strong>on</strong>g>g Techniques / 361