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HUGIJENOT ARTISTS DESIGNERS AND CRAYPSNEN IN GREAT ...

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12.<br />

It has already been emphasized that Huguenot artists arid craftsmen<br />

caine to Britain in large numbers during the 1680's and during the 1690's<br />

with encouragement from William III. It has not, however, been fully<br />

realised, that persecution of the Huguenots in France continued well into<br />

the late eighteenth century. It was only with the event of the French<br />

Revolution in 1789 that the Huguenots were able to enjoy freedom of worship<br />

again in France. It is therefore of interest to note, that when the<br />

engraver Andrew Lawrence, who was, incidentally, of Huguenot descent, died<br />

in Paris in 17k7, he was buried at midnight in a timberyard outside the<br />

Porte Sainte Antoine, 'the usual burial place of Hereticks'. Thomas<br />

Major, a friend and colleague, reported that 'Lawrence's body was conducted<br />

in a Hackney Coach, guarded by order of the Cominissaire du Quartier by<br />

four soldiers, armed to protect them from the insolence and rage of the<br />

Populace, who otherwise might have torn them in pieces, so strong are<br />

the prejudices of the common people which are continually fomented by<br />

the Romish Clergy against the Protestants'. 2° The situation in France<br />

was evidently ambiguous, as some Huguenots managed to return to live<br />

there in the first half o the eighteenth century, although the extent<br />

to which they compromised their faith is not known.<br />

Huguenot artiFts and designers continued to leave France for Britain<br />

in the eighteenth century, and Roubiliac's arrival in the 1730's should<br />

be seen against this background. Other artists, whose families had settled<br />

in Geneva, Berlin or Holland, probably came to Britain in search of work,<br />

tempted by the additional attraction of a fully established Huguenot<br />

community, which meant not only freedom of worship, but established<br />

connections with the British aristocracy, and therefore patronage.<br />

The appropriate Huguenot roles of private chaplain and tutor to noble<br />

families played a vital part in the patronage of Huguenot artists and<br />

craftsmen. Monsieur Huet, a Huguenot minister, was acting as steward to<br />

the 1st Duke of Devonshire at Chatsworth, where many of the craftsmen<br />

employed in the rebuilding at that time were Huguenots. An interesting<br />

letter, preserved at Chatsworth, from M.Huet to Mr.Jaines Whildon, dated<br />

February 8th, 1699/1700, reveals Mr Huet's predicament as a minister.<br />

'I am mightily obliged to you for your advice about the living, but I<br />

am not in a condition to make use of it, the want of the Anglish tongue<br />

hinders me of such things and I am now to old to learne well enough<br />

to be understood by the people and to serve a parish by a proxy I never<br />

liked for fear to be saved by proxy too - So I have said nothing of it<br />

to his grace.' This is not the only example of a Huguenot minister being

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